Showing results by publisher "ISIS Audio Books" in Women Sleuths

Liverpool, 1539. A pregnant novice nun, Agnes Moore, ejected from her convent, claims to have been attacked in the ancient chapel of St Mary del Quay by Satan himself. Her former abbess, Lady Katheryn Lukeley, comes to her aid, but Agnes refuses to identify her lover.

Primavera is enjoying the quiet life in an idyllic village on the Catalan coast of Spain. The attractive single mother and eight-year-old Tom, son of the late and still lamented Oz Blackstone, are popular figures in the tiny community. But her close friendship with the parish priest has eyebrows rising and tongues wagging. Then a dispute explodes with a powerful councillor who refuses to allow the village wine fair to go ahead. When his body is found, head caved in, some ominous questions are asked.

Rose McQuinn makes a long anticipated journey to her childhood home on Orkney, but does not find the peace and relaxation she anticipates. An archaeological team stumbles across a body, causing great excitement: could it be the preserved corpse of a 13th-century princess? When the body is identified as the corpse of a local woman, brutally murdered and then thrown into the bog, the calm pleasure of Rose's holiday is shattered.

There’s nothing sinister about Zander’s request for Bea Abbott to accompany him on an errand to a grieving widow, but it’s an awkward situation. Zander exposed a scam that his boss Denzil had been running on the Tudor Housing Trust…after which Denzil had, unexpectedly, died. His widow wants to sue the Trust, while the paperwork that could have proved her husband’s guilt has gone missing. Oliver, Bea’s computer geek of an assistant, is delighted to delve into the mysteries left on Denzil’s computer.

Thea Osborne and her trusty spaniel, Hepzie, have been asked by the Montgomerys to look after their house in Blockley while they take a much-needed holiday. Their elderly mother, Granny Gardner, shouldn't be any trouble - although she is slightly forgetful. Thea's got far more to worry about when a body is discovered in the house next door.

Velma is charm itself, especially when she's being inexact with the truth. Now she wants Bea, widowed owner of the Abbot Agency, to check up on her stepson Philip - he's somehow acquired a valuable picture last seen in the flat of an elderly lady who's been murdered. Maggie, Bea's assistant, moves into a flat in Philip's building, to investigate. However, Rafael a professional art thief who aims never to leave his victims alive, is also after the picture.

Oz Blackstone, enormously wealthy screen hero and sleuth, dies of a ruptured aorta. Her mind still filled with thoughts of her dead ex-husband, Primavera Blackstone is in Spain with their son Tom when their peace is breached again with the arrival of her formidable aunt, Adrienne McGowan, whose son, Frank, has disappeared.

Thea Osborne and her spaniel, Hepzie, are house-sitting in the quiet village of Temple Guiting. Detective Superintendent Phil Hollis is looking forward to visiting for a night or two and celebrating the couple's anniversary. A few days into their stay, a pile of human bones is discovered at the base of an uprooted tree. The locals all have their theories about their identity and rumours abound. Thea and Phil discover that the village turns out to have more than its fair share of secrets.

When a colleague becomes seriously ill, Chief Superintendent Frances Harman delays her retirement to oversee an investigation into a recent spate of "happy slappings". Initially, she takes a back seat, but it is not long before she is close to the action again.

While out collecting some Portuguese laurel for the formidable flower arranger Mrs Dawes, feisty widow Ellie Quicke comes across a dead body - a corpse without an identity. Next day, Mrs Dawes is discovered by Ellie and her grandson, Frank, badly beaten and close to death. Much to Ellie's dismay, the police think shaven-headed Neil, Mrs Dawes' grandson, is responsible, even after a third body comes to light.

DCS Fran Harman's relationship with Assistant Chief Constable Mark Turner is going well and they are buying a house together. At work, a former protégé, Simon Gates, has just become her new boss. But there are complications with Simon and with Mark's daughter. Even the environment is hostile, the water in Fran's village tainted by something in the local reservoir. Some good old-fashioned detective work seems a useful antidote.

Bea Abbot and her husband have been running a highly successful domestic agency for many years, but when he falls ill and dies, she is pressured by her MP son and novelist daughter to retire. Bea is so tired from the long years of nursing her husband that all she wants is peace and quiet, and to have her pretty early Victorian house in Kensington, London, all to herself. What she gets is a couple of young lodgers with troubled backgrounds and an old friend banging on her door, asking for help.

Bea Abbot's domestic agency does not investigate murder...that is, until she finds herself in the company of a dead man dressed as a pantomime dame. It looks like suicide, but why don't his red-spangled shoes fit? Matthew Kent was an entertainer known to be a modest man in private, so why had he staged this grotesque charade in death? And why is his daughter so keen to hustle away his remains?

Ellie Quicke, although comfortably re-married, is still inclined to act hastily. But when she took in a young rape victim, she didn’t expect it to become an invitation to murder. When she was released from the hospital, Mia had nowhere to go. Mia is threatened by violent deaths which dog her every move . . . and Ellie’s. But who is responsible for these terrifying “accidents”? Ellie has other things on her mind as well, after being asked to help organise the weddings of both her best friend and her daughter.

DCI James Carrick is playing rugby for police team The Ferrets when an injury sends him off the pitch. His substitute is DS Cliff Morley, an undercover policeman investigating a criminal gang. The next day Morley's horribly mutilated body is found dumped in woodland near Bristol, the initials RK carved on his torso.

Ellie and her new husband Thomas are called to deal with Ursula, a young student who has staged a sit-in at church. Ursula challenges Ellie to solve three mysteries: a broken engagement, her friend Mia's disappearance, and a murder. As she investigates, Ellie begins to suspect that there is more to these events. Soon she finds her own friends and family targeted as a powerful group hunts her down.

When the body of a retired sheriff is discovered in his grand house in the New Town of Edinburgh, Detective Sergeant Alice Rice finds herself hunting his killer. The search leads her to an unfamiliar world where wind-farm developers - with millions of pounds at stake - and protesters face each other with daggers drawn.

When Ellie Quicke's friend, Felicity, witnesses a Pitbull savage a young mother in the park, she goes into shock and calls on Ellie for help. Ellie's enquiries indicate that the dog and its owner are strangers to the neighbourhood, but soon there are other attacks...and after each one, the dog vanishes.

When out walking on Arthur's Seat, high above the city of Edinburgh, Rose McQuinn discovers the body of a woman in the ruins of St Anthony's Chapel. But she is astonished that on returning to the scene, there is no evidence of either the victim or the local constable who had taken down Rose's story. Even Rose's would-be lover, Detective Sergeant Jack Macmerry, is doubtful. Edinburgh City Police have no record of a dead woman or of PC Smith.

In a celebrity-obsessed society, baby Muffin's death is big news. Was it cot death, or something more sinister? The bereaved parents, celebrity couple Jodee and Chazz, live in curate Callie Anson's parish, and Callie becomes involved with the funeral arrangements in the spite of the disapproval of the vicar. Detective Inspector Neville Stewart is called away from his honeymoon to investigate the case, with disastrous personal results, and journalist Lilith Noone's professional future is put on the line.