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De Waal reviews the rise and fall of the mechanistic view of animals and opens our minds to the idea that animal minds are far more intricate and complex than we have assumed. De Waal's landmark work will convince you to rethink everything you thought you knew about animal - and human - intelligence.

Kit de Waal grew up in a household of opposites and extremes. Her haphazard mother rarely cooked, forbade Christmas and birthdays, worked as a cleaner, nurse and childminder sometimes all at once and believed the world would end in 1975. Meanwhile, her father stuffed barrels full of goodies for his relatives in the Caribbean, cooked elaborate meals on a whim and splurged money they didn't have on cars, suits and shoes fit for a prince. Both of her parents were waiting for paradise. It never came.

Since its publication in 2003, the first edition of Black Garden has become the definitive study of how Armenia and Azerbaijan, two southern Soviet republics, were pulled into a conflict that helped bring them to independence, spell the end the Soviet Union, and plunge a region of great strategic importance into a decade of turmoil. This important volume is both a careful reconstruction of the history of the Nagorny Karabakh conflict since 1988 and on-the-spot reporting of the convoluted aftermath.

"With deep appreciation for Camondo's generosity and taste, de Waal takes listeners on a journey they won't forget." -- AudioFile Magazine This program is read by the author A tragic family history told in a collection of imaginary letters to a famed collector, Moise de Camondo Letters to...

Extraordinary new nonfiction, a gripping blend of history and memoir, by the author of the award-winning and best-selling international sensation The Hare with the Amber Eyes. In The White Road, best-selling author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or "white gold".

The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in 19th-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox. The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.

In Different, world-renowned primatologist Frans de Waal draws on decades of observation and studies of both human and animal behavior to argue that despite the linkage between gender and biological sex, biology does not automatically support the traditional gender roles in human societies. While humans and other primates do share some behavioral differences, biology offers no justification for existing gender inequalities.

The destruction of the Armenians of the Ottoman Empire in 1915-16 was the greatest atrocity of World War I. Around one million Armenians were killed, and the survivors were scattered across the world. Although it is now a century old, the issue of what most of the world calls the Armenian Genocide of 1915 is still a live and divisive issue that mobilizes Armenians across the world, shapes the identity and politics of modern Turkey, and has consumed the attention of U.S. politicians for years.

Este audiolibro comienza narrando el último encuentro entre Mama, una hembra de chimpancé moribunda, y su cuidador. La escena, en la que Mama intenta sonreír mientras se abraza a la persona que se ocupó de ella durante años fue filmada y ha emocionado a millones de personas a través de la red. Al hilo de este episodio, De Waal habla del significado de las expresiones faciales, las emociones ocultas tras la política humana o la ilusión de la libertad.

They say that the best thing to do with a debut novel is to write about something that you know. This is exactly what Kit de Waal has done. Kit has used her experience with the foster system in the UK to write her debut novel My Name is Leon. The audiobook version of the novel is narrated by none other than Lenny Henry, and Kit joins Robin Morgan at the Audible Studios to tell us all about it. This interview includes a clip of the audiobook.

Joining us at Audible Studios is author Kit de Waal. Growing up in poverty in Birmingham, de Waal was exposed to many challenges as a child. Being British, Irish and Caribbean, she experienced many aspects of racism, and her chaotic home life was both a comfort and a difficulty. We'll be talking with Kit de Waal about her newest book, a memoir titled Without Warning and Only Sometimes, and asking why she turned the lens on herself, how her love of reading began, and how it felt to have Armageddon hanging over her as a child.

A riveting, heart-stopping family memoir that blends art, obsession, and love as the author searches for the spectacular jeweled egg that consumed her father’s dreams—and spelled her family’s downfall. When she was eleven years old, Serena Kutchinsky’s life changed forever. Her father...

Suntem îndeajuns de inteligenți pentru a înțelege inteligența animalelor? ne poartă într-o călătorie fascinantă prin lumea surprinzătoare a cogniției animalelor, care nu sunt niște simple mașinării ce răspund la stimuli și reacționează mânate numai de instinct. Autorul ne...

Más de doscientas figuritas de madera y marfil, ninguna de ellas mayor que una caja de cerillas, son el origen de este fascinante libro en el que Edmund de Waal describe el viaje que han hecho a lo largo de los años. Un viaje lleno de aventuras, de guerra, de amor y de pérdida, que resume, en la historia de una familia, la historia de Europa en los siglos XIX y XX.

Frans de Waal, psychologue et primatologue mondialement reconnu, nous amène à réexaminer tout ce que nous croyions savoir sur l'intelligence animale - et humaine.

Forfatteren af denne bog, Edmund de Waal, er en internationalt anerkendt keramiker, der har sine værker udstillet over hele verden. En dag arver han fra en onkel en samling af 264 bittesmå, udskårne, japanske figurer af træ og elfenben - såkaldte netsuker - der har været i familiens eje siden 1870’erne. Arven og genstandene pirrer Edmund de Waals nysgerrighed, og han begiver sig ud på en rejse tilbage i den europæiske historie for at finde ud af, hvem der har rørt ved disse smukke, små skabninger, hvem der har elsket og beundret dem, og hvad de har været vidne til.

Un'elegante vetrina nella casa londinese di Edmund de Waal contiene 264 sculture giapponesi di avorio, o legno, non più grandi di una scatola di fiammiferi, raffiguranti divinità, personaggi di ogni tipo, animali, piante. La vetrina è aperta, e i piccoli figli di de Waal possono estrarre i netsuke - così si chiamano i minuscoli oggetti - e giocarci. Come facevano, ha scoperto l'autore, i piccoli figli di Viktor e Emmy von Ephrussi, suoi bisnonni, nel boudoir della madre, in un fastoso palazzo viennese della Ringstrasse, un secolo fa.

Een podcast dóór en vóór vleesspecialisten. Vermakelijke en interessante onderwerpen worden smakelijk gereserveerd, vers van 't slagersmes.

În Bonobo și ateul, Frans de Waal folosește cunoștințele dobândite în zeci de ani de cercetare a primatelor, și a speciei bonobo în particular, pentru a aprofunda cu ochiul fin al eseistului cultural, versat în istoria artei și în filozofie, probleme fundamentale ale naturii umane. Care este izvorul moralității și ce transformări a suferit aceasta pe parcursul evoluției? Putem fi buni și altruiști și în lipsa constrângerilor religiei? Este simțul moral apanajul omului, sau e prezent şi la speciile de maimuțe cu care ne înrudim?

Invitado a exponer sus piezas de cerámica en el museo Nissim de Camondo, Edmund de Waal disfrutó del inesperado privilegio de adentrarse en uno de los palacetes más lujosos de París, antigua propiedad de una influyente familia sefardí. Construido por deseo del filántropo y coleccionista de arte Moïse de Camondo en 1912, el edificio acoge desde entonces una extraordinaria colección de arte francés del siglo xviii. Sin embargo, como ocurrió a los antepasados de De Waal, los Ephrussi, también los Camondo se convirtieron pronto en blanco del antisemitismo.