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Mr. Bennet is dying. Can Elizabeth and her sisters find success and love in the midst of upheaval and sorrow? An urgent letter calls Elizabeth and Jane Bennet back to Longbourn from London. Mr. Bennet is dying, though Mrs. Bennet refuses to believe the terrible truth of his imminent demise. The master of Longbourn rests in the knowledge that his talented daughters will sustain the family when he passes.

Da Mad Dok Grotsnik, creator of Ghazghkull Thraka, is a painboy beyond legend. What – and who – he harbours in his formidable brain is a mystery to every ork but himself, and an army of orderlies provides him with a constant supply of flesh with which to tinker. When Grotsnik comes to the aid of Beastboss Bakmun, whose rampage on Hive Prome teeters on the brink of going out not with a Waaagh! but with a whimper, Bakmun can't believe his luck.

Is not the very meaning of love that it surpasses every objection against it? Jilted. Never did Mr. Darcy imagine it could happen to him. But it has, and by Elizabeth Bennet, the woman who first hated and rejected him but then came to love him - he believed - and agree to be his wife. Alas, it is a short-lived, ill-fated romance that ends nearly as soon as it has begun. No reason is given. More than a year since he last saw her - a year of anger, confusion, and despair - he receives an invitation from the Bingleys to a house party at Netherfield.

Out of options, Ufthak leads his Waaagh! through the mysterious webway, to a place where kunnin’, sneakin’, and thinkin’ are the name of the game. A place with little truck for muscle and brawn – Commorragh, the Dark City. Here, where kabals and haemonculus covens pump psychic viscera into the warp, Ufthak is thrown into gladiatorial combat and soon finds himself up against an archon who will stop at nothing to prove she deserves to rule the Dark City – even if it means bringing Commorragh down around her.

Wilkie Collins was one of Victorian England's best-loved and best-selling authors, and a crime-fiction pioneer. His enthralling 'sensation novels' such as The Woman in White paved the way for today's thrillers and his tour de force The Moonstone is one of the first, and greatest, modern-detective stories. This collection features dramatisations of these two masterpieces, with star casts including Toby Stephens (The Woman in White) and John Sharp (The Moonstone). Also included are adaptations of three of Collins' other major novels.

Spike Milligan, Harry Secombe and Peter Sellers star in seven early episodes of The Goon Show, plus a plethora of bonus features. Immensely popular and hugely influential, the groundbreaking series The Goon Show changed the face of British comedy.

Suits you, Sir! With a host of memorable characters and catch-phrases, The Fast Show was one of the most popular BBC TV comedy shows ever. The talents of Paul Whitehouse, Charlie Higson, Caroline Aherne, Simon Day and many more come together in this collection of selected TV episodes and special...

With only one bastion still standing on the once unconquerable fortress world of Aranua, Warboss Gazrot Goresnappa should be basking in the light of impending victory. Instead, he lies ‘proppa dead’ beneath a decapitated Gargant’s head. The biggest and baddest bosses from each of the six (no-longer-united) clans step forward to duke it out to become the next warboss – but the ork gods have other plans. A prophecy foretells of a mysterious gate that lies beneath the human city. The one true warboss will be the first to find it, and will use it to turn the galaxy green.

Series 1 and 2 of the hilarious radio sitcom starring Harry H. Corbett and Wilfred Brambell, adapted from the much-loved TV series. Steptoe and Son ran for eight series on BBC TV and even spawned two feature films. Such was the series' popularity in the mid-1960s that the cast specially recorded several episodes for BBC radio. Here, collected together for the first time, are all 21 episodes from the first and second radio series, scripted by Hancock's Half Hour creators Ray Galton and Alan Simpson.

When Elizabeth Bennet and Mr. Darcy find themselves locked together in the library during the Netherfield Ball, they face compromise and scandal. Elizabeth’s startling solution to the problem causes Fitzwilliam Darcy to discover something profound—the lady he ardently admires thoroughly despises him. Darcy resolves to do everything in his power to change her mind about him. With gossip and slander flowing throughout Meryton, this is not an easy task, but Darcy has never backed down from difficulty.

A selection of episodes of the iconic radio show about the Australian flying doctor service Listen now to this delight from the archives. A timeless and exciting drama series giving a fictional insight into the work of the Royal Flying Doctor Service of Australia. Adapted from the TV series, The...

When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a house in London, he soon discovers some strange and shocking things about his new client. And then some strange things start happening back in England: an apparently unmanned ship is wrecked off the coast of Whitby, a young woman discovers strange puncture marks on her neck and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.

Sometimes the real folly is falling in love. Fitzwilliam Darcy is prepared for the usual argument when he arrives at his aunt's estate in Kent—the one about Lady Catherine’s poorly built, badly situated folly. What he is not prepared for is to learn that Miss Elizabeth Bennet is currently residing at the parsonage across the lane. The woman he fled Hertfordshire to forget is still pretty, witty, and poor, not at all the sort of woman his family would approve of as his wife. But when Darcy's warnings prove his foresight in a dramatic fashion, neither will leave Kent entirely unscathed.

Somehow, his hapless sister had begun a rumor that he was romantically attached to the penniless young woman, from an unheard-of and vulgar family, with whom duty and good sense forbade him from ever considering an alliance…but whose extraordinary wit and captivating eyes he had been entirely unable to banish from his thoughts.

Elizabeth Bennet happens upon Georgiana in Ramsgate, along with her companion and an old family friend. Her new acquaintance seems to have everything: family, fortune and love. But when Elizabeth observes some strange things, she suspects that all is not as it appears, and a few well-intentioned words set into motion a surprising series of events.

Disheartened and convinced by Elizabeth's assertion of Miss Bingley's character, Jane Bennet insists Elizabeth return to London with the Gardiners after Christmas to provide her with a reprieve from their mother, who has not accepted Elizabeth's rejection of Mr. Collins's suit.

Mr. Darcy’s proposal is rejected. But a hero is born. Elizabeth Bennet was entirely surprised when Mr. Fitzwilliam Darcy proposed marriage to her. He was more surprised when Elizabeth forcefully rejected him. Colonel Fitzwilliam, caught in the middle, fuels her considerable self-doubt. Had she been wrong about the rude and snobbish Mr. Darcy? Jane is shaken by events of the past, and the scales fall from her eyes, revealing to her a world filled with evil. Her anger toward Bingley pushes them apart. Can Bingley’s best efforts overcome poor odds or has Jane moved on for good?

A ride on a stormy day has disastrous consequences for Fitzwilliam Darcy, who finds himself grievously injured and bedridden–and with no memory of Elizabeth Bennet, the woman to whom he has been married for several years. Recovery is slow as his head injury has made it difficult for him to read and write, and a suspected fracture in his leg has made walking painful.

Monolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, ringing feedback, chest plate sub-bass, avant-garde eccentricity, sound weaponry and fervent spiritualism.

It is a truth universally acknowledged that a single vampire must be in want of a wife. A girl easily molded, incurious, indifferent, and demanding nothing beyond access to his fortune. Fitzwilliam Darcy knows exactly who he needs. He can fix on the hour, the spot, the look, and the words which laid the foundation for an obsession he rejected. But 10 years later, at an assembly in an obscure village in Hertfordshire, he finds himself in the middle once more. His needs are unalterable. But can he resist the one woman he truly wants?