Showing titles in Drama

El Alcalde de Zalamea is a play written during the Golden Age of Spanish drama. It was probably written in 1636. It pays homage to a play by the same name by Lope de Vega, which it surpassed in fame through its superior character development, becoming one of the most well-known plays of its time. This play has three acts that explore the power of the self-made man against the political authorities of 17th century Spanish society, and the continuous struggle between corporate and individual honor.

In 17th-century Sicily, a clever valet named Mascarille tries to help his boss, Lélie, win the girl of his dreams – only to find that Lélie is a monumental dunce who ruins every one of his intricate schemes. Undaunted, Mascarille invents progressively wilder plots, only to see his best-laid plans go very awry in Molière’s The Bungler, translated by Richard Wilbur.

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.

Die "Metamorphosen" - Verwandlungsgeschichten - des Publius Ovidius Naso gehören zum Grundbestand abendländischer Kultur...

"The truly happy man ought to stay at home." "Hunger, and lack of coin, put a stop to love." "Hades, alone of the gods, does not enjoy bribes." These quotes―and hundreds of others from the great Greek dramatists, including Sophocles, Aeschylus, and Menander―were preserved in the fifth century AD, when a man named Stobaeus compiled an anthology to inspire and instruct his son. The quotes were pithy packets of wisdom expressed in eloquent verse and selected with a father's discerning eye: some prompt "aha" moments, others offer wit or dark humor, still others give moral insight.

A solo recording of Julius Caesar in an American dialect.

In this engaging series of lectures, theatre historian, Megan Lewis takes listeners on a journey from the ancient world of the Greeks and Romans to the modern era as she explores how theatre - a live event that synthesizes many other art forms and disciples in a collaborative process of storytelling - entertains, educates, and inspires us, as well as helps build community and reflect society.

Award-winning drama from SmartPass. The play is unabridged, with guided description to set the scene and fill in visual moments.

"To call this only a 'reading' of the classic Sherlock Holmes story would be to devalue the beauty of the performance. Although you may have heard recordings of the Sherlock Holmes work before with distance and haughty affectation, none of that is present in Mr. Davies storytelling performance. This features one man, many voices and a hefty portion of talent. This performance is fresh, approachable and inviting." ( Storyteller.net Review)

Oscar Wilde created his final and most lasting play, one of the comic masterpieces of all time, The Importance of Being Earnest, in 1895. It is a farce playing with love, religion, and truth as it tells the tale of two men, Jack Worthing and Algernon Moncrieff, who bend the truth in order to add excitement to their lives. Jack invents an imaginary brother, Ernest, whom he uses as an excuse to escape from his dull country home and gallivant in town.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

Mai parole più belle uscirono dalla penna di un poeta per raccontarci il contrastato e infinito amore di due giovani, Romeo e Giulietta, rampolli di due famiglie nemiche tra loro nella turbolenta Verona del Trecento. È solo l’amore a muovere le avventurose fila della storia, è l’amore l’unica legge che Giulietta e Romeo vogliono assecondare, la sola origine dei loro pensieri, l’unico sogno per cui valga la pena di vivere.

The second part of the award winning stage perfomance of Shakespeare's greatest work by Sir John Gielgud.

The multi-award winning SmartPass full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play.

Der Klassiker um Schuld, Rache und Sühne als modernes Hörspiel. Der Vater opfert die Tochter, die Mutter erschlägt darauf ihren Mann und wird deswegen von ihrem Sohn erschlagen - am Ende dieser Geschichte um Rache und Gier steht die Erkenntnis, dass es so nicht weitergehen kann. Die Idee der Rechtsstaatlichkeit hält Einzug. In einer faszinierenden Mischung aus schlagfertigen Dialogen, gereimten Wechselgesängen und modernen Wendungen holt Raoul Schrott diesen Klassiker ins Hier und Jetzt.

Susan Keating Glaspell (1876 - 1948) was a novelist, playwright, journalist and actress. The Verge reflects Glaspell's observation of the way in which Victorian society left some women feeling trapped in roles for which they were unsuited. The story is about Claire, a woman who lives her life on the verge of a nervous breakdown. Trying to create a new type of plant, Claire spends most of her time in the greenhouse.

A versão em áudio desta descrição da Guerra de Tróia é rica em elementos sonoros ligados às batalhas, à natureza, às manifestações dos deuses e à musicalidade grega. Com a participação de 16 profissionais de voz, entre atores, narradores e dubladores, que interpretam 34 personagens, além da voz do narrador.Vozes: Angela Couto (Atena); Barros Batista (Antíloco, Hermes, Dólon e Glauco); Carol Leiderfarb (Hera); Di Ramon (rei da Lícia, Menelau, soldado troiano e Príamo).

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

Henry V defeats the French army at Agincourt to claim the throne of France and Catherine de Valois as his bride. This play contains Henry's famous "Feast of Saint Crispin" address, perhaps the greatest pep-rally speech ever given!

Gil Bailie examines William Shakespeare's Julius Caesar through the lens of René Girard's mimetic theory to reveal the dynamics of the volatile transition from Republican Rome to Imperial Rome.