Showing titles in Canadian

The Dry Valley encapsulates one woman’s relationship with herself, her alcoholic spouse, and the world, in three different Saskatchewan landscapes. The poems offer a fascinating interplay between mindful explorations of self and immersions in the challenging complexities of interpersonal relationships, social issues, and meaningful engagement with the environment.

I, as poet, live a solitary 4-P journey with the partners of prose, poetry, photography, and prayer. In my journey of time and light, I’ve learned that I can free myself from the ballast of ordinary time and soar in the light. This is time travel for me. Orchids and Neurons is an exploration of poetry as molecular and metaphysical, as highly musically-patterned and ontological. The poet is a simply a medium used in a complex process. In this recent body of work, may you discern my process and see yours.

Ballads of a Cheechako is the sophomore volume of Yukon inspired verse from Scottish/Canadian poet Robert W. Service. Published in 1909, it was an immediate success and catapulted Robert W. Service to a household name around North America. This volume contains 22 verses exploring interesting characters and life in the early days of Canada's last frontier. From the man who staked the northern lights, to the Mounted Police, to hard-luck prospectors, and beyond, this book contains much of the framework for the collective vision we all share when we hear the word Klondike.

Tamara Thompson is a children’s author and poet residing in Simcoe, ON Canada, north of Toronto, ON. She was raised in the suburbs of Toronto, Canada. This writer’s friends meant a lot to her, you would always find her telling and sharing stories, a true writer - who always had something to say. Talking about the fun and light times they all shared and speaking of years that had gone past. Growing up in the 1980’s and 1990’s, were her fondest memories were made with her friends.

Harvey is visited by a Caucasian man looking for spiritual healing, but Harvey isn't the type of Indian who would believe in spirits.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

This audiobook is based on the fictional characters living along Moose Road. Residents of Moose Road are impacted by an accident between a snow plow and a school bus. This terrible accident is followed by a tragedy that shakes the community. Each resident shares the story of his experience.

Ellesmere... L'île la plus au nord de l'Arctique. Le théâtre d'une tragédie humaine. Au cours des années 1950, le gouvernement canadien y a sauvagement déporté une centaine d'Inuits pour assurer la souveraineté territoriale du pays. Bien plus tard, mon frère Jess sombre héros de mon histoire et de celle de ma sœur s'y est réfugié pour échapper aux conséquences de ses crimes. Le malheur des uns fait parfois le bonheur des autres... Je suis artiste. Peindre l'horreur d'Ellesmere, l'hostile terre des sacrifiés, m'a propulsé sur la scène du monde...

The first murder of a child raised eyebrows; the second raised alarms. Ten-year-old Dewey is moving, and he couldn't be more excited; though, he's alone in his enthusiasm. Lisa, his mother, and recently retired Avriel, his next door neighbor and best buddy, don't share in his excitement regarding the move from their suburban bungalow to a dirty basement level apartment in the lower class area, where two murders have recently occurred.

Once an amusing extrovert with a reputation as a prankster, Mr. Rosen is entering his senior years as a stoic, thirty-year converted introvert who hates change, has little to no interest in people and is more than content to have his wife sit in the navigator's seat of his life. Since becoming a practising introvert, there have been almost no changes in his life, and for the few that there were, his wife had walked him through them, including the recent move to a much smaller home in a lower/middle-class neighbourhood.

Arriving, book one of Corinne Jeffery's Understanding Ursula trilogy, vividly recreates the pioneer world of the Canadian prairies with a multitude of memorable characters. On July 1, 1909, Gustav Werner applies for a homestead grant at the Dominion Lands Office, eager to become the most thriving German Lutheran homesteader in Saskatchewan.

Depois da publicação e aclamação, em terras canadianas, de The Scent of a Lie - livro de contos premiado internacionalmente - , o escritor luso-canadiano paulo da costa estreia-se na língua de Camões com o livro de poesia Notas de Rodapé.

Many authors have been accused of betraying their loved ones by turning them into fictional characters. In The Treacherous Imagination, Robert McGill examines the ethics of writing such stories. He argues that while fiction has long appealed to audiences with its narratives of private life, contemporary autobiographical fiction channels a widespread ambivalence about the value of telling all in a confessional age - an age in which fiction has an unprecedented power to leave people feeling libeled or exposed when they recognize themselves in it.

A collection of poems by a noted Canadian American poet on the subject of the creatures we nurture, kill, admire, eat, hate, abandon, fear, cage, breed, protect, slaughter, love, envy, emulate, domesticate, curse, and ignore: animals of all shapes, sizes, and dispositions. Some of these poems have appeared previously in various magazines. The remainder are original to this volume.

Découvrez, grâce à l'extraordinaire talent de Jean Faubert et de Ghislaine Paradis la richesse de l'expression de la langue des écrivains et poètes du Québec. Un trésor inoubliable de la Francophonie internationale. Lauréat du Grand Prix de l'Académie Charles Cros, en France, cet enregistrement vous touchera l'âme, à travers sa musique et sa poésie. Un petit bonheur à partager ou à garder pour soi.

A body is found on the side of a highway. Naked, throat slashed, no identification. It disappears from the back of a police van and begins a strange odyssey, making its way, over the course of one early winter night, all around the northern town of Sudbury and through the lives and dreams of eleven very different people.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

On a mangy beach in Key West, 16-year-old Myra meets Elijah, a Tanzanian musician twice her age. Trapped on a Spring Break family vacation, Myra longs to lose her virginity to Elijah, and is shocked to learn he lives with Gayl, a secretive, violent woman with a strange power over him. When Myra and her splitting-up family return home, she falls in with a pot-smoking anarchist crowd. But when Gayl and Elijah follow her north, she walks willingly into their world, engaging in more and more abject sexual games. As Myra enters unfamiliar worlds of sex, porn, race, and class, she explores territories unknown in herself.

The recipient of the Journey Prize and Edna Staebler Award, Heather Birrell made a splash in the literary world with her first collection, I Know You Are But What Am I? In Mad Hope, Birrell employs her keen insight into the human condition to present tales featuring a complex array of characters, including a gay man caring for a friend and a science teacher faced with a shocking request.

Hoping to erase her unhappy old life, Hazel jumps in her beat-up old car and speeds away. When she pulls up to the Evening and Morning Star Trailer Park, where nothing turns into even more of nothing, she decides it just might be the new life she's looking for. At the center of this new life is King, a motorcycle-riding, hard-drinking, guitar-playing kind of guy. Hazel loves him to death. He spends his days fixing cars, while Hazel spends hers working at the town’s thrift shop. Evenings they spend with Spiney and Sissy, playing cards or drinking at Old Joe’s.