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>This study explores the work of Britain's foremost national landscape painter John Constable (1776-1837). Based on her view of the Constable exhibition at Tate Britain 2006, author Janet Barber considers the development of the artist, placing his works in context of the cultural conditions of his time, and noting contemporary reactions to his public exhibitions at the Royal Academy; efforts which often met with a profound distaste for their powerfully expressive naturalism.

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

As a working critic, I find the most difficult exhibitions to write about are those that combine an evidently important subject with a faintly dispiriting result. The new Edvard Munch show at Tate Modern is a case in point. Munch is undoubtedly a major Modernist artist, a Norwegian cultural icon who was the precursor and to some extent the inventor of what came to be known as Expressionism. One version of his composition, The Scream, very recently made a record price.

The monograph publishes a study of Rembrandt van Rijn and JMW Turner at the National Gallery and Tate Britain in exhibitions of their later works.

An essay by Edward Lucie-Smith explores aspects of the mysterious and private character of the renowned American society artist John Singer Sargent.

Cv/VAR series 52 features an interview with American artist James Turrell recorded at Michael Hue Williams London in June 1996.

A study of a later period album of drawings on the theme of old women and nightmares by Francisco Goya exhibited at the Courtauld Gallery London, with reference to his supernatural "Black Paintings".

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.

A commentary on the Pierre Bonnard exhibition recorded at the press view on Monday January 21, 2018. Views figure studies and landscapes made between 1900 and 1940 and responds to the conception of the compositions with their radiant color fields.

Explores the structure and development of the Pre-Raphaelite movement in the mid-19th century and works that figure among the most enduring and generally popular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the brotherhood of seven artists and their interconnection and intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rossetti and Holman Hunt. He reviews a major exhibition of 150 works at Tate Britain launched in September 2012.

An interview with the author J. P. Donleavy, recorded in 1989 on the occasion of his exhibition at Anna-Mei Chadwick Gallery, Chelsea. He describes his formative experience of Dublin, with exhibitions there in 1948, '50, and '51, the catalogue manifestos, for these were his first published writings, leading to work on his first renowned novel, The Ginger Man.

One of Shakespeare's most often quoted lines, from Hamlet, simply asserts that "There are more things in heaven and earth, Horatio, than are dreamt of in our philosophy." The current retrospective at Tate Britain of the art of Richard Long, the first in London since the Arts Council's Hayward Gallery show in 1991, has been titled Heaven and Earth by Long himself, a phrase he had earlier used for specific works of art.

This guide explores the county of Cumbria. The journey starts in Kendal, and moves to Windermere, Bowness and Ambleside. From there: Keswick and Derwentwater, Ullswater and Braithwaite to Buttermere, via the Whinlatter Forest. The beautiful environment of tarns and fells opens many varied experiences for the traveler. The guide includes information and histories from local sources.

In a 1968 photograph a US Marine pauses for thought, inadvertently echoing those renaissance paintings of meditating scholars, holding his helmet rather than a book - but this is a quiet moment in the battle for Hue. It is McCullin's photographs which helped to define the savage war in Vietnam for Britain, and beyond. Some is unbearably sad: a young North Vietnamese soldier, a casualty of Hue, stares sightlessly at the photographer, his hands outstretched to the detritus of his pockets, scattered on the earth beside the body.

Many people - among them, most art-world insiders - think that Joseph Beuys was the most important artist of the second half of the 20th century. Beuys was many things - a shaman, a trickster, a charismatic social and political activist. He spearheaded the return to prominence of the German avant-garde post-World War II, and his impact on both the European and American art worlds continues to be felt today, nearly 20 years after his death in January 1986.

Rothko is now one of those mythical artists, an icon of 20th century creativity, the central figure in a tragic legend. Which means to say that one is pretty much compelled to agree that everything he did was wonderful, a manifestation of genius. I have to say that I find myself increasingly resistant to this approach. Some works by Rothko I do in fact respond to, with their glowing blocks of color.

The sixth in Cv's series of English County Guides explores Wiltshire. The dramatic sweep of a spare landscape of the Pewsey Vale introduces the historic town of Marlborough. It follows routes towards the west; to Bath and Avon; taking in settlements of Chippenham, Calne, Melksham, Devizes, Malmesbury, and Bradford on Avon.

A visit to the Palace of Knossos in Crete in 2005 leads to the story of the fabled Ring of Minos, lost for 2,000 years but rediscovered in the 1930s, now in the local museum of Herakleon. The author joins the tour of the ancient Minoan palace and adds historical reference to this detailed study of a great and vanished culture.

A study of Giacometti portraits at the National Portrait Gallery London and Frank Auerbach at Tate Britain.

Ben Luke, resident art critic of the London Evening Standard, calls Ai Weiwei "probably the most famous artist in the world. He has transcended the world of museums and galleries, and exerts a newsworthiness that no other artist competes with." This statement, if one bothers to look through the kind of publicity that Ai now attracts - thanks to the digital revolution most of this is easily available with a few clicks on one’s computer - is self-evidently true.