My Brilliant Friend

Parte Uno Dei Quattro--It's Worth it to Keep Goin'

I thought I'd chime in on this little novel to say to readers this first part of the so-called Neapolitan novels is worth reading to get to the really good stuff in parts 2, 3 and 4. Do NOT Give Up. I thought about abandoning this about halfway through it. I found books 2-4 addictive.

The author considers the 4 parts as just one novel (it was divided by the publisher into 4 parts). As such, it's really hard to rate My Brilliant Friend as a novel on its on. No doubt, one must read this to fully appreciate and enjoy parts 2, 3 and 4. Here, all the characters and conflicts are introduced as is the poor and violent neighborhood on the Naples outskirts, in itself a character as a magnet where the families live and so many things happen over the course of the books, as it stands at the foot of the infamous Mount Vesuvius, the only active volcano on mainland Europe.

Think of it like this: can you think of a great lengthy novel that if you read only 1/4 of it as a stand-alone novel, you'd love it and give it 5 stars. This wasn't written, or intended, to be read as a novel. This one, very similar to the first 1/4 of all really good lengthy novels, is mostly setup, introductions, character development up to, well, up to the teen years of the two main characters.

Viewed as one novel, it's a bildungsroman following the lives of Elena (called “Lenù”) Greco (the novel is told in the first person recollections of Elena) and her razor-sharp, but enigmatic, best friend Raffaella (“Lila”) Cerullo, from childhood, here in My Brilliant Friend, to adulthood.

I'd give this 3 stars as a stand-alone. Yet since it's really the first part of a single novel, I'll give it 4 stars because I'd give the novel an overall 4.5.

The narrator takes a little getting used to, but you'll find that she's perfect as you get into books 2, 3 and 4.

146 of 149 people found this review helpful

Well read except for jarring mispronunciations

I enjoyed this book a lot, except for the crazy, jarring mispronunciations of the character Lila's name. We learn that her name (Lee-la) is also Raphaela (which she is never called) and Lena (which she is sometimes called) but the reader also pronounces Lila as LIE-la numerous times, and even Lee-lo. Sometimes she pronounces her name two different ways in the same sentence!

15 of 15 people found this review helpful

Sweetly Dense and Focused

Any additional comments?

Ferrante seems like the "it" writer of the moment, so I gave this a shot because so many are talking about her. Expecting greatness -- maybe a Nobel candidacy -- I came into this in a demanding mood, and it mostly delivered. In its way, it's a "small" novel, a story that's confined to a handful of characters trapped in the same small neighborhood.

That claim hardly does it justice, though. It's rich in characterization and hunger, and it's a coming-of-society story as much as it is a coming-of-age one. I'm weak on my post-War Italy history, but it's clear that the protagonist is growing into adulthood just as Italy is shaking off the legacy of World War II. There's some explicit talk of building a new society, of forgetting the trajectory of the old ways, and then there are some powerful descriptions of how difficult it is to become someone other than your parents' child.

In the same way, I find this a striking feminist novel, too. The narrator's friendship with Lila is powerful and interesting. They're "frenemies" as much as best friends, and each undercuts the other's ambitions and hopes as often as she supports them. It's a great glimpse, as a male, at the very different dynamic that I've heard my wife and others describe in some of their friendships.

So, I love all that, but there are a few downsides.

First, the narrative is quiet and slow. I found I got hungry for more events, even small ones, but much of what happens is anticipation. Again, that's clever, but I'd like to have seen it culminate in more than it does.

Second, and this may be the same point from a different angle, it doesn't really end. That is, the next book in the cycle seems less a sequel than a continuation. I'm tempted to read it -- I am interested enough in the characters to want to know what becomes of them -- but I'm also ready (for now at least) for a change of pace.

So, on balance, I like this a lot and reserve the right to love it after I get to see more of what follows.

130 of 138 people found this review helpful

How not to read Ferrante

Would you recommend this book to a friend? Why or why not?

