Showing titles in Drama

Zwei Hörspiele mit Basti, der immer wieder versucht, sich das Leben schön zu gestalten. Manchmal gelingt es ihm sogar, wenn auch immer mit kleinen Problemchen. Er hat halt nicht die innere Ruhe und regt sich allzu schnell auf...

A solo recording of Julius Caesar in an American dialect.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

Award-winning drama from SmartPass. The play is unabridged, with guided description to set the scene and fill in visual moments.

"To call this only a 'reading' of the classic Sherlock Holmes story would be to devalue the beauty of the performance. Although you may have heard recordings of the Sherlock Holmes work before with distance and haughty affectation, none of that is present in Mr. Davies storytelling performance. This features one man, many voices and a hefty portion of talent. This performance is fresh, approachable and inviting." ( Storyteller.net Review)

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

Anacreon (582 BCE–485 BCE) was a Greek lyric poet born in Teos, an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos, to Athens, and possibly again to Thessaly, seeking a safe place to write his poems as his patrons (including Polycrates, tyrant of Samos, and Hipparchus, brother of Athenian tyrant Hippias) kept being murdered. It is unknown where Anacreon died, though he lived to the unusually advanced age of 85.

Aristotle's assertion that in Greek tragedy there is no loftier work than Oedipus the King cannot be lightly contradicted. This drama is endued fearfully with nature, as she works against the conscientiousness of measure found in man. Heretofore no translation of this play has been a poem of Sophoclean worthiness and work. The rhythmic stature of this translation runs with the Greek in heat and light.

Mai parole più belle uscirono dalla penna di un poeta per raccontarci il contrastato e infinito amore di due giovani, Romeo e Giulietta, rampolli di due famiglie nemiche tra loro nella turbolenta Verona del Trecento. È solo l’amore a muovere le avventurose fila della storia, è l’amore l’unica legge che Giulietta e Romeo vogliono assecondare, la sola origine dei loro pensieri, l’unico sogno per cui valga la pena di vivere.

The second part of the award winning stage perfomance of Shakespeare's greatest work by Sir John Gielgud.

In this suprisingly modern psychological portrait, a prosperous Edwardian family is torn apart when young Edward Voysey discovers that his family's wealth was obtained through three generations of deceit and theft. This is a captivating study of turn-of-the-century morals.

Uncle Vanya spends years of drudgery managing his brother-in-law's estate to enable Serebryakov the chance to pursue his career as a great professor. When Serebryakov is proven to be a fraud and wants to sell the estate, Vanya becomes enraged.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

Rediscover an enduring classic in a transformative new light. "Oedipus Rex," the remarkable tragedy penned by Sophocles, has been masterfully revitalized in this riveting and immersive audiobook experience.

Richard II is dangerously out of touch with his kingdom. He wastes money, raises taxes to support his lavish lifestyle, plays favorites, and cares more about his vanity than the common good. When Henry Bolingbroke - father of the future Henry V - challenges Richard for the throne, it's a fight the king can't win. But in losing his crown he gains far greater things: his humanity and his soul.

In The Trachinian Tragedy, better known as the Women of Trachis, the wife of Herakles, Deianeira, finds she has a rival in the house for her husband's affection. The consequences of her counteraction are incredible. In this faithful translation, F. L. Light attempts to write as good a play in English as the original in Greek. F. L. Light has also translated Antigone of Sophocles.

Gil Bailie examines William Shakespeare's Julius Caesar through the lens of René Girard's mimetic theory to reveal the dynamics of the volatile transition from Republican Rome to Imperial Rome.

A classic comedy by the great Oscar Wilde. The Importance of Being Earnest is his short farce consisting of numerous noms de plume, a case of mistaken identity, an identity left in a case by mistake, and the mistake of revealing ones identity in the presence of a previous employer, which may result post-script in a case for Scotland Yard. Or to put much more simply, of Jack and his attempts to woo Gwendolyn, his would-be bride... even if she does seem to think his name is Earnest.

Although he achieved notable success as a novelist, poet, essayist, and painter, August Strindberg is best known today as one of the first and most significant masters of naturalist theatre. Among his many dramatic works are a number of one-act plays, four of which are presented in this recording. All of the plays feature a persistent theme in Strindberg's works: the inevitable disillusion that results from intense involvement in relationships, whether they be familial, romantic or circumstantial.

Prince Kreon, enforcing an arbitrary mandate, is enraged that Antigone would abide by a natural law of sisterly respect in contradiction of his will. As neither can be reconciled with the other's acts, the drama grows devoutly tenebrous. This translation is iambic, as is most of the text in Greek.