In 1960, the Imperial War Museum began a momentous task. A team of academics, archivists and volunteers set about tracing ordinary men and women who had lived through one of the most harrowing periods of modern history, the First World War. Veterans were interviewed in details about their day-to-day experiences, on and off the front. The project has since grown to be the most important archive of its kind in the world, and provides a unique account of life during the Great War.

Harry Lamin was born in Derbyshire in 1877 and left school at 13 to work in the lace industry. But by December 1916 he had been conscripted into the 9th Battalion, York and Lancaster Regiment, and sent to war. Harry's letters home to his family describe the conflict with a poignant immediacy, even 90+ years on, detailing everything from the action in battle to the often amusing incidents of life amongst his comrades.

The extraordinary story of British junior officers in the First World War, who led their men out of the trenches and faced a life expectancy of six weeks. During the Great War, many boys went straight from the classroom to the most dangerous job in the world - that of junior officer on the Western Front. Although desperately aware of how many of their predecessors had fallen before them, nearly all stepped forward, unflinchingly, to do their duty. The average life expectancy of a subaltern in the trenches was a mere six weeks.

Wounded traces the journey made by a casualty from the battlefield to a hospital in Britain. It is a story told through the testimony of those who cared for him - stretcher bearers and medical officers, surgeons and chaplains, orderlies and nurses - from the aid post in the trenches to the casualty clearing station and the ambulance train back to Blighty. We feel the calloused hands of the stretcher-bearers; we see the bloody dressings and bandages; we smell the nauseating gangrene and, at London’s stations, the gas clinging to the uniforms of the men arriving home.

The Greek myths are amongst the greatest stories ever told, passed down through millennia and inspiring writers and artists as varied as Shakespeare, Michelangelo, James Joyce and Walt Disney. They are embedded deeply in the traditions, tales and cultural DNA of the West. You'll fall in love with Zeus, marvel at the birth of Athena, wince at Cronus and Gaia's revenge on Ouranos, weep with King Midas and hunt with the beautiful and ferocious Artemis.

On 1 July 1916, Douglas Haig's army launched the "Big Push" that was supposed finally to bring an end to the stalemate on the Western Front. What happened next was a human catastrophe: scrambling over the top into the face of the German machine guns and artillery fire, 19,000 British and Commonwealth soldiers were killed, the greatest loss in a single day ever sustained by the British Army. The battle did not stop there, however.

Conventional histories of the Great War have tended to focus on the terrible attritional battles of Ypres, of Arras and of the Somme. What they do not tell us is what life was like for the ordinary soldier, what mattered to him, and how he survived, both physically and mentally. Now for the first time, one of Britain's leading military historians, Richard van Emden tells the story of the Great War exclusively through the words and images of soldiers on the ground.

We follow the fortunes of Mickey Bliss and his fellow signallers from the Lahore Division of the British Indian Army as they experience life - and death - on the front line. Meanwhile, Dr Celestine de Tullio battles to save soldiers suffering from gas gangrene and trench fever - and experiences the fighting firsthand when she enlists in the Serbian Army and commands a dangerous offensive. They are all cogs in an immense machine, one which connects situations across the whole theatre of the war, over four long years.

The youngest soldier who fought in the Great War is believed to have been just 12 years old. Many thousands of other boys are known to have faked eye tests, inflated their small chests and stood on tiptoes to bluff their way into a war of unforeseen horror. How and why so many under-aged boys were able to get to the battlefields is a complex mystery of World War I, and until Richard van Emden's classic account, largely unexplored.

The popular view of the First World War remains that of Blackadder: incompetent generals sending brave soldiers to their deaths. Alan Clark quoted a German general's remark that the British soldiers were 'lions led by donkeys'. But he made it up. Indeed, many established 'facts' about 1914-18 turn out to be myths woven in the 1960s by young historians on the make. Gordon Corrigan's brilliant, witty history reveals how out of touch we have become with the soldiers of 1914-18. They simply would not recognise the way their generation is depicted on TV or in Pat Barker's novels.