Showing results for "Play" in Entertainment & Celebrities

As a young boy growing up on the outskirts of Dublin, the stage and screen legend sought refuge in a world of imagination among the fields and hills near his home, at the edge of a rapidly encroaching city. Moving between sensual recollection of childhood in a now almost vanished Ireland and commentary on stardom, the actor-writer returned to Broadway and Audible to reflect on a life’s journey.

Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

From a massively successful stand-up comedian and co-host of chart-topping podcasts “2 Bears 1 Cave” and “Your Mom’s House,” hilarious real-life stories of parenting, celebrity encounters, youthful mistakes, misanthropy, and so much more. Tom Segura is known for his twisted takes and...

Elvis Presley’s unbreakable stronghold on the psyche of women - and theirs on him - is the focus of this much-lauded book by Elvis expert, journalist, and Country Music Association Media Achievement Award winner Alanna Nash. Baby, Let’s Play House is the first ever Elvis book to focus solely on his complex relationships with women, starting with his mother, and including celebrities such as Ann-Margret, Cher, Raquel Welch, Barbara Eden, and Cybill Shepherd. Featuring many exclusive interviews, this book is a must-have collector’s item for fans of The King everywhere.

In this book, acclaimed actor Paterson Joseph opens up the process of rehearsing and preparing for the RSC's 2012 production of Shakespeare's Julius Caesar and, by doing so, brings a greater understanding to the play's characters; its rhetoric and the power of rhetoric in general, both on and off stage; its setting and political context and how this can be interpreted and refreshed for the 21st century.

A Times Book of the Year 2025 The Shindig Book of the Year “The godmothers of indie-pop” Mojo “A tale of pop life well lived” Shindig “Winningly captures the devil-may-care optimism of adolescence” Guardian An evocative coming of age story from one of the UK’s first ever female...

From his agent's phone call offering him the role of Estragon, Lucian Msamati brings brilliantly to life the experience of co-starring with Ben Whishaw in James Macdonald's celebrated production of Waiting for Godot in London's West End. Through rehearsal room highs and lows, workaday laughs and tears, literal stumbles and grumbles, we journey with Lucian, his fellow actors and creatives, and Beckett's play, sharing in the personal and dramaturgical discoveries they make and the inevitable emotional contours of an experience as intense as this one.

Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco, and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

"I know that I'll be evaluated in Seattle with wins and losses, as that is the nature of my profession for the last thirty-five years. But our record will not be what motivates me. Years ago I was asked, 'Pete, which is better: winning or competing?' My response was instantaneous: 'Competing...

2016 Christopher Award Winner From acclaimed actor and producer Wendell Pierce, an insightful and poignant portrait of family, New Orleans and the transforming power of art. On the morning of August 29, 2005, Hurricane Katrina barreled into New Orleans, devastating many of the city's...

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. Bob Beatty dives deep into the motivations of band founder Duane Allman to tell the story of what made this album one of the most important live rock albums in history.

In a world dominated by men, Marian McPartland distinguished herself as one of the greatest jazz pianists of her age. Born in the UK as Margaret Marian Turner, Marian McPartland learned to play classical piano, but was passionately attracted to the rhythms of American jazz. Entertaining troops in WWII Europe, she met her future husband, Jimmy McPartland, a cocky young trumpet player who was the protege of the great Bix Beiderbecke. They were married and, together, they made jazz history.

Based largely on exclusive interviews with the many women who knew him in various roles—lover, sweetheart, friend, costar, and family member—Baby, Let’s Play House presents Elvis in a new light: as a charming but wounded Lothario who bedded scores of women but seemed unable to maintain a lasting romantic relationship.

Peter Lorre, Michael B. Druxman’s one-person stage play, finds the famous actor in poor health near the end of his life. He contemplates his third divorce and ponders how he will provide for his young daughter, while remembering the greener years that he spent with the likes of Humphrey Bogart, John Huston, and Sydney Greenstreet. One simple set.

Claire Trevor was one of the finest character actresses of her day. Often cast as a “lady of the night”, or the alluring blonde female fatale, she co-starred in such classic films as Dead End with Humphrey Bogart, Stagecoach with John Wayne, Murder, My Sweet with Dick Powell, Key Largo with Bogart and Edward G. Robinson, for which she won an Academy Award, and The High and the Mighty with Wayne and an all-star cast.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

A native of New Jersey, Roy Scheider was his own man. He did his work well and was not afraid to butt heads with producers and directors with whom he disagreed, even to the detriment of his career. Michael B. Druxman’s Roy Scheider & the Bigger Boat finds the actor in 2002 during a lull in his career. He hasn’t done a major film for several years, as he ponders how he can change his luck.

Humph – bandleader, cartoonist, writer, chairman of BBC Radio 4’s I’m Sorry I Haven’t A Clue, president of the Society for Italic Handwriting and doyen of jazz trumpeters. In conversation with June Knox-Mawer, Humphrey Lyttelton reflects on his extraordinary life; from schooldays at Eton...