Showing titles in African

Ífè Myths presents one of the earliest English-language collections of Yoruba sacred stories—gathered directly from the people of Southwestern Nigeria during the author’s years of service as an Assistant District Officer. Living among Yoruba communities, the collector gained rare access to fragments of oral tradition, ritual incantations, and passing references that, when carefully assembled, reveal glimpses of the spiritual worldview that shaped one of Africa’s greatest civilizations.

Brought to you by Penguin. *Winner of the Dylan Thomas Prize 2018* *Winner of the Somerset Maugham Award 2018* Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's...

Nnu Ego, filha de um grande líder africano, é enviada como esposa para um homem na capital da Nigéria. Determinada a realizar o sonho de ser mãe e, assim, tornar-se uma "mulher completa", submete-se a condições de vida precárias e enfrenta praticamente sozinha a tarefa de educar e sustentar os filhos. Entre a lavoura e a cidade, entre as tradições dos igbos e a influência dos colonizadores, ela luta pela integridade da família e pela manutenção dos valores de seu povo.

Trois femmes, trois histoires, trois destins liés. Ce roman polyphonique retrace le destin de la jeune Ramla, arrachée à son amour pour être mariée à l'époux de Safira, tandis que Hindou, sa sœur, est contrainte d'épouser son cousin. Patience ! C'est le seul et unique conseil qui leur est donné par leur entourage, puisqu'il est impensable d'aller contre la volonté d'Allah. Comme le dit le proverbe peul : "Au bout de la patience, il y a le ciel." Mais le ciel peut devenir un enfer. Comment ces trois femmes impatientes parviendront-elles à se libérer ?

Urban Poetry & Truth: The Echo of the Streets Raw. Real. Resilient. The streets have a voice—do you hear it? Urban Poetry & Truth: The Echo of the Streets is a lyrical journey through the grit, soul, and unbreakable spirit of city life. Through powerful storytelling, rhythmic flow, and hard-hitting truth, this collection captures the voices of those who live, love, fight, and survive in the urban landscape. Divided into Three Powerful Sections: The Streets & The Struggle – Survival, injustice, and the fight to make it through another day.

SOUTH AFRICA, 1989. In a deeply divided country on the brink of change, two women from vastly different backgrounds share an unlikely friendship. Sofia Levantis, a Greek-Cypriot immigrant, longs to keep her family close, but when her children want to leave South Africa, the future she’s imagined begins to slip away. Meanwhile, Grace Molepe, Sofia’s housekeeper and trusted friend, pins her hopes on her son’s education and a future where he’ll no longer be treated like a foreigner in his own country.

Best known for his glorious comic novels, Charles Portis was also a prolific essayist, travel writer, and newspaper reporter. Now, for the first time, these writings—journalism, short fiction, memoir, travel stories, and even a play—have been brought together in Escape Velocity: A Charles Portis Miscellany. The collection encompasses the breadth of Portis’s fifty-year writing career, covering topics as varied as road tripping in Baja, Elvis’s visits to his aging mother, and his own boyhood in Arkansas.

Whether or not we realize it, affirmations are already part of our daily dialogue with others and with ourselves. Whatever we speak, proclaim, or declare is coming from a place of belief and acceptance, that what we have said already is, or will be so. Unfortunately, not all of our affirmations are positive, and over time we get stuck into habits of affirming in our lives the very things we do NOT desire.

The first genocide of the 20th century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman - lacking any kind of civilization, history, or meaningful religion - and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze", an attitude that was later perpetuated by the Nazis.

Der Literaturnobelpreisträger von 2021 erstmals als ungekürzte Lesung. Sansibar, Ende des 19. Jahrhunderts: Der zwölfjährige Yusuf lebt mit seiner Familie im ländlichen Ostafrika. Als der Vater sich verschuldet, wird der Junge an einen Gläubiger verkauft, an "Onkel Aziz". Von einem Tag auf den anderen landet er in der Stadt, zwischen afrikanischen Muslimen, christlichen Missionaren und Indern vom Subkontinent.

1996: in a Ugandan dive bar, the 'freight dogs' gather. An anarchic group of mercenary pilots from Texas, Russia, Kenya and Belgium who transport weapons between warring African nations, without allegiance. And tonight they have a new recruit—Manu, a nineteen-year-old cowherd fleeing Congo's bloody war. Taken in by this band of unlikely brothers, Manu hopes to reinvent himself. But no matter how fast he flies, trouble always seems to follow closely behind... 

I want you to know that I see you. I want you to know that even if no one else does, even if you are a ghost in this bookshop, or just the static floating across the screen of your computer, wherever you’re reading this, I see you. I see you in the dark and I see you in the grey. I see you as a story, as words I have spoken or may yet speak. Maybe only in a memory or a dream. I see your hands and your arms and your body and your legs and your face and I see what you have been and what you will be.

Der Gewinner des Booker Preis 2021: Über den Zerfall einer weißen Farmerfamilie in Südafrika - von der Apartheid bis zur Demokratie. "Das Versprechen" erzählt vom zunehmenden Zerfall einer weißen südafrikanischen Familie, die auf einer Farm außerhalb Pretorias lebt. Die Swarts versammeln sich zur Beerdigung ihrer Mutter Rachel, die mit vierzig an Krebs stirbt. Die jüngere Generation, Anton und Amor, verabscheuen alles, wofür die Familie steht - nicht zuletzt das gescheiterte Versprechen an die schwarze Frau, die ihr ganzes Leben für sie gearbeitet hat.

Lara Johnson is coping with the emotional scars of losing both parents in a tragic incident and facing the challenges of starting a new school. Getting involved in a relationship isn't on her priority list. Certainly not this illicit desire for a man, who demands the best from her, yet leaves her breathless in his presence. All Ike Thomas wants to do is to keep out of trouble and get through the one year internship required for his degree program.

Kamali Danladi has sworn never to get married again. But his meddling mother is bent on hitching him to any eligible female that comes along to the next family gathering. There's only one thing for it. Get fake-hitched to his executive assistant. If anyone is more averse to marriage than he is, it's her. So they'll be perfect together. Or at least, they'll fake perfect together. Ebun Forson doesn't do families. She certainly doesn't do festivities.

Brought to you by Penguin. An expansive new collection from one of the UK’s most daring and celebrated poets In The New Carthaginians, time – and with it the world – is out of joint. A hijacked plane lands at Entebbe International Airport in 1976, triggering the crisis that will lead to...

" À la maison la débâcle a commencé lorsque Jaja, mon frère, n'est pas allé communier et que Papa a lancé son gros missel en travers de la pièce et cassé les figurines des étagères en verre. " Kambili vit dans une famille nigériane aisée avec son frère aîné Jaja. Leur père est un catholique fondamentaliste, très respecté par la communauté d'Enugu. Mais lorsqu'un coup d'État contraint Kambili et Jaja à trouver refuge chez Tatie Ifeoma, ils découvrent un foyer bruyant et plein de vie et leurs illusions sur l'autorité religieuse et paternelle tombent. Commence alors un douloureux combat pour s'affranchir du passé.

In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night.  

À la fin du XIXe siècle, Bilal Seck achève un pèlerinage à La Mecque et s'apprête à rentrer à Saint-Louis du Sénégal. Une épidémie de choléra décime alors la région, mais Bilal en réchappe, sous le regard incrédule d'un médecin français qui cherche à percer les secrets de son immunité. Ce chemin, Bilal l'emprunte à son tour, vers son pays natal, en passant par Djenné, la cité rouge, où vint buter un temps le voyage d'Ounifer et de son peuple.

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.