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Roz Chast brings her brilliant, hilarious artwork to No Fair! No Fair! and Other Jolly Poems of Childhood by Calvin Trillin and The African Svelte: Ingenious Misspellings That Make Surprising Sense by Daniel Menaker, as well as her own memoir Can't We Talk About Something More Pleasant?. Join us for a conversation moderated by Adam Gopnik ( The New Yorker) between the artist and authors, plus readings by Jane Curtin and Reg Rogers ( The Knick).

Roz Chast brings her brilliant, hilarious artwork to No Fair! No Fair! and Other Jolly Poems of Childhood by Calvin Trillin and The African Svelte: Ingenious Misspellings That Make Surprising Sense by Daniel Menaker, as well as her own memoir Can't We Talk About Something More Pleasant?. Join us for a conversation moderated by Adam Gopnik ( The New Yorker) between the artist and authors, plus readings by Jane Curtin and Reg Rogers ( The Knick).

In 1976, following years of harsh cutbacks to salaries and benefits at the New Yorker, editorial workers - the fact-checkers, copy editors, and other paraliteraries - finally took a stand and began a drive to unionize the storied magazine. But strong-willed longtime editor William Shawn's fierce resistance to unionization kicked off a stalemate between management and their subordinates.