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Faust is a tragic play in two parts that reworks the late medieval myth of a brilliant but disillusioned scholar who makes a deal with the devil. Faust is considered by many to be Goethe's masterpiece and the greatest work of German literature. Part I sets out Faust’s despair, his pact with Mephistopheles, and his love for Gretchen. Part II deals with Faust’s life at court, the wooing and winning of Helen of Troy, and his purification and redemption.

Goethe's masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience or knowledge can lead him to a moment he would wish to last forever.

Johann Wolfgang Goethe was a colossus of German literature and a true Renaissance man. A novelist, dramatist, poet, humanist, scientist and philosopher, he wrote the first international bestseller, The Sorrows of Young Werther, and his epic masterpiece Faust is one of the most famous and celebrated dramas of all time.

Faust is one of the pillars of Western literature. This classic drama presents the story of the scholar Faust, tempted into a contract with the Devil in return for a life of sensuality and power. Enjoyment rules, until Faust’s emotions are stirred by a meeting with Gretchen, and the tragic outcome brings Part 1 to an end. Part 2, written much later in Goethe’s life, places his eponymous hero in a variety of unexpected circumstances, causing him to reflect on humanity and its attitudes to life and death.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Nobody knows the seedy underbelly of Las Vegas like Daniel Faust, a sorcerer for hire and ex-gangster who uses black magic and bullets to solve his clients' problems. When an old man comes seeking vengeance for his murdered granddaughter, what looks like a simple job quickly spirals out of control. Soon Daniel stands in the crossfire between a murderous porn director; a corrupt cop with a quick trigger finger; and his own former employer, a racket boss who isn't entirely human.

In der Lebensgeschichte Adrian Leverkühns – der fiktiven Romanbiographie eines Komponisten, der sich dem Teufel verschreibt – fasst Thomas Mann alle Entwicklungsstufen der alten Faust-Sage zusammen und verknüpft sie mit den politischen Ereignissen seiner Zeit. Der zeitliche Rahmen umgrenzt die Jahre von 1884 bis 1945, seine eigene Epoche. Er selbst nannte den "Doktor Faustus" "ein Lebensbuch von fast sträflicher Schonungslosigkeit, eine sonderbare Art von übertragener Autobiographie, ein Werk, das mich mehr gekostet und tiefer an mir gezehrt hat, als jedes frühere".

Mit dieser Aufnahme wird zum ersten Mal in Deutschland der Versuch gemacht, ein großes dramatisches Gedicht der Weltliteratur als Ganzes auf der Schallplatte wiederzugeben: Goethes "Faust" in der dramaturgischen Einrichtung und unter der Regie von Gustaf Gründgens. Es mag daran erinnert werden, dass dies genau 125 Jahre nach der Uraufführung des ersten Teils in Braunschweig (1829) und genau 100 Jahre nach der des zweiten in Hamburg (1854) geschieht.

Nella Germania devastata alla fine della Seconda guerra mondiale, il professor Serenus Zeitblom scrive la biografia dell'amico d'infanzia Adrian Leverkühn, un geniale musicista che in cambio dell'anima ha ottenuto dal diavolo ventiquattro anni di furore creativo. Reinterpretando in chiave moderna il mito di Faust, Thomas Mann narra una vicenda che per molti aspetti sembra anticipare il destino della Germania, travolta dalla follia hitleriana e dalla distruzione.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Magic is a rare gift that only exists in the bloodlines of the rich, the royal, and the reputable. Dominai of Airedale, a poor hunter and forest guide, is barely one of those things. But after a moonlit encounter with the wizard Allisande, Dominai's life is changed forever. She reveals that Dominai has magic in his lineage, and provides him with a letter of introduction to the Crux, the center of magical study in the Kingdom of Straetham.

Alex is dead. Dead, and apparently with a one-way ticket to a place that only the worst of the worst go. All for a simple choice he made about a product his company owned. Damned for all time. Luckily for him, he's about to be given a chance. Another choice to make. He can return to the land of the living, though his soul would belong to another. Except the world he's being sent to isn't the same one he came from. It's not even a similar period in time, but from something long past in history. The dark ages.

It’s the fifteenth century and only heretics are curious about the universe. Germany, 1494. Born under a rare alignment of the stars, Johann Georg Gerlach, "the lucky one" to his mother - is fated for greatness. But Johann’s studies and wonder at the sky have made him suspect. Especially in wake of the child disappearances that have left the God-fearing locals trembling and his one true love trapped in terrified catatonia. Her only words: "I have seen the devil..."

Faust has long been considered one of the most important works of European literature ever published. Johann Wolfgang von Goethe began writing Faust in the 1770s while still a young man, spending most of his adult life on the project. Faust was finally finished almost 50 years later, near the end of his life. Faust is a philosophical drama full of humor, satire, and tragedy. The demon Mephistopheles makes a bet with God that he can lure Faust from the path of good.

The Burke Siblings are damn good at what they do. And what they do? Well that isn’t any good at all. As wet work operators for the Order of Magic, the Burkes pay a high price to use their magic. For years, they threw themselves into the Order’s dirty work, cleaning up messes that the Nine liked to pretend didn’t exist. But all that has changed. Someone in Black Ops has decided that the Burke siblings are a liability. And when the Order’s most accomplished killer comes after them, it doesn’t take an elementalist to figure out they’ve been burned.

Town marshal Elias Faust thinks that he can make any problem go away if he throws enough lead at it. The living’s easy for a lawman. Bloody, but easy - that is, until Magnate Gregdon arrives with his undead syndicate to tear the town of Blackpeak, Texas apart. When a shootout with a pair of outlaws goes sideways, Elias Faust accidentally draws the Magnate’s attention. As if dealing with arcane sorcery, reanimated corpses, and the Magnate’s personal vendetta aren’t enough, Faust finds himself at the center of a power-struggle for Blackpeak’s eldritch secrets.

Las Vegas, Stadt der Sünde – und der Dämonen, wie Daniel Faust, Gangster und Magier, nur allzu gut weiß. Als er angeheuert wird, um Rache an den Mördern einer jungen Frau zu nehmen, gerät Daniel ins Netz einer Intrige, in deren Zentrum niemand geringeres als der Prinz der Hölle steht. Jemand, der Faust heißt, sollte eigentlich wissen, was passiert, wenn man sich mit Dämonen einlässt. Doch Caitlin, die rechte Hand des Höllenfürsten, ist klug und verführerisch – und so lässt er sich breitschlagen, einem uralten Artefakt nachzuspüren, für das jeder magisch Begabte in Las Vegas über Leichen gehen würde.

In einem sind sich die Literaturwissenschaftler bei Goethes "Faust" einig: Gott wettet nicht. Das hat er gar nicht nötig. Was aber wenn doch? Gähnende Langeweile treibt schließlich so manche merkwürdige Blüte. Was wäre also, wenn Gott auf den Wettstreit mit Mephisto ernsthaft einginge? Und was wäre, wenn Gott seine Wette verlöre?

My reading of Goethe's Faust as an audiobook.

Blue Faust considers herself a regular girl. A little shy, maybe, and a smidge isolated. But she's got a plan for that, and a list. When she and her mother move to a new city, she implements it. This will be The Year of New Things, and there will be adventures. Little does she know just how right she is. While out hiking one day with new friends, she finds herself in a strange world. Confronted with kidnappers, stubborn beast-mounts, advanced technology, and killer crystals, she has to somehow find a way to get everyone home.