Good Murder
A William Power Mystery
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Narrated by:
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Paul English
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By:
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Robert Gott
About this listen
It's 1942, and war is raging in Europe and in the Pacific. The Japanese army is on Australia's doorstep, and the small coastal Queensland town of Maryborough is on full war footing. What they are not prepared for is the arrival in the town of a troupe of incompetent actors whose unjustifiably self-confident leader, William Power, is determined to bring his daring production of Titus Andronicus to the barbarians of rural Australia.
Unfortunately for the Power Players, the only gift William Power has is a capacity for being in the wrong place at the wrong time. When a young woman goes missing and is found floating dead in the town's water supply, Power becomes the prime suspect in her murder.
With every misplaced step he takes, he becomes more and more embroiled in a series of crimes which baffle the police and horrify the locals. Having no confidence in the constabulary, Power decides that his only option is to solve the crimes himself. His acting skills are not good; his detection skills are worse.
As he stumbles towards a solution and as his injuries mount up, he never wavers in his belief that he alone can bring the killer to justice. But with every day that passes, he tightens the noose around his own neck until, on the night of a violent storm, everything changes. And not for the better.
©2004 Robert Gott (P)2005 Louis Braille AudioOn top of which, the actual solution to the murders was the mystery novel equivalent of 'A Wizard Did It;' rendering all investigation, clues and attempts to decern the killer's motive, and therefore, the main, overarching reason to listen to a murder mystery novel null and void. So in short, unless you really hate some poor stage actor named William Power in real life, (which is the only possible reason I can imagine why the author wrote this pile of fertilizer,) then there is absolutely no reason to listen to it.
A Sickeningly Bitter Disappointment
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