Nadia Owusu is a woman of many languages, homelands and identities. She grew up in Rome, Dar-es-Salaam, Addis Ababa, Kumasi, Kampala and London. And for every new place there was a new language, a new identity and a new home. At times she has felt stateless, motherless and identity-less. At others, she has had multiple identities at war within her. It's no wonder she started to feel fault lines in her sense of self. It's no wonder that those fault lines eventually ruptured.

In Georgina Lawton's childhood home, her Blackness was never acknowledged; the obvious fact of her brown skin, ignored by her white parents. Over time, secrets and a complex family story became accepted as truth and Georgina found herself complicit in the erasure of her racial identity. It was only when her beloved father died that the truth began to emerge. Fleeing the shattered pieces of her family life and the comfortable, suburban home she grew up in, at age 22 Georgina went in search of answers.

In his brilliantly illuminating new book Sathnam Sanghera demonstrates how so much of what we consider to be modern Britain is actually rooted in our imperial past. In prose that is, at once, both clear-eyed and full of acerbic wit, Sanghera shows how our past is everywhere: from how we live to how we think, from the foundation of the NHS to the nature of our racism, from our distrust of intellectuals in public life to the exceptionalism that imbued the campaign for Brexit and the government's early response to the COVID crisis. And yet empire is a subject weirdly hidden from view.

In this powerful and timely personal essay, best-selling author Otegha Uwagba reflects on racism, whiteness and the mental labour required of Black people to navigate relationships with white people. Presented as a record of Uwagba’s observations on this era-defining moment in history - that is, George Floyd’s brutal murder and the subsequent protests and scrutiny of institutional racism - Whites explores the colossal burden of whiteness, as told by someone who is in her own words, ‘a reluctant expert’.

Random House presents the audiobook edition of A Place for Us by Fatima Farheen Mirza, read by Deepti Gupta and Sunil Malhotra. A Place for Us catches an Indian Muslim family as they prepare for their eldest daughter’s wedding. But as Hadia’s marriage - one chosen of love, not tradition - gathers the family back together, there is only one thing on their minds: can Amar, the estranged younger brother of the bride, be trusted to behave himself after three years away? 

Uganda 1972. A devastating decree is issued: all Ugandan Asians must leave the country in ninety days. They must take only what they can carry, give up their money and never return. For Asha and Pran, married a matter of months, it means abandoning the family business that Pran has worked so hard to save. For his mother, Jaya, it means saying goodbye to the house that has been her home for decades. But violence is escalating in Kampala, and people are disappearing. Will they all make it to safety in Britain, and will they be given refuge if they do?

Knowing that he will soon die, Albert 'Poppy' Gondiwindi has one final task he must fulfill. A member of the indigenous Wiradjuri tribe, he has spent his adult life in Prosperous House and the town of Massacre Plains, a small enclave on the banks of the Murrumby River. Before he takes his last breath, Poppy is determined to pass on the language of his people, the traditions of his ancestors and everything that was ever remembered by those who came before him. The land itself aids him; he finds the words on the wind.

How does it feel to be constantly regarded as a potential threat, strip-searched at every airport? Or be told that as an actress, the part you're most fitted to play is 'wife of a terrorist'? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go 'home' to India when your home is really London?

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. 

Stop the denial. Abandon guilt. Interrogate capitalism. When it comes to racial justice, how do we transform demonstrations of support into real and meaningful change? With intellectual rigour and razor-sharp wit, Emma Dabiri cuts through the haze of online discourse to offer clear advice.

Reese nearly had it all: a loving relationship with Amy, an apartment in New York, a job she didn't hate. She'd scraped together a life previous generations of trans women could only dream of; the only thing missing was a child. Then everything fell apart, and three years on, Reese is still in self-destruct mode, avoiding her loneliness by sleeping with married men.

A successful lawyer, her London life is a long way from the grubby Northern streets she knew as a child, where her father headed up the Pakistani community and ran the local organised crime syndicate. Often his Jirga rule - the old way - was violent and bloody, but it was always justice of a kind. But now her father, Akbar Khan, has been murdered and Jia must return to take his place. In the past, the police relied on him to maintain the fragile order of the streets. But a power struggle has broken out amongst the various communities and now, nobody is safe. 

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

1960s Uganda. Hasan is struggling to run his family business following the sudden death of his wife. Just as he begins to see a way forward, a new regime seizes power and a wave of rising prejudice threatens to sweep away everything he has built. Present-day London. Sameer, a young, high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a past he never knew.

Two souls come together and are torn apart, lifetime after lifetime. A seed of hope begins to grow out of the ashes of grief, heartbreak and loss. Romance sparks in the most unexpected of places. And an unbreakable bond is formed that transcends countries, continents and even the boundaries of time. In this extraordinary collection, 10 writers explore the full spectrum of love in all its messy, joyful, agonising and exhilarating forms.