Opera Horror

Neither cosmic philosopher Lars Soren, hotshot pilot Bianca Petrescu, nor the high priestess Jessica McHugh—Lady Death herself—can say quite where in the galaxy they are. But after an experiment gone horribly wrong, one thing is clear: Asphodel Station isn’t in orbit around Jupiter any longer. Worse, the monsters that live out here—ancient eldritch beings thought only to exist in stories and nightmares—have now been alerted to Earth’s existence.

Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath - but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.

The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.

The future just went upside down, when a nascent AI is added against Bethany Anne's wishes. Then, there is David and his issues to take care of, permanently. Bethany Anne has had it with terrorists. Not encumbered with law, she seeks only justice for those who were killed in France. New members are added to the team as they continue their efforts to reach for the stars.

 The Phantom of the Opera is Gaston Leroux's exquisite blend of Gothic horror and tragic romance that formed the basis for a world-renowned stage musical. This Penguin Classics edition is translated with notes by Mireille Ribiere and an introduction by Jann Matlock. 

Zilfaquir is having a bad day. Shin-Sho Corporation dispatched his emergency engineering team (EET) to the remote ice planet, Xiao 2, to investigate a communications blackout. The Xiao 2 facility, composed of three subsurface ocean stations, awaits his team below hundreds of meters of ice and kilometers underwater. Upon arrival, he discovers the Xiao 2 facility has experienced an epidemic, leaving most of the station’s personnel either dead or dying. Or transforming. Worse, the stations are in danger of imploding due to sabotage.

Brilliant government scientist Richard Seaton discovers a remarkable faster-than-light fuel that will power his interstellar spaceship, The Skylark. His ruthless rival, Marc DuQuesne, and the sinister World Steel Corporation will do anything to get their hands on the fuel. They kidnap Seaton's fiancée and friends, unleashing a furious pursuit and igniting a burning desire for revenge that will propel The Skylark across the galaxy and back.

La «Trilogía de la Fundación» está considerada la mejor serie de la ciencia ficción universal. Como tal, fue galardonada en 1966 con un premio Hugo, y ahora reunida en un único volumen: una lectura imprescindible para los amantes del género.

As acting captain of the starship Calypso, Jacklyn Albright is responsible for keeping the last of humanity alive as they limp back to Earth from their forebears’ failed colony on a distant planet. Faced with constant threats of starvation and destruction in the treacherous minefield of interstellar space, Jacklyn's crew has reached their breaking point. As unrest begins to spread throughout the ship’s Wards, a new threat emerges, picking off crew members in grim, bloody fashion.

This 19th century French thriller tells of the mysterious Erik, grotesque and elusive "phantom," who hides himself from the world in the labyrinthine bowels of the Paris Opera and entices with his angelic voice the beautiful opera singer Christine. Her abduction prompts a dramatic search not only for her, but also for the truth about her strange captor.

Our heroes are dressed in homemade uniforms and armed with prop phasers but soon find themselves defending their hotel and convention center against hordes of flesh-eating undead. Suddenly, all of their useless knowledge about particle physics and old Star Trek episodes has genuine real-world applications! And while hotel employees and regular civilians are dying left and right, our Trekkies summon strength and courage by emulating their favorite starship-voyaging characters

Christine is certain that the Institute is trying to get rid of her. Why else would they send her to investigate a hundred-year-old cold case about some illusive “phantom” lurking in the depths of a crumbling old Opera House? It turns out she’s probably right, but as unlikely as it seems, there might be something to it. There’s definitely more in the shadows than a few rats and some pieces of forgotten scenery—especially now that she’s woken it up. The phantom is real. And now he's set his sights on her.

Captain Morgan Starling and her crew travel the stars, shipping cargo from one system to the next. Easy work, until first contact with another race devolved into all-out war. Now, they’re under attack from humanity’s mysterious alien foe, ambushed in the void between systems. When an unknown vessel comes to their aid, events spiral out of control, a twisted secret within its haunted corridors threatening to consume them, body and soul.

The team has to come to grips with a killer being allowed to live. The alien has to deal with the threat of paperwork. Will this effort to allow Juntto to redeem himself work? Or will Katie need to figure out how to kill him for good, when even the angels from above could only place him on ice before? Juntto is used to getting his way, but has he met his match with Angie? He wants to be Emperor of his own country. How can she convince him being an Emperor isn’t all it is cracked up to be? Pandora doesn’t play by the rules, nor will Katie.

No time like the present to figure out one's future. That's a nice platitude, but what if you are a demon? And the former Queen of Hell? Pandora saved an angel, Katie, when she could have stayed in hell and all but assured Earth would fall to Moloch. But now, she has a conundrum. Further complicating things, Katie is acting very out of character, and Pandora needs to help her friend find her bearings once more.

A phantom has haunted the Paris Opera House for years. Now he is infatuated with singer Christine Daaé. Despite an astonishing debut performance, Christine fails to win the lead in Faust, and the Phantom’s cursed retaliation on the opera house is spectacularly fatal. As the chandelier falls, he kidnaps Christine, and through hidden passages and behind trapdoors, shares his life story with her. To secure her escape, Christine promises to stay true to him forever. But when the Phantom learns of the prima donna’s intention to flee, his passion turns terrifying.

The War of the Damned is coming to a close, and Moloch has been tasked with winning by Lucifer. Juntto is in frozen storage as Katie and her team try to figure out if he can be saved, and, if so, how? With the war heating up and other demons getting into the action to garner acclaim, the Damned have their work cut out for them. In the end, Moloch stops trying to get others to do the hard work and takes Katie on himself. Can she and Pandora beat the Archdemon?

Still in New York, Katie is working on creating an additional base for herself and her team as Pandora contemplates how she can mess up Calvin's love life. What will happen when Katie meets the woman who means the most to her? And what is Calvin going to do, since the gang in Mexico is not giving up?

Katie makes an executive decision, and the mere idea is driving Korbin to drink. Pandora wants Katie to learn to fight without her extra “oomph”. For now. The military need support, but few on the merc teams trust them. Is Pandora is finally getting somewhere with Katie's love life? There is something long and hard in Katie's hand, and Pandora is annoyed that it's only the stick shift of Katie’s new vehicle. (Oops, poor choice of words.) The war with the enemy is heating up, and there’s a new player who might ruin everyone’s lives.

The generation ship Peerless is in search of advanced technology capable of sparing their home planet from imminent destruction. In theory, the ship is traveling fast enough that it can traverse the cosmos for generations and still return home only a few years after they departed. But a critical fuel shortage threatens to cut their urgent voyage short, even as a population explosion stretches the ship’s life-support capacity to its limits.