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Cunning Folk

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Cunning Folk

By: Adam Nevill
Narrated by: Peter Walters
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About this listen

A compelling folk-horror story of deadly rivalry and the oldest magic from the author of The Ritual, The Reddening, No One Gets Out Alive and the four times winner of The August Derleth Award for Best Horror Novel.

No home is heaven with hell next door.

Money's tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why.

Within days of crossing the threshold, when hostilities break out with the elderly couple next door, Tom's dreams of future contentment are threatened by an escalating tit-for-tat campaign of petty damage and disruption.

Increasingly isolated and tormented, Tom risks losing his home, everyone dear to him, and his mind. Because, surely, only the mad would suspect that the oddballs across the hedgerow command unearthly powers. A malicious magic even older than the eerie wood and the strange barrow therein. A hallowed realm from where, he suspects, his neighbours draw a hideous power.

“Adam Nevill excels at making nightmares real.” (Guardian)

“Nevill has crafted some of the tensest scariest horror this reviewer has read in years.” (SFX)

©2021 Adam Nevill (P)2021 Ritual Limited
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All stars
Most relevant
When I asked Adam L.G. Nevill which of his novels he’s most proud of, he eloquently answered that “each was the best [he] could do at the time,” which is a smart response. He then added “…of late, ‘Cunning Folk’ [was] technically and aesthetically, what [he] wanted to write seemed to marry.”

Cunning Folk is Nevill playing in his wheelhouse. Brilliantly paced, at times darkly amusing, at times tragic, folk horror. Our protagonist’s obsessive descent is brilliantly realised and reads like “Gothic” by Philip Fracassi, but less pulpy, “The Shining” but less Shirley Jackson on crack, or Jeff Nichols 2011 gem “Take Shelter.” Mash this with a healthy dose of The League of Gentlemen - I couldn’t get Edward’s “there’s nothing for you here” and Tubbs’ cries of “we didn’t burn them!” out of my head everything the vindictive Moots were on the page - and you get Cunning Folk.

The novel’s well-worn tropes are delivered with such relish, it feels original and I don’t think Nevill’s writing has been better. It’s almost cinematic and it has some absolutely belting dialogue…

‘Your neighbours are cunning folk’
‘Is that a New Age definition of c**ts?’

…was a particularly tasty morsel that made me chuckle. Beyond the black humour there’s genuine darkness, and the final confrontation leaves a lasting impression, unsettling in its question of whether we truly can ever escape our demons unscathed, if indeed, at all.

“Your neighbours are cunning folk,”

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I'm a big fan of Adam Nevill, having either read or listened to all of his published work.

The problem I have with this book is that I can't decide if it is a good story or not. The reason for this is that the narration is just so poor. The character voices are laughable and at times the pacing is just all wrong.

In a month or two I'll buy the paperback and give it another go but I can't recommend paying for the audio version.

Disappointing

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This is narrated as though it is a fairy tale being read to five year olds. The narrators phlegmy voice is also very off putting. For these reasons I returned this book after about an hour. I suggest you listen to the sample before you choose the book.

Returned Due To Narrator

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Well worth a listen. Black magic in the english countryside. Pagan deity. Main character not espicially amiable, which is good here.

Enjoyable

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This is a difficult one because, after powering through Nevill's Hasty For The Dark, I was a massive fan and extremely excited for this one as soon as I saw it announced.

Folk Horror has been a real passion of mine ever since watching Ben Wheatley's Kill List and my love for the sub-genre only increased after his A Field In England.

The idea of nightmare neighbours isn't a new one but I did enjoy the after-dark trips into the woods with them. What's weird is that I leave the book in two minds; I grew frustrated at parts with the sheer amount of scene-setting and description to the point where I felt the metaphors used in places were needlessly hyperbolic but, at the same time, I don't feel the story was given enough time to develop in the way it did. I just can't accept that two weeks from moving in, one character is at death's door in hospital while another is hunting down the antagonists with a gun? The pace just felt janky.

Ultimately, yes, the swiftness of the story detracted somewhat from my enjoyment but, and this was first an observation made by a friend so I do not take credit, there was an entirely human horror here not satisfactorily explored - being financially trapped in a house and having nowhere to go. As a father (which is my least favourite way of beginning a sentence), one of my greatest fears is bringing my family into ruin like the protagonist does here. Being enthralled by the dream of happy-ever-after, clawing out of poverty in a capitalist system, only to fail dramatically and admit defeat is a horrible thing to imagine and I think the protagonist's main motivation of rage and fear of the supernatural should have been replaced with the human fear of failure and destitution. There could have been some really thought-provoking inner monologues on the subject.

Finally, the narration was entirely average but there were issues with the sound at points; a constant white noise in the background, obvious re-recording of small sections just stuck in the middle of a passage which broke immersion, and the narrator was too posh to convincingly narrate a working-class character. You wouldn't have Derrick Jacobi take Ray Winstone's place in the film Scum, would you?

Maybe 3 stars is harsh but 4 feels too high

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