Bea Abbot's domestic agency does not investigate murder...that is, until she finds herself in the company of a dead man dressed as a pantomime dame. It looks like suicide, but why don't his red-spangled shoes fit? Matthew Kent was an entertainer known to be a modest man in private, so why had he staged this grotesque charade in death? And why is his daughter so keen to hustle away his remains?

While Bea Abbot worries that she’s lost control of her domestic agency, she’s asked to find some domestic help for an eccentric little musician falsely accused of murder. She doesn’t realize how dangerous this might be until Jeremy - fleeing from attempts on his life - lands up on her doorstep. Researching the gang who’d used an attractive girl to entrap Jeremy, Bea finds traces of them throughout high society. Can Bea keep Jeremy - and herself - alive, while all he thinks about is composing a song for pretty, dead Josie?

Velma is charm itself, especially when she's being inexact with the truth. Now she wants Bea, widowed owner of the Abbot Agency, to check up on her stepson Philip - he's somehow acquired a valuable picture last seen in the flat of an elderly lady who's been murdered. Maggie, Bea's assistant, moves into a flat in Philip's building, to investigate. However, Rafael a professional art thief who aims never to leave his victims alive, is also after the picture.

Bea Abbott runs a domestic agency which does not “do” murder. But the disappearance of Tomi, the star of an award-winning short film, is a different matter, especially when the charming Chris bribes Bea with a bouquet of flowers. Can Bea find time to help him, when some well-meant advice she’s given to her daughter-in-law has led to a breakdown in family relationships? Bea discovers that Tomi’s circle contains a secret so deadly that they are dying one by one, even though none of them will go to the police.

Bea Abbot is asked to find the man or woman who laid a booby trap for Sir Lucas Ossett, the powerful head of an international company. She finds Sir Lucas’ wife in a state of fear, while gossipy elderly ladies cast doubt on their neighbours; these include a "therapist", an ex-employee of Sir Lucas’, and a cross-section of yuppies and oddballs. Call-girl cards have been left in tenants’ letterboxes, a cat has met an untimely end, and snow is forecast.

Bea Abbot and her husband have been running a highly successful domestic agency for many years, but when he falls ill and dies, she is pressured by her MP son and novelist daughter to retire. Bea is so tired from the long years of nursing her husband that all she wants is peace and quiet, and to have her pretty early Victorian house in Kensington, London, all to herself. What she gets is a couple of young lodgers with troubled backgrounds and an old friend banging on her door, asking for help.

When the party wall dividing the gardens of Bea Abbot and her fiancé, Leon, collapses, amongst the ensuing chaos a human skeleton is unearthed in Leon's garden. Having only just purchased the property, Leon and Bea set out to discover more about the house's previous owners. Before they can proceed in their investigation, however, the pair fall victim to an elaborately laid trap. With her home, her livelihood and the agency under threat, Bea appears to be the subject of a meticulously planned vendetta. But why?

Bea Abbot's friend, Leon Holland, has asked for her help in establishing an alibi. But why would he need one? First, he tells her, he had a narrow escape from being run down in the road, and then he was lured to a car park to meet someone who didn't turn up. Matters escalate when two bodies are found in the car park stabbed to death. Then everything is thrown into chaos as a devastating virus infects the agency's systems. A hidden camera. Hate mail. A nasty practical joke.

Poppy's wealthy father hadn't liked the look of the men whom his twin daughters intended to marry, and had set them up in the Magpie fashion boutique to ensure they would be able to support themselves, at the same time ensuring that the girls made a will in one another's favour. The business prospered and expanded until, many years later, skeletons start to come out of the closet. Bodies too. And Ellie's enquiries uncover a hornet's nest of greed and malice combined with tragic secrets.

Ellie has always disliked the local big estate agent - aka Great White Shark - and is distressed when her daughter Diana announces that she is carrying his child and about to become his fourth wife. But Ellie is soon drawn into the family circle when one of the Hooper children dies in their private gym and another succumbs to a peanut allergy. The police want to write off the deaths as accident and misadventure, but Ellie believes someone is targeting members of the Hooper family. Surely Diana wouldn't… or would she?

Ellie opens the door to a man who is a stranger but instantly recognisable as the father of her housekeeper's young son. Mikey had been conceived at a party during which his mother, Vera, a schoolgirl, had been drugged and raped. Abdi hadn't wanted anything to do with her, but now he is a consultant whose wife cannot have children, and he aims to pay off Vera and adopt Mikey. Ellie discovers that Vera still thinks fondly of her then boyfriend, even though he had also rejected her.

Ellie opens the door to a man who is a stranger but instantly recognisable as the father of her housekeeper's young son. Mikey had been conceived at a party during which his mother, Vera, a schoolgirl, had been drugged and raped. Abdi hadn't wanted anything to do with her, but now he is a consultant whose wife cannot have children, and he aims to pay off Vera and adopt Mikey. Ellie discovers that Vera still thinks fondly of her then boyfriend, even though he had also rejected her.

Ellie and her new husband Thomas are called to deal with Ursula, a young student who has staged a sit-in at church. Ursula challenges Ellie to solve three mysteries: a broken engagement, her friend Mia's disappearance, and a murder. As she investigates, Ellie begins to suspect that there is more to these events. Soon she finds her own friends and family targeted as a powerful group hunts her down.

Ellie Quicke, although comfortably re-married, is still inclined to act hastily. But when she took in a young rape victim, she didn’t expect it to become an invitation to murder. When she was released from the hospital, Mia had nowhere to go. Mia is threatened by violent deaths which dog her every move . . . and Ellie’s. But who is responsible for these terrifying “accidents”? Ellie has other things on her mind as well, after being asked to help organise the weddings of both her best friend and her daughter.

Attending a birthday celebration for two young girls, Bea Abbot tries not to let superstition get the better of her when she realises they are 13 at dinner. What she doesn't anticipate is that the evening will end in sudden, violent death. Suddenly a dining room curtain goes up in flames. While two members of the host family are rushed to hospital, Bea and a fellow guest search for the birthday girls in a house which has been plunged into darkness.