Showing titles in Absurdist

Este relato forma parte de la colección Novelas de San Petersburgo y data de 1836. Es un buen ejemplo de humor grotesco que consiste en mirar las cosas "desde el otro lado de lo trágico" (el relato comienza con el barbero que encuentra la nariz, no con quien la pierde). Se da una fusión entre lo real (descripción de ambientes, relaciones entre personajes...) y lo fantástico que dota al relato de verosimilitud. El relato que nos ocupa es una muestra de humor absurdo aunque cargado con una fuerte dosis de crítica a una sociedad obsesionada con la apariencia y el ascenso en la escala social.

A literary fantasia chronicling one man's quest to understand his father and himself—a comic, psychedelic novel from the award-winning author of The Hundred Brothers Lost in the house he grew up in, haunted by the ghost of his younger sister and his strange, cruel parents, and with the love of...

Unravel the Threads of Destiny: Step Into the Bonding Of Light Decisions mirror our souls - a reflection at once thrilling and terrifying. Unraveling these hidden depths harbors its own peril. Emilyn, plunged into chaos, watches her world crumble. Her father, her sanctuary, her dreams, all snatched away, compelling her to confront those who misuse the power she herself wields. To peer into the soul of another isn't a risk-free endeavor. One person's memories can easily morph into another's ammunition.

Однажды в квартире известного писателя появляется слон. Слоны появляются повсюду. Их становится так много, что не сосчитать. Слон — это роман-аллегория, где личное переплетается с общественным, сатира соседствует с трагикомедией, а любовь оказывается последним убежищем в мире, где здравый смысл уступает место тотальному безразличию.

The dead don’t always stay buried. And some refuse to move on. After barely surviving his brush with death, Clay Donovan is stuck between worlds—his body clings to life, but his soul refuses to let go. As he struggles to understand the new rules of the afterlife, a restless spirit begins terrorizing a college campus, seeking vengeance on those who left him behind. Darcey, ever the fiend, is ready to do what she does best: eliminate the problem. But Clay isn’t convinced death is the only way out.

In this fiendishly original novel, Mark Leyner is a leather-blazer-wearing, Piranha 793-driving, narcotic-guzzling monster who has potential rivals eliminated by his bionically enhanced bodyguards, has his internal organs tattooed, and eavesdrops on the erotic fantasies of Victoria's Secret models–fantasies that naturally revolve around him.

The excoriating stories in Mark Doten's brilliant first collection dissect the pathological narratives that shape our culture and country. Narrated by a crosscutting array of White people, Doten's stories spotlight the self-serving logic through which their characters struggle to make sense of, and take control of, the narrative of our time.

As it is often said in fairy tales and historical analyses, Maša's childhood years were a time when empires were falling—the time of the war in Croatia, 1991. Underground Barbie is set in that era, but also in the sounds of her childhood, the music, and the atmosphere that accompanied Barbie's move from plastic, yet safe, dollhouses to air-raid shelters.

The Imaginary Pot of Vodka Gold is a cyclical anti-hero narrative about desire, stability, rupture, and repetition. A man believes he has reached the bottom of his life, only to discover that "bottom" is a comforting myth—an idea sold to make endurance feel meaningful. What actually exists is pattern: motion without resolution, survival without victory, and the quiet continuation of appetite long after the story is supposed to end.

Tales from the Motherland: Book Zero is a darkly comic collection of interlinked stories about power, memory, exile, and the quiet absurdities of modern life. Set across post-Soviet cities, imagined borderlands, and bureaucratic nowhere-zones, these stories follow people who live slightly out of sync with their surroundings—men and women shaped by collapse, reinvention, and systems that no longer announce themselves with force, but with procedure, habit, and polite indifference.

Where do we go after we die? In this story the protagonist, Oscar Whatmore, dies and finds himself transported to a rundown spiritual realm, eventually appearing before a vast court presided over by a diminutive and disagreeable Jesus clad in legal robes. Although judged worthy of admission to Heaven, Oscar finds himself in a boring and dilapidated domain, which is blighted by outdated technology. He subsequently bribes an official to gain access to Hell, which he discovers to be surprisingly pleasant and staffed by a friendly Devil who explains that the ancient punishments are obsolete.

Phineas Finch, a former police detective turned a secluded and disgruntled Private Eye, decides to settle in Wyoming with his assistant, Maggie. They've accumulated many connections throughout their short time in the Factory District. With the pair usually taking on minuscule cases, having little news coverage and impact on the trajectory of the city. They have a pretty relaxed method of fulfilling their schedule. Wyoming has its underground more present than law enforcement. Mainly, when it comes to ruling the streets.

TBC

A BEST BOOK OF THE YEAR For fans of Interior Chinatown and American War, a surreal, hilarious, and sneakily profound debut novel that casts our current climate of gun violence and environmental destruction in a surprising new mold. A BEST BOOK OF THE YEAR: SCIENTIFIC AMERICAN OUR CULTURE...

*BONUS: Includes the viral essay sensation "The Crane Wife"* "An innovative work of climate fiction, a nuanced and empathic family story, and, for my money, the summer's best novel thus far." --NPR.org "The most oddly enticing novel you will read this year...Keenly satirical yet unashamedly...

NATIONAL BESTSELLER “You wouldn’t expect a comic novel about a dictionary to be a thriller too, but this one is. In fact, [it] is also a mystery, love story (two of them) and cliffhanging melodrama.” —The New York Times Book Review An award-winning novel that chronicles the charming...

“Fantastic!” —the actual Jeff Goldblum (for real) The essential companion for any fan of Jeff Goldblum, Hollywood’s most beloved and otherworldly icon. You like Jeff Goldblum. We like Jeff Goldblum. Helen McClory really likes Jeff Goldblum. So lie back, Jurassic Park-style, and prepare...

"These immersive linked stories grapple with Ukrainian history through the waning years of the USSR and birth pangs of democracy ... Reva's characters spark off the page as they confront a brutal bureaucratic past with the only tool they possess—hope."—O, The Oprah Magazine A brilliant and...

From the first bite to the final crumb, this is the saga of that biscuit, told with the seriousness it never asked for and the depth it could never deserve. Along the way, hunger wrestles with hesitation, distractions arrive in the form of a knock at the door and phantom phone calls, and the great philosophical questions of our time are asked—such as whether regret tastes different when it is edible, and why the fridge is always worth checking at least three times.

À la fin du siècle, une figure du Décadentisme invoque un démon sans visage: l’absurde. Dans ce roman où le réel se lézarde, les certitudes vacillent, les élans et les répulsions se heurtent, et la condition humaine affleure, mise à nu. Fidèle à une esthétique anti-réaliste, la narration glisse entre clairvoyance et vertige, mêlant trouble, ironie sombre et élégance vénéneuse, pour sonder ce qui nous meut quand toute logique se défait.