Paradise Lodge

Eighteen-year-old Lizzie Vogel finds herself a new job in a dentist's surgery after answering a classified advert in the Leicester Mercury for a 'mature lady with a strong interest in dental issues'. Working for an eccentric dental surgeon who's obsessed with becoming a Freemason, Lizzie's life is uneventful until Andy Nicolello turns up one day to deliver a crown. Lizzie seizes her chance to find love and soon begins calling him her boyfriend even though they have never so much as kissed or even sat next to each other on the sofa.

Not long after her parents' separation, heralded by an awkward scene involving a wet Daily Telegraph and a pan of cold eggs, nine-year-old Lizzie Vogel, her sister and little brother and their now-divorcée mother are packed off to a small, slightly hostile village in the English countryside. Their mother is all alone, only 31 years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.

In the 1980s, Nina Stibbe wrote letters home to her sister in Leicester describing her trials and triumphs as a nanny to a London family. There’s a cat nobody likes, a visiting dog called Ted Hughes (Ted for short) and suppertime visits from a local playwright. Not to mention the two boys, their favourite football teams, and rude words, a very broad-minded mother and assorted nice chairs.

From dry turkeys to Christmas pudding fires, from the perfect present for teacher to the risks and rewards of regifting, Nina Stibbe offers her inimitable wisdom and humour on the most wonderful time of the year.

Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships, to keep order in our law courts, to interpret events in our newspapers and social media. Storytelling is an essential part of what makes us human.

Susan Frobisher and Julie Wickham are turning 60. They live in a small Dorset town and have been friends since school. On the surface Susan has it all - a lovely house and a long marriage to accountant Barry. Life has not been so kind to Julie, but now, with several failed businesses and bad relationships behind her, she has found stability: living in a council flat and working in an old people's home.

From the attic of a dilapidated English country house, she sees them - Cara first: dark and beautiful, clinging to a marble fountain of Cupid, and Peter, an Apollo. It is 1969, and they are spending the summer in the rooms below hers while Frances writes a report on the follies in the garden for the absent American owner. But she is distracted. Beneath a floorboard in her bathroom, she discovers a peephole which gives her access to her neighbours' private lives. 

It only took one night to tear a family apart. Artist and illustrator Edwina Spinner used to have a busy family life. Now she lives alone in a house that has grown too big for her. She has decided to sell it. As Edwina takes the estate agent from room to room, she finds herself transported back to her life as a young mother. Back to her twins, Rowena and Charlie, and a stepson she cannot bring herself to mention by name.

There are three things you should know about Elsie. The first is that she's my best friend. The second is that she always knows what to say to make me feel better. And the third...might take a little bit more explaining. Eighty-four-year-old Florence has fallen in her flat. As she waits to be rescued, Florence wonders if a terrible secret from her past is about to come to light; and, if the charming new resident is who he claims to be, why does he look exactly like a man who died 60 years ago?

Maud Drennan - underpaid carer and unintentional psychic - is the latest in a long line of dogsbodies for the ancient, belligerent Cathal Flood. Yet despite her best efforts, Maud is drawn into the mysteries concealed in his filthy, once-grand home. She realises that Cathal, and the junk-filled rooms, are opening up to her. With only her landlady and a troop of sarcastic ghostly saints to help, Maud must uncover what lies beneath Cathal's decades-old hostility and the strange activities of the house itself.

Elvira Carr is 27 and neuro-atypical. Her father - whom she suspects was in the secret service - has passed away and, after several Unfortunate Incidents growing up, she now spends most of her time at home with her overbearing mother. But when her mother has a stroke, Elvira is suddenly forced to look after herself or risk ending up in sheltered accommodation. Armed with her Seven Rules, which she puts together after online research, Elvira hopes to learn how to navigate a world that's full of people she doesn't understand.

Pepys Road: an ordinary street in the Capital. Each house has seen its fair share of first steps and last breaths, and plenty of laughter in between. Today, through each letterbox along this ordinary street drops a card with a simple message: We Want What You Have.

As Edie Jones lies in a bed on the 14th floor of a Cambridge hospital, her adult daughter, Dido, tells their story, starting with the day that changed everything. That was the day when Dido - aged exactly six years and 27 days old - met the handsome Tom Trevelyan, his precocious sister, Harry, and their parents, Angela and David.

From the author of the best-selling Notes from an Exhibition comes an irresistible, searching, and poignant historical novel of love, relationships, secrets and escape. To find yourself, sometimes you must lose everything. A privileged elder son, and stammeringly shy, Harry Cane has followed convention at every step. Even the beginnings of an illicit, dangerous affair do little to shake the foundations of his muted existence.

A brother chosen. A brother left behind. And a family where you'd least expect to find one. Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, and a belly like Father Christmas. But the adults are speaking in low voices, and wearing pretend faces. They are threatening to give Jake to strangers.