Appearing in 1854, Hide and Seek was Wilkie Collins’s third published novel. At the centre of the plot is the mystery surrounding a deaf and dumb girl known as Madonna, whom the painter Valentine Blyth rescues from her life as a circus performer. But it is only when Blyth’s friend Zack Thorpe rebels against his disciplinarian father and falls into bad company that the secret of Madonna is revealed.

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life? 

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support. 

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as Thomas Hardy, Bram Stoker, Edgar Allan Poe and HP Lovecraft. These tales are designed to unsettle you, just a little, as you sit back, and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own.

A collection of short stories from such favorites as Wilkie Collins, Sir Arthur Conan Doyle, and Rudyard Kipling are joined by others written anonymously in this anthology which will have you scratching your head and listening just a bit longer to discover the key to the mysteries.  

The setting is London, 1895, and the Devil is on the loose, in the guise of the handsome and charming Prince Lucio Rimânez. He is searching for someone morally strong enough to resist temptation, but there seems little chance he will succeed. Britain is all but totally corrupt. The aristocracy is financially and spiritually bankrupt, church leaders no longer believe in God, Victorian idealism has been banished from literature and life, and sexual morality is being undermined by the pernicious doctrines of the “New Woman”. 

Considered the first full-length detective novel in the English language, T.S. Eliot described The Moonstone as 'the first and greatest English detective novel'. The stone of the title is an enormous yellow diamond plundered from an Indian shrine after the Siege of Seringapatam. Given to Miss Verinder on her 18th birthday, it mysteriously disappears that very night. Suspicion falls on three Indian jugglers who have been seen in the neighbourhood. Sergeant Cuff is assigned to the case....

In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.  

This comprehensive novel consists of three subplots which interlink to form the whole and supply a trio of targets at which Trollope aims his proselytising pen. The first treats on the courtship of a woman by a man whom she does not love and with whom she is not compatible. Mary Lowther will not accept such a marriage of dishonesty. The second deals with the plight of a young woman who has fallen prey to the wiles of an evil seducer and subsequently adopts a life of prostitution.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

At the heart of each of these great classic stories is an adoptee with an indomitable spirit who becomes the heroine (or hero) of her own life. "The bravery it takes for an unwanted orphan to forge their own path in life was as great when these stories were written as it is today," says narrator Alison Larkin, who draws on her own adoption experience to bring these stories to authentic new life. 

This is a diverting delight, a window on romance in literature. There are high lovers and low lovers, tragic lovers, comic lovers, and lovers who shouldn’t be doing what they are doing at all and certainly not then and there. There is even Fanny Hill trying not to discover what physical love is about when set upon by an old roué who has paid for the privilege. Though of special interest for lovers and their special lover’s day of St. Valentine, it is an amusing and sometimes surprising collection.

In a comprehensive and beautifully crafted first person narrative, David Copperfield recalls key stages, memories, and incidents of his life from infancy to maturity. Scenes, adventures, and characters are summoned to the narrator's remembrance so vividly that they are rendered with the vitality of the present moment.