The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd. 

When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticising the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society.

Also known as Demons, The Possessed is a powerful socio-political novel about revolutionary ideas and the radicals behind them. It follows the career of Pyotr Stepanovich Verkhovensky, a political terrorist who leads a group of nihilists on a demonic quest for societal breakdown. They are consumed by their desires and ideals, and have surrendered themselves fully to the darkness of their "demons". This possession leads them to engulf a quiet provincial town and subject it to a storm of violence.

Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction. 

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife. 

This novel centers on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman, and the reproaches of his friend, the hardworking Schtoltz, Oblomov finds that he must engage with the real world and face up to his commitments. 

The Devil comes to Moscow, but he isn't all bad; Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s imperial Russia, Pushkin's novel in verse follows the emotions and destiny of three men - Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself - and the fates and affections of three women - Tatyana the provincial beauty, her sister Olga, and Pushkin's mercurial Muse.

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable.

Prince Lyov Nikolayevitch Myshkin is one of the great characters in Russian literature. Is he a saint or just naïve? Is he an idealist or, as many in General Epanchin's society feel, an "idiot"? Certainly his return to St. Petersburg after years in a Swiss clinic has a dramatic effect on the beautiful Aglaia, youngest of the Epanchin daughters, and on the charismatic but willful Nastasya Filippovna. As he paints a vivid picture of Russian society, Dostoyevsky shows how principles conflict with emotions - with tragic results.

When a respected surgeon decides to transplant human body parts into a stray dog, he creates a monster - drunken, profligate, aggressive and selfish. It seems the worst aspects of the donor have been transplanted as well. As his previously well-regulated home descends into riotous chaos, the doctor realises he will have to try to reverse the operation; but the dog isn't so keen....

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Against Nature was one of the most shocking French novels of the 19th century. When it was published in 1884, it thrilled the aesthetes, the poets, and the intellectuals of Europe on both sides of the Channel (notably Oscar Wilde) because for all its lofty tone, it had, as its core, an unbridled decadence, and it was this same character that challenged, even horrified, established bourgeois society.

A land-surveyor, known only as K., arrives at a small village permanently covered in snow and dominated by a castle to which access seems permanently denied. K.'s attempts to discover why he has been called constantly run up against the peasant villagers, who are in thrall to the absurd bureaucracy that keeps the castle shut, and the rigid hierarchy of power among the self-serving bureaucrats themselves.