Showing titles in Screenwriting

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

Over the last decade or so, the concept of the law of attraction has become very popular, which is the secret to making all of your dreams come true. The law of attraction teaches how life really works and how to have happiness and easily manifest your dreams instead of struggling. Essentially, it teaches the secret of life, and with more and more people becoming aware of the law of attraction with each passing year and learning how to manifest their desires, the storytelling of screenwriters will need to change and adapt to reflect that transformation of humanity.

Authored by a former story analyst-turned-development executive, this newly revised, expanded, and updated edition of The 1-3-5 Story Structure Made Simple System guides screenwriters, producers, and other entertainment industry professionals through the industry's best practices. This includes writing, developing, pitching, and selling a screenplay from the buyer's point of view.

Book one in the five books of the Story Series by author, scriptwriter, story consultant, and PhD scholar of narrative theory David Baboulene. The author helps you to understand what makes stories that grip. With invaluable new thinking on subtext plus insights on story success from, Bob Gale—legendary Hollywood scriptwriter and producer of the Back to the Future trilogy, Lee Child—16 million Jack Reacher novels sold in 43 countries and 29 languages, and more. Simply a must-listen for anyone wanting to understand how to turn ideas into stories that sell.

In a new edition of this popular guidebook, filmmakers Alan Rosenthal and Ned Eckhardt show listeners how to utilize the latest innovations in equipment, technologies, and production techniques for success in the digital, web-based world of documentary film.

Paul Frees is the voice of your Ghost Host at Disneyland and Disneyworld's Haunted Mansion, the dastardly Boris Badenov from The Rocky and Bullwinkle Show, Professor Ludwig von Drake via the Wonderful World of Disney, the Pillsbury Doughboy, voices in George of the Jungle, half of the Beatles in their cartoon series, narrator of such classic films as The Manchurian Candidate, The Shaggy Dog, The War of the Worlds, and others.

Blake Snyder, uno de los guionistas de más éxito de Hollywood, ofrece una pintura ágil, divertida y franca de la trastienda de la industria cinematográfica. ¡Salva al gato! hace referencia a una de sus infalibles teorías para lograr que las ideas resulten más atractivas y cualquier guión más satisfactorio y, sobre todo, susceptible de venderse. Se trata de un término acuñado por el propio Snyder en alusión a una escena, absolutamente ineludible, en que el público va a conocer al protagonista de la película por primera vez y éste hace algo

Raymond Chandler was one of the most original and enduring crime novelists of the 20th century. Yet much of his pre-writing life, including his unconventional marriage, has remained shrouded in mystery. In this compelling, wholly original book, Judith Freeman sets out to solve the puzzle of who Chandler was and how he became the writer who would create in Philip Marlowe an icon of American culture.

Gone are the days of Hollywood agents going home each night with a stack of unsolicited screenplays by unknown script writers in the hope of finding their next star screenwriting client. Unsolicited material (your script) just doesn’t get read. Script writing competitions are now the system that provides the reading and analysis formerly conducted by Hollywood agents, producers, and studio development executives. This audiobook won't teach you the finer points of writing or how to write a screenplay. It's only about one thing: How to win a screenplay competition.

A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply “get a production assistant job.” But then what? Anton Schettini provides a rare insider’s glimpse of the modern-day network and streaming TV writers’ room. Here, you will find practical advice, career path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer.

There are over 1,094 books on Amazon that show you "how to write a screenplay," but next-to-nothing on how to break into Hollywood, sell your script, and build a successful writing career. Until now.

Write It to Win It!: 39 Secrets from a Screenwriting Contest Judge is the first book ever written for screenwriting contest success. The author is a highly successful script consultant and judge for Hollywood screenwriting contests who reveals the insider secrets that give screenwriters the winning advantage while avoiding costly pitfalls.

Gill has taught screenwriting for 20 years at such institutions as Drexel University, the University of North Carolina School of the Arts and East Carolina University, and he’s noticed a common pattern among his students. First-time screenwriters are generally excited and full of ideas—until they hit a wall: “It feels good until they get somewhere between pages 20–30,” he notes. “Then, they run out of things to write about. Why is there nowhere else to go? Why is it so short? Where is the rest of the story? What do they do now?”

One of the most challenging aspects of screenwriting is character development. The reason for this is because it is so easy to create characters that are simply carbon-copies of one another. This sounds harmless in theory, but your screenplay, novel, or book suffers in the long run because the characters lack substance, depth, and relatability. With this audiobook, I take away all the guesswork by honing in on the top 12 elements that are needed to create characters that are beautifully human, authentic, compelling, and three-dimensional. Step into my office and let's get started!

In this sequel to Creative Writing Career: Becoming a Writer of Movies, Video Games, and Books, Stephan and Justin continue to bring you industry advice as well as interviews with screenwriters, video game writers, and authors of books and comics. These writers' credits include such amazing titles as: Big Fish; Batman; Game of Thrones; The Crow; Divergent; Brave; Yesterday's Gone; Sandman Slim; Jurassic World; and many more!

Antwone Quenton Fisher was raised in institutions from the moment his single mother gave birth to him in prison. As a foster child, he suffered more than a dozen years of emotional abandonment and physical abuse, until he escaped and forged a life on the streets. And just as his life was about...

In the glittering world of Hollywood, where dreams are made and broken, storytelling reigns supreme. The magic of the silver screen relies on compelling narratives, complex characters, and plot twists that capture the audience's imagination. As an aspiring screenwriter or author, you dream of creating a story that resonates, enchants, and leaves your audience craving for more. You dream of Hollywood.

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

This is a beginner's guide to starting, finishing, and filming a screenplay. It includes tips to write and structure emotionally satisfying screenplay(s).

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.