Showing titles in African

Omar Sharif leads an all-Egyptian cast in this three-part drama, recorded entirely in Egypt's capital. Adapted from the novels of Nobel Prize-winning author Naguib Mahfouz, this gripping family saga chronicles the life of a downwardly-mobile middle class family as Egypt emerges from colonialism...

The Teeth of GiantsIn the most savage wilderness on the planet, the Chinese crime cartels hunted the elephants for their ivory. And nobody dared to cross them... Could one man help to put an end to this horrific trade? He was an old friend. His death was suspicious. At the least, ex-special forces soldier Jason Green had to return to Africa to pay his respects. He never intended to get caught up in the murky world of the illegal ivory trade. And falling for a hot-blooded television reporter wasn't part of the plan either.

Avant, Gabriel faisait les quatre cents coups avec ses copains dans leur coin de paradis. Et puis l'harmonie familiale s'est disloquée en même temps que son "petit pays", le Burundi, ce bout d'Afrique centrale brutalement malmené par l'Histoire. Plus tard, Gabriel fait revivre un monde à jamais perdu. Les battements de cœur et les souffles coupés, les pensées profondes et les rires déployés, le parfum de citronnelle, les termites les jours d'orage, les jacarandas en fleur.

Nelson Mandela's Favorite African Folktales is an extraordinary audiobook featuring Gillian Anderson, Benjamin Bratt, LeVar Burton, Ricardo Chavira, Don Cheadle, Matt Damon, Whoopi Goldberg, Sean Hayes, Hugh Jackman, Samuel L. Jackson, LaTanya Richardson Jackson, Scarlett Johansson, Debra...

"Je suis la véritable trace, le plus solide des indices attestant de tout ce que nous avons vécu en dix ans en Algérie. Je cache l’histoire d’une guerre entière, inscrite sur ma peau depuis que je suis enfant." Aube est une jeune Algérienne qui doit se souvenir de la guerre d’indépendance, qu’elle n’a pas vécue, et oublier la guerre civile des années 1990, qu’elle a elle-même traversée. Sa tragédie est marquée sur son corps : une cicatrice au cou et des cordes vocales détruites. Muette, elle rêve de retrouver sa voix.

One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization.

To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images. Yet here, through personal essays from twenty-four of its writers, a more accurate...

Urban Poetry & Truth: The Echo of the Streets Raw. Real. Resilient. The streets have a voice—do you hear it? Urban Poetry & Truth: The Echo of the Streets is a lyrical journey through the grit, soul, and unbreakable spirit of city life. Through powerful storytelling, rhythmic flow, and hard-hitting truth, this collection captures the voices of those who live, love, fight, and survive in the urban landscape. Divided into Three Powerful Sections: The Streets & The Struggle – Survival, injustice, and the fight to make it through another day.

When her husband dies, aging Miss Helen begins to fill her home in the remote South African bush with strange sculptures made from beer cans and old headlights. A local clergyman and a young woman visitor try to decide whether Miss Helen's peculiar art is an outpouring of creativity or an outbreak of madness.

A sister’s phone call from a war-torn village. A child’s drawing held up to a flickering screen. A homeland that still dares to call itself the Land of Good. A Field Divided: Voices of Sister, Sons, and Homeland is a poetic chronicle of Sudan’s recent war and its long shadows, told through three central poems and the reflections that surround them. In “Omzina: A Wound in Two Tobes”, a brother listens as his sister’s voice crosses miles of dust and silence.

The Willie Lynch Letter and the Making of a Slave is a study of slave making. It describes the rationale and the results of Anglo Saxon's ideas and methods of insuring the master/slave relationship. The infamous Willie Lynch letter gives both African and Caucasian students and teachers some insight, concerning the brutal and inhumane psychology behind the African slave trade.

Trois femmes, trois histoires, trois destins liés. Ce roman polyphonique retrace le destin de la jeune Ramla, arrachée à son amour pour être mariée à l'époux de Safira, tandis que Hindou, sa sœur, est contrainte d'épouser son cousin. Patience ! C'est le seul et unique conseil qui leur est donné par leur entourage, puisqu'il est impensable d'aller contre la volonté d'Allah. Comme le dit le proverbe peul : "Au bout de la patience, il y a le ciel." Mais le ciel peut devenir un enfer. Comment ces trois femmes impatientes parviendront-elles à se libérer ?

Professor Hakim Adi draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America.

W.E.B. Du Bois, who drew from his own experiences as an African-American living in American society, explores the concept of "double-consciousness"—a term he uses to describe living as an African-American and having a "sense of always looking at one's self through the eyes of others." With Du Bois' examination of Black life in post-Civil War America, his explanation of the meaning of emancipation and its effect, and his views on the roles of the black leaders of his time, The Souls of Black Folk is one of the important early works in the field of sociology.

Arrested in 1962 as South Africa's apartheid regime intensified its brutal campaign against political opponents, 44-year-old lawyer and African National Congress activist Nelson Mandela had no idea that he would spend the next 27 years in jail. During his 10,052 days of incarceration, Mandela wrote hundreds of letters to unyielding prison authorities, fellow activists, government officials, and, most memorably, his courageous wife, Winnie, and his five children. Now, 255 of these letters, a majority of which were previously unpublished, provide the most intimate portrait of Mandela since Long Walk to Freedom.

