Showing results for "Audiobooks" in Linguistics

Can You Forgive Her? is the first of the six in the Palliser series. Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined, and none remains unscathed. But above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the audiobook.

In Made in America, Bryson de-mythologizes his native land, explaining how a dusty hamlet with neither woods nor holly became Hollywood, how the Wild West wasn't won, why Americans say 'lootenant' and 'Toosday', how Americans were eating junk food long before the word itself was cooked up, as well as exposing the true origins of the G-string, the original $64,000 question, and Dr Kellogg of cornflakes fame.

The richness of the Irish language is closely tied to the natural landscape and offers a more magical way of seeing the world. Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn, and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.

The three novels that make up this trilogy have long been recognized as masterpieces of 20th-century literature, and Galsworthy as one of its leading exponents. But don’t let that be the reason you put off listening to this wonderful work. There are passion and lust in these pages, high art and low comedy, and unthinking violence that ride alongside ever-correct manners. Scandal, tragedy, despair, rape, accidental death, marriage, remarriage and a healthy leavening of births all unfold against a rolling backdrop of a world war.

A bonzer (p. 288) discussion of the strange but dinkum (p. 289) pedigree (p. 224) of the naughty (p. 202), nice (p. 212), and, sometimes, obscene (p. 217) English language. We live in a torrent of words — from radio and television, books and newspapers, and now from the internet. But, as Julian Burnside reminds us in this new edition of the bestselling Wordwatching, words are a source both of pleasure and power, and can be deployed for good or for ill.

Miss Elizabeth Mapp, magnificent grande dame and heiress, is always on the lookout lest her neighbors fall outside the bounds of perfect, exemplary manners. But her tightly controlled world is soon beset on all sides by interlopers, first in the disturbingly masculine form of two very different retired army officers, both of whom are anything but retiring in their conflicting aims upon her heart.

Thomas De Quincey's highly charged and hauntingly accurate account of laudanum addiction is considered the root of all drug novels. From Baudelaire to Burroughs, Confessions of an English Opium Eater paved the way for later generations of writers. Initially prescribed as pain relief for a chronic condition, De Quincey soon found himself compelled by the opium experience.

Interweaving her vast knowledge of neurology, sociology, psychology, and philosophy with fascinating down-to-earth examples and lively personal anecdotes, developmental psychologist, neuroscientist, and dyslexia expert Wolf probes the question, "How do we learn to read and write?" This ambitious and provocative new book offers an impassioned look at reading, its effect on our lives, and explains why it matters so greatly in a digital era.

Drawing on evidence from many fields, including archaeology, anthropology, neurology and linguistics, Sverker Johansson weaves these disparate threads together to show how our human ancestors evolved into language users. The Dawn of Language provides a fascinating survey of how grammar came into being and the differences or similarities between languages spoken around the world, before exploring how language eventually emerged in the very remote human past.

Short Stories in Russian for Beginners has been written especially for students from beginner to intermediate level, designed to give a sense of achievement, a feeling of progress and most importantly - enjoyment! Mapped to A2-B1 on the Common European Framework of Reference, these eight captivating stories are designed to give you a sense of achievement and a feeling of progress when listening. From science fiction to fantasy, to crime and thrillers, Short Stories in Russian for Beginners will make learning Russian easy and enjoyable.

The English alphabet is a tool that we've inherited down the centuries from ancient creators around the world. The alphabet hasn't always had its present form, but rather has undergone all sorts of changes and evolutions to suit the needs of the time. Did you know that five English letters come from a single graphic grandparent? Or that we may know the specific person who invented the letter G? Do you know why Z is the sixth letter for the Greeks, yet the last for us? Or why Q needs to be followed by U?

Penguin presents the audiobook edition of Moonfleet by J. Meade Falkner, read by Royce Pierreson. A tale of smuggling set among the cliffs, caves, and downs of Dorset. Everyone in the tiny village of Moonfleet lives by the sea one way or another, so it's no surprise when young John Trenchard...

The Napoleonic Wars are at their height, and upheaval and uncertainty plague British soil. In the midst of it all, the impoverished beauty Anne Garland finds herself at the center of a love quadrangle. She is torn between the persistent and annoying Festus Derryman, her womanizing childhood sweetheart Bob Loveday, and the reliable and thoughtful John Loveday, the eponymous Trumpet-Major. Who will she choose?

Published in 1904, The Golden Bowl is the last completed novel of Henry James. In it, the widowed American Adam Verver is in Europe with his daughter Maggie. They are rich, finely appreciative of European art and culture, and deeply attached to each other. Maggie has all the innocent charm of so many of Jamess young American heroines. She is engaged to Amerigo, an impoverished Italian prince; he must marry money, and as his name suggests, an American heiress is the perfect solution.

A New York Times bestseller One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of...

In Framley Parsonage, the fourth novel of Trollope's Chronicles of Barsetshire, the author leaves the confines of Barchester and looks to the countryside, where he relates the moral difficulties of Mark Robarts, the young clergyman who has recently been appointed Vicar of Framley. Desperate to keep up with the local aristocracy, the country parson is persuaded to underwrite the debts of Sowerby, a well-respected peer.

Like Tom Jones before him, Barry Lyndon is one of the most lively and roguish characters in English literature. He may now be best known through the colorful Stanley Kubrick film released in 1975, but it is Thackeray who, in true 19th-century style, shows him best.

Brought to you by Penguin. This Penguin Classic is performed by Louise Brealey, known for her roles in Sherlock, Clique and Death in Paradise. This definitive recording includes an Introduction by Angeline Goreau. When her family becomes impoverished after a disastrous financial speculation...

Some people say 'sconn' while others say 'schown'. He says 'bath' while she says 'bahth'. You say 'potayto'. I say 'potahto'. And - wait a second, no one says 'potahto'. No one's ever said 'potahto'. Have they? From reconstructing Shakespeare's accent to the rise and fall of received pronunciation, actor Ben Crystal and his linguist father, David, travel the world in search of the stories of spoken English.

Scots: The Mither Tongue is a classic of contemporary Scottish culture and essential listening for those who care about their country's identity in the 21st century. It is a passionately written history of how the Scots have come to speak the way they do and has acted as a catalyst for radical changes in attitude towards the language. In this revised edition, Kay vigorously renews the social, cultural, and political debate on Scotland's linguistic future, and argues convincingly for the necessity to retain and extend Scots if the nation is to hold on to its intrinsic values.