Showing titles in Coming of Age

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

Eleanor Pilcher is electric in her witty, funny, and heartfelt women’s fiction debut, following polar opposite best friends Beth and Serena. When demisexual Beth decides she’s done with being a virgin and enlists Serena’s help, her new personal journey just might be the thing to end their...

A tender coming-of-age novel about a young woman haunted by her sister’s death, who starts to believe that her beloved sibling has returned to her—in the form of a ghost fish. Perfect for fans of Sweetbitter and Our Wives Under the Sea. Alison is mired in loneliness and grief. Freshly...

"There’s nothing there." The words may as well have been a death sentence to young Declan. Without mana, there could be no studying at the sky-piercing Pinnacle Towers, there could be no great monster hunts, and there could be no following in his father’s legendary footsteps. He’d be a cripple. But when a terrible accident forces him to flee, Declan learns the true nature of his mana. Just because it doesn’t resonate at any known frequency doesn’t mean it isn’t magic. Just because he can’t cast the same spells as everyone else doesn’t mean he isn’t a mage.

A Better Place is the story of two boys from two completely different worlds struggling to find themselves amongst a whirlwind of confusion. Will the strength they find in each other be enough to overcome the hatred and abuse of others? The unlikely pair struggle through friendship and heartbreaks, betrayal and hardships, to find the deepest desire of their hearts.

Twenty-year-old Daniel Serban loses his dancing job and threats of being outed to his family force him to flee Limerick, Ireland. Daniel fears his father and the other gypsy men will force him to marry his betrothed, or bring bodily harm to him for being gay. As chance would have it, he ends up in Cleary’s Pub, a gay leather bar in Galway where he meets the grouchy, ginger-bear Ronan O’Riley. Daniel had no idea how much meeting the Dom would transform his life.

Julian is ugly. He knows it. Everyone knows it. He is also a boy with secrets. He's gay, his family owns the local funeral home, and he's not certain which secret he more desperately desires to keep. Julian is a wallflower, but tries out for the soccer team to please his father. Beyond all hope, he makes the team - and there he meets boys who change his life forever and a coach he suspects is trying to kill him.

Lasse er efter mange års kamp endelig ankommet til et liv i den øvre middelklasse. Sagen er bare, at Lasses begær er formet af en opvækst med mandemænd og mobning, og han bliver ikke just tændt af den omsorg og rummelighed, som er Emils naturlige kærlighedssprog. Når Lasse midt i den dresserede og disciplinerede middelklassetilværelse savner impulsivitet, vildskab og risiko, og når den livsstrategi, der har bragt ham så vidt, den lille stemme i hans hoved, der siger: "kæmp kun for dig selv!", støder sammen med selve præmissen for at være i et parforhold?

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

First, there were the flamingos. And then there were two families. Sherry and Leslie and their daughters, Rae and Pauline - and Eve and her son, Daniel. Sherry loves her husband, Leslie. She also loves Eve. It couldn't have been a happier summer. But then Eve left, and everything went grey. Now Daniel is all grown up and broken. And when he turns up at Sherry's door, it's almost as if they've all come home again. But there's still one missing. Where is Eve? And what, exactly, is her story?

Nathan’s used to being alone. Drifting from town to town following his salesman father, he seeks solace in his studies when he can’t find understanding in his own home; his father is abusive and an alcoholic and his mother would rather disappear into the background than protect him. Enter Roy. The older boy next door might have a girlfriend at school and at church, but there’s no question that they’re drawn to one another, and the two quickly become entangled in a covert relationship.

Amar can’t wait to tell everyone his wonderful news: he’s found The One, and he’s getting married. But it turns out announcing his engagement on a group chat might not have been the best way to let his strict Muslim Bangladeshi family know that his happy-ever-after partner is a man—and a white man at that.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

A heartfelt and delicately crafted debut novel about two young women who become entangled in one another and embark on a surprising journey of self-discovery and modern love. Aisling and Maya’s connection is unexpected. Maya has recently returned to the University of Edinburgh for her second...

Long ago, Andrew made a childhood wish and kept it in a silver box. When it finally comes true, he wishes he hadn’t.... Long ago, Ben made a promise, and he had a dream: to travel to Africa to volunteer at a lion reserve. When he finally makes it, it isn’t for the reasons he imagined.... Ben and Andrew keep meeting in unexpected places, and the intense relationship that develops seems to be guided by fate. Or is it? What if the very thing that draws them together is tainted by past secrets that threaten everything?

The members of an elite girls swim team are the reigning queens at their South African boarding school. And then Italian student Fiamma Coronna joins their ranks. Beautiful, athletic, and suddenly commanding all the coach's attention, Fiamma is the envy of every girl on the team—until the summer she walks into the rural grasslands surrounding the school and disappears.

Bastien is now the man of the house. His mom has given up everything to give him a new life and he’s determined to do everything in his power to take care of her. Verona, Indiana is Bastien’s chance to start over and he’s not about to waste the opportunity. The grumpy old man next door is most certainly not one of the more attractive features of Bastien’s new hometown, but Bastien’s opinion of him slowly begins to change. More intriguing is another neighbor. Viktor is a wrestler for Verona High School and mows his lawn shirtless.

Not every story has a happy ending. Since her brother's death, eight-year-old Egg Murakami has been living day-to-day on the family ostrich farm near Bittercreek, discovering life to be an ever-perplexing condition. Mama Murakami has curled up inside a bottle, and Papa has exiled himself to the barn with the birds. Big sister Kathy tells stories to Egg so that the world might not seem so awful.

Mickey Donnelly is smart, which isn't a good thing in his part of town. Despite having a dog called Killer and being in love with the girl next door, everyone calls him gay. He dreams of going to America, taking Wee Maggie and Ma with him to get them away from Belfast and Da. Mickey realises it's all down to him. He has to protect Ma from herself. And sometimes, you have to be a bad boy to be a good son.

Marianna e Chiara crescono a pochi passi, nella Bari popolare degli anni Novanta, in due famiglie che sembrano agli antipodi - una ruvida e irrequieta, l'altra ordinata e colta, apparentemente perfetta - ma che si rivelano uguali nel modo in cui tradiscono, soffocano, feriscono. Tra le due ragazze nasce subito un legame assoluto, fatto di intesa e di coraggio, di un bisogno vitale di raccogliersi a vicenda.