Showing results by author "Virginia Woolf" in All Categories

Virginia Woolf, ici, va droit aux faits avec la plus redoutable précision. Femme, elle reconnaît, décèle et dénonce en précurseur ce scandale d'autant plus occulté qu'il s’inscrit partout, s'étale avec une évidence majestueuse : le racisme ordinaire qui réduit les femmes à l’état d'êtres minoritaires, colonisés. Scandale politique. Dictature qui annonce toutes les autres.

"The Voyage Out" is the first novel by Virginia Woolf, published in 1915 by Duckworth; and published in the U.S. in 1920 by Doran. Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirize Edwardian life.

Six classic ghost stories from six classic authors, narrated by Phillip J Mather: "A Haunted House" by Virginia Woolf"; "The Image of the Lost Soul" by H H Munro [Saki]; "A Ghost" by Guy de Maupassant; "The Oval Portrait" by Edgar Allan Poe; "A Ghost Story" by Mark Twain; "The Trial for Murder" by Charles Dickens.

Adeline Virginia Woolf (January 1882-1941) was an English writer and one of the preeminent modernists of the 20th century. Her stories often appear as streams of consciousness as the writer's attention is drawn by things around her, memories and insights which bubble up in her brain and interruptions from the outside world. Includes 'A Haunted House', 'The Mark on the Wall', 'The String Quartet' and 'Kew Gardens'.

Adeline Virginia Woolf (January 1882-1941) was an English writer and one of the preeminent modernists of the 20th century. Her stories often seem to take the form of a stream of consciousness. 'A Haunted House' tells the story of a ghostly couple flitting from one room to the next in search of their hidden treasure...but what is it?

Adeline Virginia Woolf (January 1882-1941) was an English writer and one of the preeminent modernists of the 20th century. 'The String Quartet' is a beautifully written and evocative stream of semiconscious thought stimulated by listening to a string quartet playing a piece by Mozart.

"Adeline Virginia Woolf was an English writer and one of the foremost modernists of the 20th century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury group of intellectuals." (Wikipedia)

Adeline Virginia Woolf (January 1882-1941) was an English writer and one of the preeminent modernists of the 20th century. 'The Mark on the Wall' is a description of a chain of thoughts inspired by catching sight of a mysterious mark on the wall. It does not matter what the mark actually is.... What is important is the imaginative images and philosophical considerations which it stimulates in her brain.

Monday or Tuesday is a captivating introduction to Virginia Woolf, one of the greatest writers of the 20th century. These eight tales by the author of Mrs. Dalloway and To the Lighthouse reveal her early experiments in the art of fiction. The stories convey tantalizing glimpses of uncommon yet everyday characters

Mrs. Dalloway è il primo grande romanzo di Virginia Woolf, pubblicato nel 1925. Nell'arco di una sola giornata i fili invisibili delle emozioni uniscono...

Von Virginia Woolfs herzzerreißendem Abschiedsbrief an ihren Mann bis zum höchsteigenen Eierkuchen-Rezept von Queen Elizabeth II. an US-Präsident Eisenhower; von Gandhis Friedensersuch an Adolf Hitler bis zu Iggy Pops wundervollem Brief an einen jungen weiblichen Fan in Not, zelebriert und dokumentiert "Letters of Note" die Faszination der geschriebenen Korrespondenz mit all dem Humor, der Ernsthaftigkeit, der Traurigkeit und Verrücktheit, die unser Leben ausmachen. Prominente Autoren, Schauspielerinnen und Schauspieler lassen die Briefe durch ihre Stimmen lebendig werden.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia.

Mr. og Mrs. Ramsay og deres åtte barn tilbringer sommerferiene i sommerhuset deres på øyen Skye, sammen med nære venner av familien. Første del beskriver det dagligdagse samværet med kjærlighet og konflikter, forholdet mellom kjønnene, ekteskap og barndom, gleder, lengsler og savn. Men tiden går og fører med seg krig, død og forfall. Mange år senere vender den gjenværende delen av familien og enkelte av vennene tilbake til sommerhuset.

Med sine tanker om kvinnen som selvstendig individ med økonomisk og arbeidsmessig uavhengighet, fikk boken en banebrytende betydning for kvinnefrigjørelsen, og er fortsatt et sentralt verk i feminismen og den feministiske litteraturkritikken. Tankene hennes blir gjennom undersøkelser av natur og institusjoner, besøk og middager, lagt fram med humor, sinne, ironi og skarpsindighet, og den historiske gjennomgangen av kvinnelige forfattere blir blandet med fiktive forestillinger.

Ante la enormidad de la vida, con sus largos años y su final que pareciera que nunca llegará, ¿qué nos motiva a vivirla? Cuando un viaje prometido de una madre a un hijo se ve aplazado en el tiempo, movida desde el futuro cercano a la perpetuidad, ¿Qué se siente saber que el viaje nunca llegará? La residencia Ramsay conocerá la muerte y la pérdida a medida que venga. Son aspectos inseparables de la vida, pero a la vez lo son el amor y la euforia de conocerse a sí mismo en el transcurso de los años.

Uno dei primi romanzi della scrittrice, in cui viene utilizzato definitivamente lo stile del "flusso di coscienza", monologhi interiori dei vari personaggi che si incontrano, casualmente o meno, percorrono le stesse strade, i parchi, i salotti, della Londra del 1925. Particolari apparentemente insignificanti come la forma delle nuvole assumono una importanza pari o superiore a quella delle vicende personali di donne e uomini; la vita scorre senza soluzione di continuità da una coscienza all'altra.

Das Läuten der Glocken von Big Ben, Omnibusse am Piccadilly, Miss Pyms Hände, die so rot und kalt sind, als hätten sie mit den Blumen im Wasser gestanden, und dann ein Aeroplan, das "Toffee" in den Himmel schreibt. Mrs Dalloway macht Besorgungen für eine Abendgesellschaft in ihrem Haus in Westminster, sie lässt sich durch das London des beginnenden 20. Jahrhunderts treiben und mit ihr treiben ihre Gedanken, reichen sich Vergangenheit und Gegenwart in einem unvergleichlichen Auf und Ab die Hand.

Within our minds, time flows eternal in parallel streams, carrying a host of memories and conflicting emotions and we are connected by webs of intermittent visibility to the lives of many whom we have never even met. This is what we come to realise as we join Clarissa Dalloway on a fine June day in 1923, as she prepares a party she is giving that night for London's social and political elite. Virginia Woolf's often teasing portrait of British characters at every level of society remains remarkably accurate to this day.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.