Showing results by author "Virginia Woolf" in All Categories

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; George Orwell; and Mary Shelley, amongst a host of others.

Four books...one groundbreaking author. This collection includes Mrs Dalloway (1925), To the Lighthouse (1927), A Room of One’s Own (1929), and The Waves (1931).

The Ultimate Modern Classics Collection: Volume One is the first instalment in our classics collection focusing on the most important and iconic novels, stories, and poems of the 20th century. Featuring 18 essential modern classics from Orwell, Hemingway, Fitzgerald, Woolf, and many more, and read by a cast of incredible narrators including Iwan Rheon, Ben Allen, Karen Cass, Nathan Osgood, amongst others, this is an essential addition to your library.

A treasure chest of timeless short stories by some of the world's greatest authors.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

Often considered her most experimental work, Virginia Woolf's The Waves is a masterclass in modernist fiction, and a profound exploration of time, consciousness and the conflicting rhythms of individual lives. Published in 1931, The Waves unfolds through the soliloquies of six characters whose voices come and go – much like the sea tides they are surrounded by – in a blend of consciousness, tracing their journeys from childhood to old age. Around them drifts the unseen presence of a seventh figure, Percival, whose absence becomes a powerful refrain throughout the book.

Virginia Woolf’s third novel lacks a conventional narrative style and some say even a plot. It follows Jacob from his childhood, through his education at Cambridge and finally to his death in World War I. The prose repeatedly shifts its point of view and the reader is challenged to find connections between the narrative fragments. Largely from the comments of others we come to know the sequence and some moments of Jacob’s life but we never fully learn who Jacob is. The literary experimentation in Jacob’s Room is used even more successfully in Woolf’s later novels. (Summary by DaveC)

Em 1922, Virginia Woolf publicava seu terceiro romance, considerado pela crítica um ponto de inflexão na sua carreira. Em O quarto de Jacob, o personagem-título é a presença de uma ausência. Da infância na praia à juventude em Cambridge, sua personalidade é entrevista por mulheres que atravessam sua vida, da mãe a uma namorada. Este romance sinaliza o momento em que Virginia Woolf abandonou dispositivos realistas e abraçava—não sem ressalvas—a influência do modernismo de James Joyce, que lançava Ulysses naquele ano.

The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

Brought to you by Penguin. This Penguin Classic is performed by Natalie Dormer, best known for her standout role as Queen Margaery in Game of Thrones, as well as her roles in The Hunger Games and Captain America: The First Avenger. A Room of One's Own, based on a lecture given at Girton College...

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman ( Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel The Hours, brings the impressionistic prose of this classic to vibrant life.

On a June morning in 1923, Clarissa Dalloway is preparing for a party and remembering her past. Elsewhere in London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax. Here, Virginia Woolf perfected the interior monologue and the novel's lyricism and accessibility have made it one of her most popular works. 

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.