Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records; their club, The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation and changing the course of popular music.

To write about Tony Wilson, a.k.a. Anthony H. Wilson, is to write about a number of public and private characters and personalities, a clique of unreliable narrators, constantly changing shape and form. At the helm of Factory Records and the Haçienda, Wilson unleashed landmark acts such as Joy Division and New Order into the world as he pursued myriad other creative endeavours, appointing himself a custodian of Manchester's legacy of innovation and change.

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

Inspired by the attitude and energy of punk, Peter Hook and school friend Bernard Sumner joined lead-singer and lyricist Ian Curtis and drummer Stephen Morris, and with some cobbled-together instruments, they created their own unique sound. In 1980 they had released two albums and were on the cusp of touring America when Ian Curtis committed suicide. In this no-holds-barred account, Peter Hook gives us the inside story of life with Joy Division. He talks with candour and reflection about Curtis's suicide and covers the band's friendships and fall-outs....

Alan McGee's role in shaping British musical culture over the past 30 years is hard to overstate. As the founder of Creation Records, he brought us the bands that defined an era. A charismatic Glaswegian, who partied just as hard as any of the acts on his notoriously hedonistic label, he became an infamous character in the world of music.

Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for 30 years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs.

Jon Savage's oral history of Joy Division is the last word on the band that ended with the suicide of Ian Curtis in Macclesfield on May 18, 1980. It weaves together interviews conducted by the author, but never used in the making of the film Joy Division, which told the story of the band in their own words, as well as those of their peers, collaborators, and contemporaries.  

As lead singer of Happy Mondays and Black Grape, Shaun Ryder was the Keith Richards and Mick Jagger of his generation - one of the last real rock 'n' roll stars. A true rebel, who formed and led not one but two seminal bands, he's had number-one albums, headlined Glastonbury, toured the world numerous times, taken every drug under the sun, been through rehab - and come out the other side as a national treasure. 

 England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and the moment they defined for music fans in England and the United States. Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail and exclusive interviews. This fully revised and updated edition of the book covers the legacy of punk 25 years later and provides an account of the Pistols' 1996 reunion as well as a completely new introduction.  

Chris Frantz met David Byrne at the Rhode Island School of Art & Design in the early 1970s. Together - and soon with Frantz's future wife, Tina Weymouth - they formed Talking Heads and took up residence in the grimy environs of Manhattan's Lower East Side, where their neighbours were Patti Smith, William Burroughs and a host of proto-punk artists who now have legendary status. 

From humble beginnings in Middlesex, where money was scarce but dreams were encouraged, to the award-winning godfather of electronica, Gary Numan has seen it all. The first: a stratospheric rise to success quickly followed by a painful decline into near obscurity. The second: a 20-plus year renaissance catalysed by a date with a super-fan. (R)evolution is the rollercoaster rise and fall (and rise) of one man, several dozen synthesisers, multiple issues and two desperately different lives.

Tenement Kid is Bobby Gillespie's story up to the recording and release of the album that has been credited with 'starting the 90's', Screamadelica. Born into a working-class Glaswegian family in the summer of 1961, Bobby's memoirs begin in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock 'n' roll epiphany arrives like a bolt of lightning shining from Phil Lynott's mirrored pickguard at his first gig at the Apollo in Glasgow. 

Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

Very funny and (almost) stranger than Alexei's fiction....Alexei knew he was doomed to be different the day he was taken to see Sergei Eisentein's Alexander Nevsky instead of Walt Disney's Bambi. Born on the day that egg rationing came to an end, Alexei grew up with his parents and the Soviet Weekly. Each year they holidayed in Eastern Europe, where they were shown round locomotive factories and the sites of Nazi atrocities.