Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life? 

A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set. 

Considered the first full-length detective novel in the English language, T.S. Eliot described The Moonstone as 'the first and greatest English detective novel'. The stone of the title is an enormous yellow diamond plundered from an Indian shrine after the Siege of Seringapatam. Given to Miss Verinder on her 18th birthday, it mysteriously disappears that very night. Suspicion falls on three Indian jugglers who have been seen in the neighbourhood. Sergeant Cuff is assigned to the case....

Originally published in 1878, Is He Popenjoy? is a delightful comic novel written late in the career of author Anthony Trollope. The plot revolves around the themes of property and inheritance, as the relatives of the Marquis of Brotherton question the legitimacy of a foreign-born heir to the family estate. Lord George Germain, as the younger brother of the marquis, can neither inherit the family title nor enjoy the income from the estate. He occupies the ancestral home, Manor Cross, only by grudging permission of his elder brother, who lives abroad. 

Late one night, a drawing teacher meets a mysterious woman dressed in white. Who is she, and what is her connection to the teacher's new pupil, a beautiful heiress? Serialized in 1859 - 1860, and first published in book form in 1860 it is still regarded still as one of the best plots in English literature. Told from multiple perspectives, the story is brought to life by its marvellous villains and complex, spirited and believable female characters.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

Mrs Zant has recently lost her beloved husband, and while walking in the Kensington Gardens, the spot where she and her deceased husband declared their love for each other, she feels his presence trying to warn her of some coming danger. Mr Rayburn witnesses it all, and he'll have to fight his own incredulity regarding the supernatural and his gut feeling that the disturbed young woman is telling the truth.

Just days after the wedding of Valeria Brinton and Eustace Woodville, a series of strange incidents causes Valeria to believe her husband is hiding a dark secret. She discovers he has been living under a false name, and when questioned, Eustace refuses to discuss it. Upon further digging, Valeria finds Eustace had been on trial three years ago for the murder of his wife. However, the verdict had come down as the scotch verdict of not proven. This implied his guilt, but there was not enough evidence for a conviction nor did it exonerate him. 

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel. 

In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.

Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

Daphne du Maurier's The Scapegoat is a classic tale of stolen identity. As dark as it is witty, it introduces listeners to the gloomy and despondent character of John the Englishman. When by chance, John comes face to face with his French doppelgänger, Jean, his bewilderment is quickly replaced with envy. Realising that Jean is in possession of everything he lacks but has always desired, he assumes the identity of his look-a-like, leaving his old, tedious life behind.

After the untimely death of their parents, Cytheria and Owen Graye must go out into the world and fend for themselves. Cytheria's journey leads her to the dark and mysterious household of Miss Aldclyffe, a capricious and eccentric woman, who steers Cytheria into a love affair with her charismatic steward, Aeneous Manston. All is not what it seems, and Cytheria finds herself entangled in a violent web of lust, murder, deception, and blackmail.

Esperanza is no ordinary servant. She has been sent by her guardian, the mysterious Madame de l'Orme, to uncover the dark and dangerous secrets that her new mistress has sought to conceal, and to set right a past injustice in which Esperanza's own closest interests are bound up.

A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma. Terrifying and enlightening, Clarissa weaves a tapestry of narrative experimentation into a gripping morality tale of good versus evil.