Poised on the brink of success, the dizzying heights of the unknown lying ahead, Ian Curtis had taken his own life. Grieving yet determined, Stephen Morris emerged from the wreckage of Joy Division to the dawn of something new: a new band, a new tour, a new beginning. Under the name New Order, Morris and his bandmates set their sights on America, only to encounter new disasters. Yet, in true northern spirit, not even this sudden tragedy could dissuade them from following their haphazard path to greatness. 

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Inspired by the attitude and energy of punk, Peter Hook and school friend Bernard Sumner joined lead-singer and lyricist Ian Curtis and drummer Stephen Morris, and with some cobbled-together instruments, they created their own unique sound. In 1980 they had released two albums and were on the cusp of touring America when Ian Curtis committed suicide. In this no-holds-barred account, Peter Hook gives us the inside story of life with Joy Division. He talks with candour and reflection about Curtis's suicide and covers the band's friendships and fall-outs....

Chris Frantz met David Byrne at the Rhode Island School of Art & Design in the early 1970s. Together - and soon with Frantz's future wife, Tina Weymouth - they formed Talking Heads and took up residence in the grimy environs of Manhattan's Lower East Side, where their neighbours were Patti Smith, William Burroughs and a host of proto-punk artists who now have legendary status. 

Jon Savage's oral history of Joy Division is the last word on the band that ended with the suicide of Ian Curtis in Macclesfield on May 18, 1980. It weaves together interviews conducted by the author, but never used in the making of the film Joy Division, which told the story of the band in their own words, as well as those of their peers, collaborators, and contemporaries.  

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times.

Johnny Marr was born in 1960s Manchester to Irish immigrant parents and knew from an early age that he would be a musician. Forming his first band at 13, Marr spent his teenage years on the council estates of Wythenshawe playing guitar, devouring pop culture and inventing his own musical style. It wasn't until the early '80s, when Marr turned up on the doorstep of a singer named Steven Patrick Morrissey, that both a unique songwriting partnership and the group recognised as one of the most iconic bands of all time were formed.

Alan McGee's role in shaping British musical culture over the past 30 years is hard to overstate. As the founder of Creation Records, he brought us the bands that defined an era. A charismatic Glaswegian, who partied just as hard as any of the acts on his notoriously hedonistic label, he became an infamous character in the world of music.

John Lennon 1980 traces the powerful, life-affirming story of the former Beatle’s remarkable comeback after five years of self-imposed retirement. Lennon’s final pivotal year would climax in several moments of creative triumph as he rediscovered his artistic self in dramatic fashion. With the bravura release of the Double Fantasy album with wife, Yoko Ono, he was poised and ready for an even brighter future only to be wrenched from the world by an assassin’s bullets.

Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for 30 years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs.

When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just 'an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll'. Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music.

Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monumental album Frampton Comes Alive! spawned three top-20 singles and sold eight million copies the year it was released (more than 17 million to date), and it was inducted into the Grammy Hall of Fame in January 2020. 

Art Sex Music is the autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades. It is the account of an artist who, as part of COUM Transmissions, represented Britain at the IXth Biennale de Paris, whose Prostitution show at the ICA in 1976 caused the Conservative MP Nicholas Fairbairn to declare her, COUM and Throbbing Gristle "Wreckers of Civilisation".

Debbie Harry is a musician, an actor, an activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life - until now. 

Known as 'The Metal God' by his devoted, global fan base, Rob Halford has always subverted the norm, and Confess will offer listeners a compelling and honest look at the struggles he has faced with addiction and his sexuality, as well as an exploration of his music and his many brushes with controversy. There have been few vocalists in the history of heavy metal whose singing style has been as influential and instantly recognisable as Halford's.