Whether or not we realize it, affirmations are already part of our daily dialogue with others and with ourselves. Whatever we speak, proclaim, or declare is coming from a place of belief and acceptance, that what we have said already is, or will be so. Unfortunately, not all of our affirmations are positive, and over time we get stuck into habits of affirming in our lives the very things we do NOT desire.

In this book-length epic poem set in northern Nigeria, Saddiq Dzukogi blends the personal with the mythical, part prayer and part praise song, expanding the griot tradition of Bakandamiya, a poetic form from northern Nigeria popularized by Mamman Shata.

From Malawian storyteller Upile Chisala comes a collection of poetry and prose exploring the self, joy, Blackness, gender, matters of the heart, spirituality, the experience of Diaspora, and above all, how we survive. Told in five parts, soft magic is a shared healing journey.

Ífè Myths presents one of the earliest English-language collections of Yoruba sacred stories—gathered directly from the people of Southwestern Nigeria during the author’s years of service as an Assistant District Officer. Living among Yoruba communities, the collector gained rare access to fragments of oral tradition, ritual incantations, and passing references that, when carefully assembled, reveal glimpses of the spiritual worldview that shaped one of Africa’s greatest civilizations.

Named after the first man at the creation of the world in Malagasy mythology, Ietsy Razak was raised to perpetuate the glory of his namesake and expected to be as illuminated as his Great Ancestor. But in the chaos of modernity, his young life is marked only by restlessness, maddening insomnia, and an adolescent apathy.

Shining a light on the remarkable, untold stories of reconciliation in Rwanda since the genocide in 1994, Kill the Devil is a love story between a survivor and a perpetrator of genocide in a lesson for our times and for all time.

Kamali Danladi has sworn never to get married again. But his meddling mother is bent on hitching him to any eligible female that comes along to the next family gathering. There's only one thing for it. Get fake-hitched to his executive assistant. If anyone is more averse to marriage than he is, it's her. So they'll be perfect together. Or at least, they'll fake perfect together. Ebun Forson doesn't do families. She certainly doesn't do festivities.

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

This collection of poems explores the movements, excesses, and extremes of existing as a postmodern person, connecting these experiences to ancestry by reimagining memories, history, homesteads, migration, and the intersections of the past, present, and possible futures.

L’inventaire des rêves, c’est avant tout la naissance de quatre grandes héroïnes, quatre femmes puissantes venues d’Afrique de l’Ouest dont les destins et les rêves se croisent. Chiamaka est une rebelle qui a déçu sa famille huppée du Nigeria, car au mariage avec enfants elle préfère vivre de sa plume, sans attaches.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

Quand l'ambition et la tradition tuent l'amour... Boussoura et Seini forment un couple moderne qui vit à Yaoundé. Il est médecin, elle est professeure de littérature. Une famille épanouie jusqu'au jour où tout bascule quand Seini est rattrapé par son passé. Fils de roi, il est appelé à prendre la succession. Malgré les réserves de son épouse, l'attrait du pouvoir est le plus fort. Devenu lamido, commandeur des croyants et garant des traditions et de la religion, il se transforme en roi tout-puissant.

In ärmlichen Verhältnissen im Süden Afrikas aufgewachsen, heiratet Mary einen Farmer. Doch das weiße Paar hat sich wenig zu sagen, und der finanzielle Ruin rückt Jahr für Jahr näher. Als ein schwarzer Farmarbeiter als Diener ins Haus geholt wird, wird Mary für ihr rassistisches Verhalten bestraft. "Afrikanische Tragödie" erzählt nicht nur die Geschichte einer missglückten Ehe, sondern demonstriert die erstickende Kraft kolonialer Herrschaft in Rhodesien, dem heutigen Simbabwe. Eva Mattes liest den 1950 erschienenen Debütroman von Doris Lessing, die selbst in Rhodesien aufwuchs und 2007 den Literaturnobelpreis erhielt.

In this never-before-published collection, poet Upile Chisala grapples with themes of love, loss, and desire. Throughout this third book, she explores her identity as a black Malawian woman, offering intimate reflections on her life and experiences, imparting a stirring, universal message of empowerment and self-love.

En 1994, alors que l'Algérie s'enfonce dans la violence, ses parents choisissent de retourner s'y installer avec leurs enfants. Le lendemain de leur arrivée, la voiture familiale tombe sur un faux barrage tenu par le GIA, le Groupe islamique armé, premier événement d'une série de tragédies liées à la décennie noire. Pourquoi ses parents ont-ils voulu rentrer alors que tous ceux qui le peuvent fuient le pays ? Comment se construire lorsque le passé hante et dévore vos nuits ?

Collective Amnesia: The Audio Experience is the marriage of sound, poetry, music, and theatre making, a storytelling experience for the ears, transporting the listener from their reality into the worlds of the poems.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.