'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.

The Wayward Bus travelled the back roads through the lush California countryside. Its driver was a man of the land - lusty, hot blooded, and uninhibited. On the bus was a girl who danced at stag parties, a travelling salesman strictly out for fun, a boy coming into manhood, and a college girl pursuing her secret, passionate quest. This is a story of crisis and passion, of love and longing.

Ethan Hawley has lost the spirit of his wealthy forebears, a long line of proud New England sea captains and Pilgrims. Scarred by failure, Ethan works as a grocery clerk in a store his family once owned. But his wife is restless and his teenage children hungry for the material comforts he cannot provide. Then a series of unusual events reignites Ethan's ambition, and he is pitched on to a bold course, where all scruples are put aside.

For Penelope, wife of Odysseus, maintaining a kingdom while her husband was off fighting the Trojan War was not a simple business. Already aggrieved that he had been lured away due to the shocking behaviour of her beautiful cousin Helen, Penelope must bring up her wayward son, face down scandalous rumours, and keep over 100 lustful, greedy, and bloodthirsty suitors at bay.... And then, when Odysseus finally returns and slaughters the murderous suitors, he hangs Penelope's 12 maids.

Watt tells the tale of Mr Knott's servant and his attempts to get to know his master. Watt's mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to 'know' ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Stephen Gordon (named by a father desperate for a son) is not like other girls: she hunts, she fences, she reads books, wears trousers, and longs to cut her hair. As she grows up amidst the stifling grandeur of Morton Hall, the locals begin to draw away from her, aware of some indefinable thing that sets her apart. And when Stephen Gordon reaches maturity, she falls passionately in love - with another woman.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

In the summer of 1983, 23-year-old Nick Guest moves into an attic room in the Notting Hill home of the wealthy Feddens: Gerald, an ambitious Tory MP, his wife, Rachel, and their children, Toby and Catherine. Innocent of politics and money, Nick is swept up into the Feddens' world and an era of endless possibility, all the while pursuing his own private obsession with beauty. 

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.... This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it.

When the narrator of Swann's Way dips a petite madeleine into hot tea, the act transports him to his childhood in the French town of Combray. Out of his Pandora's box of reflections comes a memory of an old family friend, Swann - a man who was long ago undone by romantic desire and cruel reality. In this reverie lie the insights the author seeks about his own life and ageless truths about the ephemeral nature of emotions, places, and, ultimately, love.

The Trial is one of the great works of the 20th century - an extraordinary vision of one man put on trial by an anonymous authority on an unspecified charge. Kafka evokes all the terrifying reality of his ordeal.

Seeking peace of mind, Lady Donna de Colomb flees the stews of London and the Restoration court for remote Navaron. There she finds the boundless passion her spirit craves - daring to love the pirate hunted by all Cornwall.