Renaissance Lives

In this masterful work, listeners will encounter: the poets Petrarch and Boccaccio, the fathers of the Renaissance; the paintings, sculptures, and architecture of Milan, Florence, and Venice; the life and accomplishments of Leonardo DaVinci; the Catholic church and the popes of Avignon and Rome; the politicians and philosophers of Italy, including the Borgia family, Julius II, and Machiavelli; the Italian Wars, the conflicts with France, and the country's decline.

Beginning in the heady days just after the First Crusade, this volume - the third in the series that began with The History of the Ancient World and The History of the Medieval World - chronicles the contradictions of a world in transition. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453 - years that marked a sea change in mankind's perception of the world.

More than ever before, the Renaissance stands out as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics, and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. In this wide-ranging exploration of the Renaissance, Jerry Brotton shows the period as a time of unprecedented intellectual excitement, cultural experimentation, and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status.

In four decades, bookended by the Pope’s visits to Ireland in September 1979 and August 2018, Ireland has become one of the wealthiest and most progressive nations in the world. Characteristically brilliant and timely, Renaissance Nation is a thrilling account of Ireland’s vertiginous rise and a timely exploration of its conflicted present, where stark decisions await the next generation of would-be revolutionaries.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries.

Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became pope.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

If you want to discover the captivating history of the Renaissance, then pay attention.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

Giorgio Vasari (1511-1574) was a man of many talents - a sculptor, painter, architect, writer, and scholar - but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari's extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari's visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift.

Isabella and Ferdinand of Spain, given the title the "most Catholic monarchs" by the Pope during their reign over Spain, are often blamed for some of the greatest atrocities in history. Remembered primarily for commissioning Christopher Columbus's historical voyage to the New World in 1492, they have been assigned blame for the results of the Spanish Conquest, particularly the catastrophes that befell the Native Americans of the New World.

Ever since Machiavelli penned The Prince, his 1513 treatise on princely rule and the politics of reality, a work that infamously advises rulers to abandon virtue and morality when necessary, his name has been synonymous with deceit, duplicity, and amoral pragmatism. Since then a sinister reputation has posthumously plagued the controversial Florentine. But is this depiction of Machiavelli as wicked and immoral accurate?

The Renaissance spawned the use of the label "Renaissance man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original Renaissance man, Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers.

Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length.

It's safe to say there have been countless prophets and seers throughout history, but only one Nostradamus (1503-1566). Nostradamus has become a pop-culture fixture even among those who find nothing of note in his work. He is a cult figure among those who pore through his prophecies to look for proof that he foresaw major world events centuries ahead of time.

The Harlan Renaissance is an intimate remembrance of kinship and community in eastern Kentucky’s coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal’s final postwar boom years, which built toward an enduring bust as the children of Black miners, like the author, left the region in search of better opportunities.

"And they lived happily ever after." In fairy tales, that's always how things end. The prince and princess ride away on his white horse and from then on, all's right with the world. But what if it wasn't? What if the prince's life didn't suit the princess? What if she felt stifled by life inside the castle walls? Could she tell him? And if she loved him - really loved him - how could she ask him to give up his kingdom?

You can talk like the smartest people of all time. It's easy. Just quote them! This book is a museum of cryo-preserved quotes waiting for the Spring of your intellect. What is the purpose of this book? To help smart people become smarter. Mesmerism with aphorism. Every morning have some quotes with your oats. Quote books are high yield to accelerate your quest for wisdom. Open new metaphors of perception. Parry criticisms with witticisms. This is not just another simpleton, McPlatitude book.