Vanessa Wye was 15 years old when she first had sex with her English teacher. She is now 32 and the teacher, Jacob Strane, has just been accused of sexual abuse by another former student of his. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn’t abuse. It was love. She’s sure of that. But now, in 2017, in the midst of allegations against powerful men, she is being asked to redefine the great love story of her life - her great sexual awakening - as rape.  

Blythe Connor doesn't want history to repeat itself. Violet is her first child and she will give her daughter all the love she deserves. All the love that her own mother withheld. But firstborns are never easy. And Violet is demanding and fretful. She never smiles. Soon Blythe believes she can do no right - that something's very wrong. Either with her daughter, or herself. Her husband, Fox, says she's imagining it. But Violet's different with him. And he can't understand what Blythe suffered as a child. No one can. Blythe wants to be a good mother. 

A windowless shack in the woods. Lena's life and that of her two children follows the rules set by their captor, the father: meals, bathroom visits, study time are strictly scheduled and meticulously observed. He protects his family from the dangers lurking in the outside world and makes sure that his children will always have a mother to look after them. One day Lena manages to flee - but the nightmare continues. It seems as if her tormentor wants to get back what belongs to him.... 

Liz and Jess have been friends for 10 years, ever since they both started a family. But how well do they really know each other? When Jess arrives at hospital with a story that doesn’t add up, Liz is the doctor on call. Jess has devoted her life to family and home. But she is holding so many secrets. As the truth begins to emerge, Liz is forced to question everything she thought she knew: about Jess and about herself. When something feels so personal, how do you stay professional?

Pete Riley is a stay-at-home dad; his partner, Maddie, works in advertising. After Pete drops two-year-old Theo off at nursery one morning, he's politely accosted by a man who looks just like Theo. The man, Miles Lambert, breaks the devastating news that Theo is in fact not Pete's son, but his - the two babies got mixed up at hospital and Miles and his wife, Lucy, now have the Rileys' son at home. They've already carried out DNA testing to prove it.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief. 

A regular weekday morning veers drastically off-course for a group of strangers whose paths cross in a London café - their lives never to be the same again when an apparently crazed gunman holds them hostage. But there is more to the situation than first meets the eye, and as the captives grapple with their own inner demons, the line between right and wrong starts to blur. Will the secrets they keep stop them from escaping with their lives?

They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past. Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can’t ever be forgiven, and now she is paying the price.

At first Katherine dismisses her early-20s intern as a millennial ‘snowflake’: soft, entitled, moralistic. Yet as Lily’s youth and beauty increasingly remind Katherine of everything she once had, she starts to develop a dark fascination with her new colleague.But is Lily as perfect as she seems - or does she have a sinister hidden agenda? As Katherine is drawn into an obsessive power struggle with the intern, a disturbing portrait emerges of two women hiding dark secrets - and who are desperate enough to do anything to come out on top....

Hannah knows the cage intimately. Small, the size of a shopping mall parking space. A bed, a basin, a table and chair. A hatch and metal drawer through which to exchange food and other items. Then there's him. Always there on the edges of her vision, no matter how hard she tries to block him out. Every day, the same thoughts run through Hannah's mind. What if he speaks to me? What if he hurts me? What if he gets out?

Samuel, the day we met I knew I’d finally found what I’ve been waiting for. You. Happiness, at last. Then you left me. And now I am alone. Everyone I love leaves in the end. But not this time. I’m not giving up on us. I’m not giving up on you. When you love someone, you never let them go. That’s why for me, this is just beginning.

One little girl. Mirabelle’s mother loves her. She’s her ‘little doll’. Mother dresses her, paints her face and plaits her hair. But as Mirabelle grows, the dresses no longer fit quite as well, the face paint no longer looks quite so pretty. And Mother isn’t happy. Two little girls. On Mirabelle’s 13th birthday, Mother arrives home with a present - a new sister, five-year-old Clarabelle, who Mother has rescued from the outside world. But Mother only needs one.

Her life was perfect. Until the video. Scarlett’s golden life suddenly unravels when someone sends a shocking video of her to everyone she knows. The only people who claim they haven’t seen it are the friends in her new mothers’ group: Cora, Emma and Asha. Scarlett is forced to delve into her past to discover who is out to get her. But as her circle of trust gathers around her, she has to ask - are her friends as innocent as they seem?

Nick and Amber Miller are splitting up and selling their Devon family home. But despite the desirable location, the house isn’t moving. Not a single viewing so far. When their estate agent suggests an open house event, Amber agrees, even as she worries about their gossiping neighbours attending and snooping around their home.

Fran finds her standing by the swings. A little girl, Esther, no older than seven years old, by herself in the dead of night, her pretty but old-fashioned yellow dress covered in grass stains and her hair dishevelled. She says she's waiting for Father, and that strikes Fran as particularly odd. After Esther is reunited with her family, Fran can't stop thinking about this pious child whose imaginary friend is God. Fran's instincts tell her something is very wrong. Why does Esther keep running away from home, and how did she get that bruise on her leg?