Published in their entirety, Sylvia Plath's journals provide an intimate portrait of the writer who was to produce in the last seven months of her life some of the most extraordinary poems of the 20th century. Faithfully transcribed from the 23 journals and journal fragments owned by Smith College, The Unabridged Journals of Sylvia Plath includes two journals that Plath's husband, Ted Hughes, unsealed just before his death in 1998.

A magisterial life of Ted Hughes - identified recently as the only English poet since the First World War with a claim to true greatness and one of Britain's most important writers - to be published on National Poetry Day by prize-winning biographer Jonathan Bate. Ted Hughes, Poet Laureate, was one of the greatest writers of the 20th century. He is one of Britain's most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work.

Because Plath drew so heavily on her own life in both her poetry and her fiction, the outlines of her life are familiar to listeners. Like most writers, Plath changed the facts of her life in her writing. In her determination to be both wife and mother, on the one hand, and teacher and writer on the other, Plath tried simultaneously to fulfill and to fight the conventions that bound women in the 1950s. In this biography, the first to draw on unpublished journals and letters recently made available, Wagner-Martin examines the ironies, contradictions, and achievements of Plath's life.

On 25 February 1956, 23-year-old Sylvia Plath walked into a party and spotted Ted Hughes, who she described as a 'big, dark, hunky boy'. Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured Plath's life and work. After her suicide in February 1963, Hughes became Plath's literary executor, the guardian of her writings.

Living Better is Alastair Campbell's honest, moving and life-affirming account of his lifelong struggle with depression. It is an autobiographical, psychological and psychiatric study, which explores his own childhood, family and other relationships and examines the impact of his professional and political life on himself and those around him. But it also lays bare his relentless quest to understand depression not just through his own life but through different treatments. 

Read by the critically acclaimed actress Maggie Gyllenhaal. When Esther Greenwood wins an internship at a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

Bryony Gordon is a respected journalist, a number one best-selling author and an award-winning mental health campaigner. She is also an alcoholic. In Glorious Rock Bottom Bryony opens up about a toxic 20-year relationship with alcohol and drugs and explains exactly why hitting rock bottom - for her, a traumatic event and the abrupt realisation that she was putting herself in danger, time and again - saved her life.

John Keats died 200 years ago, in February 1821. F. Scott Fitzgerald defined a decade that began 100 years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender Is the Night and other works from the poet’s lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love and wrote into a new decade of release, experimentation and decadence.

A decade ago, Caitlin Moran thought she had it all figured out. Her instant bestseller How to Be a Woman was a game-changing take on feminism, the patriarchy and the general ‘hoo-ha’ of becoming a woman. Back then, she firmly believed ‘the difficult bit’ was over and her 40s were going to be a doddle. If only she had known: when middle age arrives, a whole new bunch of tough questions need answering.

On May 31, 1953, 20-year-old Sylvia Plath arrived in New York City for a one-month stint at Mademoiselle to be a guest editor for its prestigious annual college issue. Over the next 26 days, the bright, blond New England collegian lived at the Barbizon Hotel, attended Balanchine ballets, watched a game at Yankee Stadium, and danced at the West Side Tennis Club. This captivating portrait invites us to see Sylvia Plath before she became an icon - a young woman with everything to live for.

In the autumn of 1988, Michael Palin set out from the Reform Club with an ambitious plan: to circumnavigate the world, following the route taken by Jules Verne's fictional hero Phileas Fogg 115 years earlier. The rules were simple. He had to make the journey in 80 days using only forms of transport that would have been available to Fogg.

In this Very Short Introduction, Bernard O'Donoghue provides a fascinating look at the many different forms of writing which have been called "poetry" - from the Greeks to the present day. As well as questioning what poetry is, he asks what poetry is for, and considers contemporary debates on its value. Is there a universality to poetry? And does it have a duty of public utility and responsibility?

A Lie Too Big to Fail asserts the idea that a government can never investigate itself in a crime of this magnitude. Was the convicted Sirhan Sirhan a willing participant? Or was he a mind-controlled assassin? It has fallen to independent researchers like Pease to lay out the evidence in a clear and concise manner, allowing listeners to form their theories about this event. Pease places the history of this event in the context of the era and provides shocking overlaps between other high-profile murders and attempted murders of the time. 

A meeting at Oxford University during World War II signalled the beginning of a lifelong friendship between two outstanding contributors to 20th century English literature: Philip Larkin, poet, and Kingsley Amis, the prolific novelist. Selected from correspondence written between 1943 and 1985, these letters offer an entertaining and illuminating insight into the prejudices, exasperations and in-jokes of two literary greats. A linking commentary complements the writers' own words.