The Golden Notebook

Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. 

Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Claudia Hampton - beautiful, famous, independent, dying. But she remains defiant to the last, telling her nurses that she will write a 'history of the world...and in the process, my own'. And it is her story, from a childhood just after the First World War through the Second and beyond. But Claudia's life is entwined with others, and she must allow those who knew her, loved her, the chance to speak. There is Gordon, brother and adversary; Jasper, her untrustworthy lover and father of Lisa, her cool conventional daughter; and then there is Tom, her one great love.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

A woman writer goes to Athens to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives. The more they talk the more certain themes begin to emerge: the experience of loss, the difficulty of intimacy, and the mystery of creativity itself.

Once upon a time, damaged women came here to be cured. We took them in, fed them glasses of our clean, good water, let them scream at the waves till their lips split like ripe fruit. Now no one is left but my sisters and me. King died a year ago, quite suddenly. Mother has vanished, no one knows where. And the safe compound they built around us, far away from the toxic world, has finally been breached. Three men arrived last week, washed up by the sea, their gazes hungry and insistent. We remember now what our father taught us. 'If the men come to you, show yourself some mercy. Don't stick around and wait for them to put you out of your misery.'

The Portrait of a Lady tells the compelling and ultimately tragic tale of a beautiful young American woman's encounter with European sophistication. Set principally in England and Italy, the story follows Isabel Archer's fortunes as a variety of admirers vie for her hand. Her choice will be crucial, and she is not wanting for advice, whether from the generous-spirited Ralph Touchett or the charming Madame Merle.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

2016 Vineland. Meet Willa Knox, a woman who stands braced against the vicissitudes of her shattered life and family - and the crumbling house that contains her. 1871 Vineland. Thatcher Greenwood, the new science teacher, is a fervent advocate of the work of Charles Darwin, and he is keen to communicate his ideas to his students. But those in power in Thatcher's small town have no desire for a new world order. Thatcher and his teachings are not welcome. Both Willa and Thatcher resist the prevailing logic. Both are asked to pay a high price for their courage.

Milly Theale is a young, beautiful, and fabulously wealthy American. When she arrives in London and meets the equally beautiful but impoverished Kate Croy, they form an intimate friendship. But nothing is as it seems: materialism, romance, self-delusion, and ultimately fatal illness insidiously contaminate the glamorous social whirl.

Twenty years ago Helen Franklin did something she cannot forgive herself for, and she has spent every day since barricading herself against its memory. But her sheltered life is about to change. A strange manuscript has come into her possession. It is filled with testimonies from the darkest chapters of human history, which all record sightings of a tall, silent woman in black, with unblinking eyes and bleeding feet: Melmoth, the loneliest being in the world. Condemned to walk the Earth forever, she tries to beguile the guilty and lure them away for a lifetime wandering alongside her.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.