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'A wondrous collection of writings to provoke the Bowie fan into deepening their understanding of the man, not just the myth.' Dave Roberts, God is in the TV zine 'Insightful and vibrant, Far Above the World is a compelling reminder that Bowie's influence didn't end in 2016. Instead, it...

Paul Morley had stopped being surprised by modern pop music and found himself retreating into the sounds of artists he loved when, as an emerging music journalist in the '70s, he wrote for NME. But not wishing to give in to dreary nostalgia, endlessly circling back to the bands he wrote about in the past, he went searching for something new, rare and wondrous - and found it in classical music.

From the mid-1970s the humble 7-inch vinyl single was joined by a much grander relative - the 12-inch single. It reached its peak in 1983 with "Blue Monday", by New Order, probably the biggest-selling 12-inch single of all time. Music Journalist and co-founder of ZTT Records Paul Morley talks to Peter Hook of New Order about how "Blue Monday" was written, and to designer Peter Saville about the famous sleeve. Paul explores the origins of the 12-inch single as a potentially higher-quality format than the 7-inch single and visits Abbey Road studios to watch an engineer cutting a 12-inch single.

Two best mates, a couple of microphones and absolutely no plan. Join Chris Morley and Paul Gilbert as they chat about everyday life, how they became friends, things that amuse them far more than they probably should, and a fair amount of pointless guff (who even uses that word?). Along the way there’s regular features like What Gets on Your Tuts, Chris v Paul, and whatever else seems like a good idea at the time. New episodes drop every other Friday. For updates, follow us on Facebook & Instagram @postpavilionpodcast.