Showing results by narrator "Jon Glover" in All Categories

In the final year of the 19th century, Peter Winceworth has reached the letter S, toiling away for the much-anticipated and multi-volume Swansby’s New Encyclopaedic Dictionary. Overwhelmed at his desk and increasingly uneasy that his colleagues are attempting to corral language and regiment facts, Winceworth feels compelled to assert some sense of individual purpose and exercise artistic freedom, so he begins inserting unauthorised, fictitious entries into the dictionary.

London during the long, dark days of the Blitz: a city outwardly in ruins, weakened by exhaustion and rationing - and DCI Edward Greenaway keeps a careful eye on everyone. Out on the streets, something nastier is stirring: London's prostitutes are being murdered, their bodies left mutilated to taunt the police. As he follows a bloody trail through backstreets, Greenaway must use all his skill to stop the slaughter.

Stories by: Desmond Barry, Ken Bruen, Stewart Home, Barry Adamson, Michael Ward, Sylvie Simmons, Daniel Bennett, Cathi Unsworth, Max Décharné, Martyn Waites, Joolz Denby, John Williams, Jerry Sykes, Mark Pilkington, Joe McNally, Patrick McCabe, and Ken Hollings. Cathi Unsworth moved to Ladbroke Grove in 1987 and has stayed there ever since. She began a career in rock writing with Sounds and Melody Maker, before co-editing the arts journal Purr and then Bizarre magazine. Her first novel, The Not Knowing, was published by Serpent’s Tail in 2005.

Rendezvous at the Russian Tea Rooms provides the first comprehensive account of what was once hailed by a leading American newspaper as the greatest spy story of World War II. This dramatic yet little-known saga, replete with telephone taps, kidnappings, and police surveillance, centres on the furtive escapades of Tyler Kent, a handsome, womanising 28-year-old Ivy League graduate who doubles as a US Embassy code clerk and Soviet agent.

April 1943: four boys playing in Hagley Woods, Worcestershire, make a gruesome discovery. Inside an enormous elm tree there is the body of a woman, her mouth stuffed with a length of cloth. As the case goes cold, mysterious graffiti starts going up across the Midlands: 'Who put Bella in the Wych Elm?' To Ross Spooner, a police officer working undercover for spiritualist magazine Two Worlds, the messages hold a sinister meaning.

In 1946, the Duke of Windsor (formerly Edward VIII) and his wife (formerly Wallis Simpson) paid a visit to Britain, hoping to secure a government job for the Duke and a title for the Duchess. During the visit, the Duchess' jewels, worth millions, were stolen. Conspiracy theories abounded. Was it an inside job by the Royal Family, or even an insurance fraud by the Duke and Duchess?

A loyal tribute to 10 glorious years from BBC Radio 4's Week Ending team. From the archives of the legendary satirical radio comedy series Week Ending comes this compilation of satirical and sardonic sketches based on Margaret Thatcher's first 10 years as prime minister.

First released on cassette as Ten Years With Maggie, this has now been reissued as a digital download for the first time, on the 30th anniversary of Mrs Thatcher's coming to power.

Using scripts by Spike Milligan and Larry Stephens, The Goon Show was recreated with a 'genetic' theme for one night at the Playhouse Theatre in London. Taking part were Andrew Secombe (son of Harry), Jon Glover (as the voices of Spike Milligan), and Jeffrey Holland (taking on the Peter Sellers roles), with announcements by Christopher Timothy (son of original Goon Show announcer, Andrew) and Lance Ellington singing in for his father Ray.

Here is Gary Brown's BBC Radio 4 full-cast comedy dramatisation about artist Eric Gill's clash with the BBC over his famous sculpture of Prospero and Ariel. It stars Anton Lesser as Eric Gill and Tim McInnerny as Sir John Reith, the first Director General of the Corporation, and was originally broadcast in the Afternoon Play slot on Wednesday 9 June 2010.

Inspired by real events, the play charts a clash between the BBC's governors and the artist over the propriety of the sculpture's appearance.