Kuba is a cocaine dealer in the dark, electric streets of Warsaw, believing he is smart enough to stay in control, unlike the top lawyers, doctors, and TV personalities who are his client base. However, after calling in the debt of a failing nightclub owner, breaking his own rules on other people’s property, and being caught in the consequences of his clients’ actions, all control starts to slip from his grasp. Now suffering under the glare of the spotlight, Kuba must find a way through the middle of the whirlwind of violence and betrayal sweeping him away.

It's Dissolution Summer, and as the United Kingdom prepares to break up into separate nations, the Counterculturals have gathered for a festival where everything's allowed. Among them is a talented little brat called Fiorinda, rock and roll princess by birth, searching for her father, the legendary Rufus O'Niall. Instead, she finds Ax Preston, the softly spoken guitarman with bizarre delusions about saving the country from the dark ages. Together with Sage Pender, techno-wizard king of the lads, they join the pop-icon team that's supposed to make the government look cool.

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

A contemporary classic, The Remains of the Day is Kazuo Ishiguro's beautiful and haunting evocation of life between the wars in a Great English House. In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the countryside – and into his past.

The Galactic Empire has prospered for 12,000 years. Nobody suspects that the heart of the thriving Empire is rotten, until psychohistorian Hari Seldon uses his new science to foresee its terrible fate. Exiled to the desolate planet Terminus, Seldon establishes a colony of the greatest minds in the Empire, a Foundation which holds the key to changing the fate of the galaxy.

No collection of Japanese literature is complete without Natsume Soseki's Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than 50 years, Kokoro - meaning "heart" - is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei". 

Written with her trademark deadpan humour, Urzila's memoir is full of great stories about both the big things in life and the little things. Urzila's accidental beginning in stand-up has led to an incredibly successful career in comedy, with regular gigs on television as well as sell-out shows in comedy festivals across New Zealand and Australia. But life hasn't always been a bundle of laughs. Urzila talks candidly about her childhood with a great family, apart from her abusive dad, and about growing up in South Africa. 

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Bella Green is a Sunday-afternoon sex worker. Divorced dads, IT nerds, international students - she's here for the idiosyncrasies of human behaviour, for soothing the lonely. But really for the cash. From an entrepreneurial kid to a young woman trying to find herself (and desperate to stay out of call centres), Bella started sex work for the glamour and the taboo. Instead, she found her place in this surprisingly mundane and often entertaining industry, where the hierarchy is strict, the names are fake, and spare towels always come in handy.

From critically acclaimed comedian Becky Lucas comes a funny, consoling, and very candid collection of stories and essays about friends, enemies, and figuring it out that establishes her as one of today's most original comedy writers.

Like all 20-year-olds, Ryan Cusack is trying to get his head around who he is. This is not a good time for his boss to exploit his dual heritage by opening a new black market route from Italy to Ireland. It is certainly not a good time for his adored girlfriend to decide he's irreparably corrupted. And he really wishes he hadn't accidentally caught the eye of an ornery grandmother who fancies herself his saviour.

In the Time of Foxes is both compellingly listenable and deeply insightful about the times in which we live, each narrative a compressed novel. With an exhilarating span of people and places, it shows the short-story collection at its most entertaining and rewarding and introduces Jo Lennan as an irresistible new storyteller. 

Tatum had a brutal home life, but one thing to emerge from her living with a family of gun runners was that she learned to shoot with unerring accuracy. When she finally escaped her family, she found friendship and camaraderie with a sisterhood of feminist activists until many of her friends were killed in a deadly terrorist attack.