The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of them all.... In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. 

As princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister, Phaedra, grow up hearing the hoofbeats and bellows of the Minotaur echo from the labyrinth beneath the palace. The Minotaur—Minos' greatest shame and Ariadne's brother—demands blood every year.  When Theseus, prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country.

The House of Atreus is cursed. A bloodline tainted by a generational cycle of violence and vengeance. This is the story of three women, their fates inextricably tied to this curse, and the fickle nature of men and gods.  

From the Orange Prize-winning, internationally best-selling author of The Song of Achilles comes the powerful story of the mythological witch Circe, inspired by Homer's Odyssey. In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe has neither the look nor the voice of divinity and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

For millennia, two women have been blamed for the fall of a mighty civilisation - but now it's time to hear their side of the story.... As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivalled beauty, they are the envy of all of Greece. Such privilege comes at a high price, though, and their destinies are not theirs to command. While still only girls they are separated and married off to legendary foreign kings Agamemnon and Menelaus, never to meet again. 

When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive debut novel that reimagines Norse mythology. Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

It's time for us to reexamine the past. Our lives are infinitely richer if we take the time to look at what the Greeks and Romans have given us in politics and law, religion and philosophy and education, and to learn how people really lived in Athens, Rome, Sparta, and Alexandria. This is a book with a serious point to make, but the author isn't simply a classicist but a comedian and broadcaster who has made television and radio documentaries about humour, education, and Dorothy Parker.

Troy has fallen. The Greeks have won their bitter war. They can return home victors, loaded with their spoils: their stolen gold, stolen weapons, stolen women. All they need is a good wind to lift their sails. But the wind does not come. The gods have been offended - the body of Priam lies desecrated, unburied - and so the victors remain in limbo, camped in the shadow of the city they destroyed, pacing at the edge of an unobliging sea.

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son, Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles' mother, Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfil his destiny. 

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.

In Alma Alexander’s enthralling new novel, Simonis is a woman who lived many lives before rising to the top – a helpless child in circus performances, an accomplished courtesan and spy, a heretic who sheltered men thought to be damned for what they believed.

When Alex Morris loses her fiancé in dreadful circumstances, she moves from London to Edinburgh to make a break with the past. Alex accepts a job at a special school, commonly referred to as ‘The Unit’ - it takes on the students expelled from other schools in the city. These are troubled, difficult young people and Alex is an inexperienced teacher, terrified of what she’s taken on. There is one class - a group of five teenagers - who are particularly intimidating.

The king's sudden death leaves his son Manasseh as the new ruler. Overcome with sorrow, Manasseh is angry toward God and begins a reign of terror that shocks the kingdom. His own insecurity prompts the death of his closest advisors, dividing the faithful in two. Barely escaping the carnage, his best friend Joshua suffers the excruciating loss of his family and plans revenge.

Five decades before the birth of Christ, Chava, daughter of the royal tutor, grows up with Urbi, a princess in Alexandria's royal palace. When Urbi becomes Queen Cleopatra, Chava vows to be a faithful friend no matter what - but after she and Cleopatra have an argument, she finds herself imprisoned and sold into slavery. Torn from her family, her community, and her elevated place in Alexandrian society, Chava finds herself cast off and alone in Rome.