American Entertainment

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

NEW YORK TIMES BESTSELLER With the critically acclaimed Sin in the Second City, bestselling author Karen Abbott “pioneered sizzle history” (USA Today). Now she returns with the gripping and expansive story of America’s coming-of-age—told through the extraordinary life of Gypsy Rose Lee...

Elevate your acting skills and expand your casting potential with this comprehensive American accent guide designed specifically for actors. Unlike traditional accent books that focus on rigid rules, this practical acting resource blends accent mastery with authentic character work, helping you deliver believable performances every time. Learn the key features of American accents, from mouth placement and speech rhythm to intonation patterns, ensuring your delivery sounds natural and convincing. The book covers regional American accents across the U.S.

When Robert Redford first entered the national spotlight in the early 1960s, he was hardly viewed as a serious actor, and with his red hair, blond complexion, and athletic build, he was seen more as a handsome man than a skilled one. On top of that, he came at a time in which most Hollywood stars were tall, dark, and slender - like one of his most famous costars, Paul Newman - and by comparison, Redford looked more like a surfer.

Like Frank Sinatra, Dean Martin is an American legend for his longevity and success across a garden variety of different platforms. Martin began as a nightclub singer, performed in a comedy act, starred in films, recorded hit albums, and capped his career by serving as a television host. In fact, there may be no star who was better able to transcend the different avenues of entertainment.

Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand.

From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean.

At the time of Buddy Holly's birth in 1936, in Lubbock Texas, rock music and its various hybrid genres were in early infancy. Signs of rock's future magnitude would soon be seen in the sexual charisma of the young Elvis Presley, the rhythm and passion of Chuck Berry, the riveting musical dialogues of Little Richard, and the raw virtuosity of Jerry Lee Lewis. Even then, however, no one yet knew what a rock star really was, and who could become one.

Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart's screen image has resonated with viewers more than perhaps any other actor.

If one assembled a list of the most iconic actors of the film noir genre, Robert Mitchum would surely rank at the top of the list. With his deadpan façade and slow, monotone verbal delivery, Mitchum encapsulated the disillusioned hero of the postwar crime genre.

He is a street star from the Southside of Jamaica Queens and a towering icon from the underworld of New York. At the dawn of the crack era he was the Don Dada of Baisley Projects and set the tone and styles for the would-be rappers and future CEO's of the music industry. They catered to and emulated him and his crew. He was the original hip-hop hustler and an American Gangster of epic proportions. Listen to his story today.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, Hip Hop America is the definitive account of the society-altering collision between Black youth culture and the mass media.

The first 40 years of Van Dyke's career would be impressive enough, but Van Dyke has also appeared in hit films, most notably Mary Poppins, over a span of about 50 years. Van Dyke has noted over the course of a career now spanning eight decades that he's "retired so many times now it's getting to be a habit," but as he once joked, "I've won several Emmys, a Tony and a Grammy, so maybe somebody will let me have an Oscar, and then I'll have a full set."

In the 1950s, popular music in the United States, Britain, and Europe jumped cultural tracks and went off in all directions, each form enjoying its own fan base, and its own way of overlapping with fellow genres.

In 1994, the American Film Institute gave a Lifetime Achievement Award to Jack Nicholson, who became one of the youngest actors to ever receive the award. Such tributes typically come as a capstone to a star's career, not when the actor is still in his 50s. In fact, Nicholson would go on to win the Oscar for Best Actor just a few years after receiving the Lifetime Achievement Award as a result of As Good As It Gets (1997), and he would earn another Academy Award nomination for About Schmidt (2002). Those two would give him 12 Academy Award nominations, more than any other man in history, and make him one of just two actors to be nominated in every decade between 1960 and 2010.

Depravity, redemption, terror, and spiritual deliverance abound in this physically and psychologically complex memoir from the front man of the pioneer punk band True Sounds of Liberty (TSOL). Spanning the extremes between hard-core punk memoir and handbook for recovery and survival, this narrative documents a youth rebellion that changed the world and offered life lessons rooted in 1980s punk culture.

Celebrated sex advice columnist and founder of the Emmy-winning It Gets Better campaign, Dan Savage delivers “powerful messages for both the head and heart” (Entertainment Weekly) From the moment he began writing his syndicated sex-advice column, Savage Love, Dan Savage has never been shy...

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, "Steve is the prototypical cool American male. He's the guy on his horse, the guy alone. He has his own code of honor, his own code of ethics, his own rules of living. He never, ever tries to impress the women, but he always gets the girl."

Recognizable for his cherubic countenance and roles playing mild-mannered fathers in movies and on TV, Dick Van Patten had one of the lengthiest and most impressive track records in the acting business. As a child, Van Patten performed alongside Broadway stars such as Melvyn Douglas, Tallulah Bankhead, Alfred Lunt,and Lynn Fontanne, often winning roles over newcomers such as Marlon Brando and Roddy McDowell. He worked in radio and became a familiar face in the early days of television, ultimately becoming an "everydad" in the1970s comedy/drama Eight Is Enough.