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The seamstress is found in the darkened docks, floating, silenced. Those who found her are sure it must be a tragic accident, probably the result of too many drinks in a nearby public house. But journalist Nelly Brooks recognises the dead woman immediately – Nelly has her emerald shawl in her bag. Because they had met just one day before, when the seamstress had begged Nelly to investigate the death of the woman who’d given her that same shawl – a wealthy man’s wife.

Researching her family tree had been little more than a hobby - until Katie stepped onto Kingsley House’s sprawling, ivy-strewn drive. The house may be crumbling today, but it was once the intimidatingly opulent residence of the St Clairs, Katie’s ancestors. Arriving here 200 years later, emotion stirs in Katie: a strange nostalgia for a place she’s never seen before...and when Kingsley House comes up for sale, Katie is determined that her family must buy it.

At once fiercely immediate and complex in their implications, “The Shawl” and “Rosa” succeed in imagining the unimaginable: the horror of the Holocaust and the emptiness of its aftermath. They were written in 1977 but were first published in the early 1980s in The New Yorker. Both “The Shawl” and “Rosa” won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.