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Herman Melville’s tale of corporate discontent, Bartleby, the Scrivener, tells the story of a quiet, hardworking legal copyist who works in an office in the Wall Street area of New York City. The business where he works handles the official financial paperwork of wealthy men. One day, Bartleby’s employer requests he proofread one of the documents he has copied. Bartleby declines the assignment with the inscrutable “I would prefer not,” the first of what will become many refusals.

Herman Melville is now seen as one of the great figures in American literature, a man who expanded the role of the novel and gave new and complex depths to the meaning of a story. His best work uses the form of the novel or the story as a means of carrying and discussing concerns about the nature of humanity, the role of God, and a sometimes satiric, sometimes bitter, examination of colonialism and capitalism.

The life of a Scrivener can be a dull one. After all, your entire occupation has to do with the handwritten copying of law documents. But when Bartleby arrives, he turns the office upside down with the enigmatic phrase: “I prefer not to.”

This is a collection of stories about interesting, unusual, bright human characters and destinies. Contents: Gusev by Anton Chekhov ; Boule de Suif by Guy De Maupassant ; Alyosha the Pot by Leo Tolstoy ; Mateo Falcone by Prosper Mérimée ; Little Brother by Mary E. Mann ; Bartleby, The Scrivener by Herman Melville ; The Lightning-Rod Man by Herman Melville ; The Ambitious Guest by Nathaniel Hawthorne ; The Darling by Anton Chekhov ; A Simple Heart by Gustave Flaubert

"Bartleby the Scrivener: A Story of Wall Street" is a short story by Herman Melville. The story first appeared, anonymously, in Putnam's Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville's The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville's reading of Emerson, and some have pointed to specific parallels to Emerson's essay, "The Transcendentalist."View our full collection of podcasts at our website: https://www.solgoodmedia.com or ...

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine.

The Herman Melville Collection includes 4 of Melville's most beloved works: Moby Dick; Bartleby, the Scrivener; Billy Budd; and Typee. Read by Robert G. Slade, Christopher Ragland, and Malk Williams, this collection is the perfect opportunity to delve into some of Melville's most formative and iconic writings.

Bartleby ist ein Schreibgehilfe, ein Anwaltskopist. Zunächst glänzt der neue Gehilfe bei der Arbeit und bewältigt ein gewaltiges Arbeitspensum. Bald jedoch beginnt Bartlebys Eifer nachzulassen; immer öfter begegnet er Aufforderungen zur Arbeit mit einem schlichten "Ich möchte lieber nicht". Der Erzähler ist ratlos. Was soll er tun? Bartleby entlassen möchte er nicht.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856.

Herman Melville was born in New York City on 1st August 1819. His father died when he was 12, leaving the family in very straitened times. Two years later Melville took a job in a bank and followed up with a failed stint as a surveyor. He went to sea and travelled across to Liverpool and then to the Pacific on adventures. Presented here is perhaps his best known short story, ‘Bartleby, the Scrivener’, an enduring story of a Wall Street lawyer and his very particular assistant.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine.

This classic story of a New York lawyer and his oddly rebellious clerk is as relevant today as when it was first published in 1853. Herman Melville brings us into a small Wall Street law office and introduces us to the lawyer and his quirky staff, the quirkiest of whom is poor, quiet Bartleby, whose increasing refusals to participate in office procedures lead to increasingly bewildering and tragic consequences.

Sent down from Oxford for playing one prank too many, Sebastian Hartford is well aware that he’s a disappointment to his family. Ordered to stay with—and learn from—two of his more respectable older siblings, Seb is prepared to be miserable in the country. Saddled with extracurricular schooling to keep him out of trouble, Seb can only let his mischievous mind run loose on the pages of his journal, “Bartleby”. But when he is offered a job as a spellcaster’s assistant to the enigmatic Lord Finlington, Seb’s creative flair finds a place to flourish.

The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine to, sadly, critical disdain.

Es ist die Geschichte einer absoluten Verweigerung. In der Wall Street-Anwaltskanzlei von Mr. Tucker arbeiten zwei Schreiber und ein Lehrling. Jeder von ihnen hat seine schrulligen Eigenheiten, aber man hat sich aneinander gewöhnt. Da erscheint ein blasser junger Mann: Bartleby. Er wird als Kopist eingestellt und beginnt seine Tätigkeit mit stillem Fleiß und einsiedlerischer Ausdauer. Seine Handschrift ist sauber, er selbst sehr arbeitsam. Aber die Stille, die ihn umgibt, seine Eigenschaftslosigkeit, wird zunehmend immer seltsamer.

Die Hauptfigur arbeitet als unauffälliger Büroangestellter und weigert sich eines Tages, der beruflichen Bitte ihres Chefs nachzukommen und zwar nachdrücklich und auf unbestimmte Zeit. Jedermann ist ratlos, aber Bartleby ist entschlossen, nur noch Tätigkeiten auszuführen, die er für wichtig hält, unabhängig von den Meinungen anderer.

"Ich möchte lieber nicht." Mit diesem Satz lehnt der Schreiber Bartleby nach und nach...

With the same vigor he brought to examining man's relationship with nature (and himself) in Moby Dick, Herman Melville turns inward in this deeply textured novella of an unknowable soul, his effect on those who encounter him, and how little we really understand about our fellow creatures. Melville's deft touch in dialogue and description evoke a Wall Street of another age, but lay bare ageless and difficult truths about being. To hear this timeless tale, and to return to it, is to be enriched and prodded at the same time.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856. A Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy and any other task required of him, with the words "I would prefer not to".

Bartleby: Das Novellen-Meisterwerk von Herman Melville, dem Autor von Moby Dick. Bartleby ist ein Schreibgehilfe, ein Anwaltskopist. Der Erzähler...