Railway tunnels, the lanes and hills of the Peak District, family homes, old stones, shreds fluttering on barbed wire, night drawing in, something that might be an animal shifting on the other side of a hedge: Tom has drawn on his lifelong love of weird fiction, folklore and nature's unregarded corners, to write a collection of stories that will delight fans, old and new, and leave them very uneasy about turning the lamp off.

21st-Century Yokel explores the way we can be tied inescapably to landscape, whether we like it or not, often through our family and our past. It's not quite a nature book, not quite a humour book, not quite a family memoir, not quite folklore, not quite social history, not quite a collection of essays, but a bit of all six. It contains owls, badgers, ponies, beavers, otters, bats, bees, scarecrows, dogs, ghosts and yes, even a few cats. What emerges from this are themes that are broader, bigger and more definitive.

Meet The Bear - a cat who carries the weight of the world on his furry shoulders, and whose wise, owl-like eyes seem to ask, Can you tell me why I am a cat, please? Like many intellectuals, The Bear would prefer a life of quiet solitude with plenty of time to gaze forlornly into space and contemplate society's ills. Unfortunately he is destined to spend his days surrounded by felines of a significantly lower IQ....

A breathtaking mix of memoir, nature writing and history: this is Kerri ní Dochartaigh's story of a wild Ireland, an invisible border, an old conflict and the healing power of the natural world. Kerri ní Dochartaigh was born in Derry, on the border of the North and South of Ireland, at the very height of the Troubles. She was brought up on a council estate on the wrong side of town. But for her family, and many others, there was no right side

By the Wainwright-Conservation-Prize-winning author of Rebirding Spend a year in an orchard, celebrating its imperilled, overlooked abundance of life. England's ancient orchards, collaborations between people and nature, are sources of hope for the future. Protecting them promises a far richer England for the centuries to come, for wildlife and for us. 

In The Old Ways, Robert Macfarlane sets off from his Cambridge home to follow the ancient tracks, holloways, drove-roads, and sea paths that form part of a vast network of routes crisscrossing the British landscape and its waters, and connecting them to the continents beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, of pilgrimage and ritual, and of song lines and their singers. Above all this is a book about people and place.

The vast majority of our country is entirely unknown to us because we are banned from setting foot on it. By law of trespass, we are excluded from 92 percent of the land and 97 percent of its waterways, blocked by walls whose legitimacy is rarely questioned. But behind them lies a story of enclosure, exploitation and dispossession of public rights whose effects last to this day. The Book of Trespass takes us on a journey over the walls of England, into the thousands of square miles of rivers, woodland, lakes and meadows that are blocked from public access.

The experience of being in nature alone is here set within the context of a series of walks that Neil Ansell takes into the most remote parts of Britain, the rough bounds in the Scottish Highlands. He illustrates the impact of being alone as part of nature rather than outside it. As a counterpoint, Neil Ansell also writes of the changes in the landscape and how his hearing loss affects his relationship with nature as the calls of the birds he knows so well become silent to him.

The story of a personal housing crisis that led to a discovery of the true value of home. Aged 31, Catrina Davies was renting a box-room in a house in Bristol, which she shared with four other adults and a child. Working several jobs and never knowing if she could make the rent, she felt like she was breaking apart. Homesick for the landscape of her childhood, in the far west of Cornwall, Catrina decides to give up the box-room and face her demons. As a child, she saw her family and their security torn apart; now, she resolves to make a tiny, dilapidated shed a home of her own.

Mammals you never knew existed will enter your world. Birds hidden in treetops will shed their cloak of anonymity. With a single movement of your hand you can make reptiles appear before you. Butterflies you never saw before will bring joy to every sunny day. Creatures of the darkness will enter your consciousness. And as you take on new techniques and a little new equipment, you will discover new creatures and, with them, new areas of yourself that had gone dormant. Once put to use, they wake up and start working again. 

When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming.

The tramp is a friend of society; a seeker, they pay their way if they can. One includes in the category 'tramp' all true Bohemians, pilgrims, explorers afoot, walking tourists, and the like. Tramping is a way of approach, to nature, to your fellow man, to a nation, to beauty, to life itself. It is a gentle art and there is much to learn; illusions to overcome, prejudices and habits to be shaken off.

Myth is our wild way of telling the truth, of sharing stories that have our living earth speaking through them. There is an old insistence that we each have a twin we know nothing about. A wild, curious twin that was thrown out the window the night we were born, taking much of our energy with them. This story is a quest to find and court our wild twin, for they have something important to tell us. If there was something we were here to do in our few, brief years, we can be sure that the wild twin is holding the key.

M. R. James was the master of the uncanny. His classic supernatural stories have haunted readers and listeners for over a century and been adapted countless times for radio, TV and film. This collection features dramatisations of 12 of his most popular stories: The Mezzotint, Casting the Runes, The Stalls of Barchester Cathedral, A Warning to the Curious, Rats, Oh, Whistle, and I’ll Come To You, My Lad, The Tractate Middoth, Lost Hearts, The Rose Garden, Number 13, Martin’s Close and Count Magnus.

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.