Yes, though I'd try to find another reader--or just read the book yourself.

What was one of the most memorable moments of My Brilliant Friend?

Losing the doll and trying to challenge the man who stole it. Not to mention the startling last line.

What didn’t you like about Hillary Huber’s performance?

Ms,. Huber over-interprets almost every line (save for the well read but sparse dialogue). Worse, she skews it toward the charming, the moving, the sentimental, the cute, the humorous--all this in an author who casts an unwavering, clear-eyed gaze on her Neapolitans. The listener is in a constant cringe as the reader insists we understand how poignant or wry or touching every moment is. In all my years of listening to audio books, I've never heard an interpretation that so compulsively forbids me from responding on my own. As I said, she reads the dialogue well: but the book is ninety percent narrative. And in that ninety percent, we are in big trouble.

Was My Brilliant Friend worth the listening time?

Yes, but see my objections to cringe-inducing reader.

Any additional comments?

I suspect I am doomed to hearing the entire series in this cloying interpretation. Oh, well.
For the opposite sort of reading of a very great book, listen to the audible edition PARADE'S END. A model of how to go about the task.

31 of 33 people found this review helpful

Candidate for the Nobel Prize in Literature?

Yes, Ferrante is that good. Everyone who was ever a girl, particularly one born before 1960, should read this book ..... That is, anyone who has been admired as pretty and has felt ugly; anyone who is the apple of a parent's eye and has been misunderstood by one; anyone who has been praised by a teacher and has been demeaned by one; anyone who has excelled and has failed; anyone who has used a boyfriend or girlfriend and has been used by one; anyone who has exceeded her potential and hasn't. Need I go on?

Ferrante has her pulse on what it has meant to become a woman (and live as one in later volumes) in a post-WWII western world, constrained by society (family, friends, neighborhood) and resources (usually limited); in this case, the subject just happens to live in Naples, Italy.

No matter that the narrator may have (did she?) mispronounced Italian words and the names Lila / "Lena"/ Elena get mixed up ... Her voice embodies the intimate world view that the author intended.

No matter whether or not you were a girl .... You are human aren't you? ... Read it.

89 of 102 people found this review helpful

Too Histrionic!

There was a prologue, but the story didn't explain the outcome. Maybe I'm too simpleminded, but I didn't recognize a plot in this book. The storyline was the girl going on and on of her life until the age of 16, that's it. Maybe that's why the book was loaded with over reactions to almost everything that happened. I lived in Naples for 3 years and I thought I might enjoy this book. I didn't.

11 of 12 people found this review helpful

Children In Naples

There are so many wonderful reviews for this series so decided to give it a try. For me, it just didn't work. The story was a very slow and detailed but at the same time sketchy look at life from a child's perspective. The reader was plodding and had an edge to her voice that was almost sarcastic? The whole thing just seemed off to me. I was never engaged or caught up in the story being told. It's hard for me to pinpoint the issue as either writing or narration. In the end, probably a bit of each. Can't recommend.

94 of 113 people found this review helpful

Friendship and Class

In this mesmerizing narrative about the friendship between two girls in a working class district of Naples, the author examines the influences of wealth, education, history and revenge on the social strata of the town and explores how the hunger for freedom expresses itself differently in each character.

16 of 19 people found this review helpful

Narration spoils story

After listening to My Brilliant Friend, I won't listen to the sequels. I didn't enjoy the narrator, who repeatedly mispronounced the name of one of the main characters: Leela? Lyla? Lola? Come on now!!! (In the author's defense, friends who READ the book enjoyed it more than I did LISTENING to it.)

84 of 103 people found this review helpful

Didn't like the story or the narration

Would you try another book from Elena Ferrante and/or Hillary Huber?

No. The story and characters in this series did not interest me or keep me interested to keep going. I did finish the book to see if it got better but was disappointed. The narration usually can make a story better at times with intonations, but this story was flat.

3 of 3 people found this review helpful