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Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Every story of Chesterton's unassuming little priest detective, from the first four published collections: The Innocence of Father Brown (1911), The Wisdom of Father Brown (1914), The Incredulity of Father Brown (1926), and The Secret of Father Brown (1927).

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

This is a new edition of the first collection of G. K. Chesterton's masterful mysteries, The Innocence of Father Brown. Contains 12 thrilling tales, including "The Blue Cross", "The Invisible Man", and "The Sins of Prince Saradine". The audiobook is expertly narrated by British actor Nigel Peever, who brings to life Father Brown and all of Chesterton's marvelous characters.

Here are the six final stories from The Innocence of Father Brown relating the crime-solving adventures of a rather unconventional detective. Having accumulated wisdom and empathy from years of listening to the dark confessions of his parishioners, in a flash Father Brown is able to solve mysteries that confound all others.

These four stories test Father Brown in many ways, creating headaches a plenty. However, Father Brown is nothing if not redoubtable and whilst Chesterton's stories are, in his own words, "very slight and improbable", his method is all his own. Bill Wallis captures perfectly the mood and tone of Father Brown in this collection.

From 1974, five full-cast dramatisations of the short stories by GK Chesterton, starring Leslie French as the investigating Roman Catholic priest and Willie Rushton as GK Chesterton. Created in 1910, Father Brown inhabited the pages of several short story collections and novels before appearing in adaptations for film, TV, radio and theatre. His most recent incarnation is in the hit BBC TV series starring Mark Williams in the title role.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.