Showing results by narrator "Samantha Bond"

Despite his early death from tuberculosis at the age of 44, Chekhov was a prolific writer and produced more than 250 short stories in addition to several novellas and a novel. The Russian was also a practicing doctor. A celebrated playwright, Anton Chekhov is often recognised as an influential figure of early modernism of the theatre in addition to being held in high esteem by the likes of George Bernard Shaw and Virginia Woolf, although much praise was not as forthcoming until after his death in 1904.

The three Theban plays by Sophocles - Oedipus the King, Oedipus at Colonus and Antigone - are great landmarks of Western theatre. They tell the story of Oedipus, King of Thebes, who was destined to suffer a terrible fate - to kill his father, marry his mother, and beget children of the incestuous union. He does this unknowingly but still has to suffer terrible consequences, which also tragically affect the next generation.

When editor Susan Ryeland is given the tattered manuscript of Alan Conway's latest novel, she has little idea it will change her life. She's worked with the revered crime writer for years, and his detective, Atticus Pund, is renowned for solving crimes in the sleepy English villages of the 1950s. As Susan knows only too well, vintage crime sells handsomely. It's just a shame that it means dealing with an author like Alan Conway.... But Conway's latest tale of murder at Pye Hall is not quite what it seems.

What silently waits in the shadows at night? What's under your bed, keeping just out of sight? Do you ever hear strange, creaking noises at night? Ever wonder what makes those noises? Lucy Dungston always did. Until, one morning, Lucy discovers that all the grown-ups have disappeared - as if into thin air. Chaos descends as the children in Lucy's town run riot. It's mayhem. It's madness. To most kids, it's amazing!

With her hotly anticipated third instalment, Bridget Jones: Mad About the Boy, Fielding introduces us to a whole new enticing phase of Bridget's life set in contemporary London, including the challenges of maintaining sex appeal as the years roll by and the nightmare of drunken texting, the skinny jean, the disastrous email CC, total lack of twitter followers, and TVs that need 90 buttons and three remotes to simply turn on. An uproariously funny novel of modern life, Bridget Jones: Mad About the Boy is a triumphant return of our favourite Everywoman.

Framed as a first-person narrative from the eponymous horse, this much-loved family classic follows Black Beauty's journey from a well-born colt to a painfully overworked cab horse. Brimming with vivid detail and relatable characters, each chapter of Black Beauty's long and varied life communicates an important message about kindness, sympathy and understanding.

Rose Woodrowe is getting married to Tyler Masson - a wonderful, sensitive man who is head over heels in love with her. The only problem? This isn't the first time for either of them, and their five grown-up children have strong opinions on the matter.... Who to listen to? Who to please? Rose and Tyler are determined to get it right this time, but in trying to make everyone happy, can they ever be happy themselves?

8.45 P.M. Realise there have been so many times in my life when have fantasised about going to a scan with Mark or Daniel: just not both at the same time. Before motherhood before marriage Bridget with biological clock ticking very, very loudly finds herself unexpectedly pregnant at the eleventh hour: a joyful pregnancy which is dominated however by a crucial but terribly awkward question - who is the father?

When Auraya was chosen to become a priestess, she could never have believed that a mere 10 years later she would be one of the White, the gods' most powerful servants. Sadly, Auraya has little time to adapt to the exceptional powers gifted her by the gods. Mysterious black-clad sorcerers from the south plague the land, and rumours reach the White of an army being raised.

It is late at night on a notorious council estate in east London. A van - garishly painted with a grinning clown's face on the side - is being driven erratically. When the police pull over the driver to question him, they discover, inside the van, the body of a young woman. A murder suspect . . . an arrest . . . a confession . . . A case done and dusted? But their suspect claims his victim is not his first, but his third.

Sonea knew that she'd face a tough time training within the Magicians' Guild but she little realised the level of animosity she would face from her fellow novices. The sons and daughters of the most powerful families in the realm, her classmates seem determined to see her fail - at whatever cost. But in accepting the protection of the guild's high lord, Sonea may have embraced an even bleaker fate. For High Lord Akkarin harbours a secret that is far darker than his magician's robes. 

From the moment Judi Dench appeared as a teenager in the York Mystery Plays, it was clear that acting would be her career. Trained at London's Central School of Speech and Drama it was her performance in her twenties as Juliet in Franco Zeffirelli's memorable Old Vic production that turned her into a star. In the theatre since she has played every classic role from Titania (three times, most recently in 2010) to Cleopatra.

Sue Johnston, John Hannah and Eddie Marsan are among the stars of this spellbinding, hilarious and uplifting comedy drama. Set entirely at a series of weekly Alcoholics Anonymous meetings, these 13 episodes also feature Rebecca Front, Paul Kaye, Julia Deakin and Samantha Bond.

Sonea has learned much at the magicians' guild and the other novices now treat her with a grudging respect. But she cannot forget what she witnessed in the High Lord's underground room - or his warning that the realm's ancient enemy is growing in power once more. As Sonea learns more, she begins to doubt her guildmaster's word. Could the truth really be as terrifying as Akkarin claims, or is he trying to trick her into assisting in some unspeakably dark scheme? 

Despite her hope for peace, as the protector of the Siyee, Auraya is unable to avoid being caught up in the building conflict. And as the gods' demands increase, she finds that she must choose between those she loves and those she's sworn to serve.

One of Britain's most distinguished biographers turns her focus on one of the most vilified woman of the last century. Historian Anne Sebba has written the first full biography of Wallis Simpson, Duchess of Windsor, by a woman which attempts to understand this fascinating and enigmatic American divorcee who nearly became Queen of England. 'That woman', as she was referred to by the Queen Mother, became a hate figure for allegedly ensnaring a British king.

Here is a collection of the Oscar Wilde's famous fairy tales, read by a cast of leading British actors. Additional narrators include Geoffrey Palmer O.B.E., Sir Donald Sinden, and Elaine Stritch. Music: 'Reverie De Sebastian' by Steve Davies.

A Richard and Judy Summer Read Selection.
Written as a "report into the circumstances surrounding the decision to introduce salmon into the Yemen", this is a novel that is made up of e-mails, letters, diary extracts, records of the prime minister's Question Time, interviews, and chapters from the memoirs of a fantastically weaselly Peter Mandelson-type figure.

As a little girl Katherine of Aragon was betrothed to Arthur, Prince of Wales, the eldest son of Henry VII of England, and was raised in the palace of the Alhambra, knowing that she would be queen of England. In 1501, the teenage Spanish princess arrives in her new kingdom, but the future is turned upside down with the death of her handsome young husband - only six months after the wedding. Transformed from beloved bride to superfluous widow, Katherine endures hardship and loneliness as the Tudor court slowly squeezes her out of royal circles.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.