Tom's lyrical, candid prose roams from an intimate relationship with a particular cove on the south coast, to meditations on his great-grandmother, and a lesson on what goes into the mapping of hills themselves. Because a good walk in the hills is never just about the hills: you never know where it might lead.

Railway tunnels, the lanes and hills of the Peak District, family homes, old stones, shreds fluttering on barbed wire, night drawing in, something that might be an animal shifting on the other side of a hedge: Tom has drawn on his lifelong love of weird fiction, folklore and nature's unregarded corners, to write a collection of stories that will delight fans, old and new, and leave them very uneasy about turning the lamp off.

Meet The Bear - a cat who carries the weight of the world on his furry shoulders, and whose wise, owl-like eyes seem to ask, Can you tell me why I am a cat, please? Like many intellectuals, The Bear would prefer a life of quiet solitude with plenty of time to gaze forlornly into space and contemplate society's ills. Unfortunately he is destined to spend his days surrounded by felines of a significantly lower IQ....

When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming.

A naturalist’s passionate dive into the world of bees of all stripes - what she has learned about them, and what we can learn from them. Brigit Strawbridge Howard was shocked the day she realized she knew more about the French Revolution than she did about her native trees. And birds. And wildflowers. And bees. The thought stopped her - quite literally - in her tracks. But that day was also the start of a journey, one filled with silver birches and hairy-footed flower bees, skylarks, and rosebay willow herb, and the joy that comes with deepening one’s relationship with place.

In January 2006, a month or two after my father died, I thought I saw him again - a momentary impression of an old man, a little stooped, setting off for a walk in his characteristic fawn corduroys and shabby quilted jacket. After teenage rifts it was walking that brought us closer as father and son, and this ghost of Dad has been walking at my elbow since his death, as I have ruminated on his great love of walking, his prodigious need to do it - and how and why I walk myself.

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

The Garden Jungle is about the wildlife that lives right under our noses, in our gardens and parks, between the gaps in the pavement and in the soil beneath our feet. Wherever you are right now, the chances are that there are worms, woodlice, centipedes, flies, silverfish, wasps, beetles, mice, shrews and much, much more, quietly living within just a few paces of you.

In 1935 a young Englishman named Laurie Lee arrived in Spain. He had never been overseas. His idea was to walk through the country, earning money for food by playing his violin in bars and plazas. Nearly a century later, the book Laurie Lee wrote - As I Walked Out One Midsummer Morning - inspired Alastair Humphreys. It made him fall in love with Spain - the landscapes and the spirit - and with Laurie's style of travel. Alastair dreamed of retracing Laurie Lee’s footsteps but could never get past the hurdle of being distinctly unmusical. This year, he decided to go anyway.

The pond. Nothing in the countryside is more humble or more valuable. It’s the moorhen’s reedy home, the frog’s ancient breeding place, the kill zone of the beautiful dragonfly. More than a hundred rare and threatened fauna and flora depend on it. Written in gorgeous prose, Still Water tells the seasonal story of the wild animals and plants that live in and around the pond, from the mayfly larvae in the mud to the patrolling bats in the night sky above.

The experience of being in nature alone is here set within the context of a series of walks that Neil Ansell takes into the most remote parts of Britain, the rough bounds in the Scottish Highlands. He illustrates the impact of being alone as part of nature rather than outside it. As a counterpoint, Neil Ansell also writes of the changes in the landscape and how his hearing loss affects his relationship with nature as the calls of the birds he knows so well become silent to him.

Simon Barnes is one of Britain's leading bird writers and humorists. His weekly column in The Times (London), his essays for the RSPB (Royal Society for the Protection of Birds) magazine, and his two books on bad bird-watching have made him one of the characters of the bird world.

In To the Island of Tides, Alistair Moffat travels to - and through the history of - the fated island of Lindisfarne. Walking from his home in the Borders, through the historical landscape of Scotland and northern England, he takes us on a pilgrimage in the footsteps of saints and scholars, before arriving for a secular retreat on the Holy Isle. To the Island of Tides is a meditation on the power of place, but also a more personal journey - a chance for a personal stocktaking and a reflection on where life leads us.

Meadowland gives a unique and intimate account of an English meadow’s life from January to December, together with its biography. In exquisite prose, John Lewis-Stempel records the passage of the seasons from cowslips in spring to the hay-cutting of summer and grazing in autumn, and includes the biographies of the animals that inhabit the grass and the soil beneath: the badger clan, the fox family, the rabbit warren, the skylark brood and the curlew pair, among others.

In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea caves, this is a deep-time voyage into the planet's past and future.