Showing results by narrator "Frank Clem" in All Categories

Who killed local debutante Delores Fogel in the sleepy central Texas town of Elysium? Benjamin LeFren was exonerated for the crime and released from jail 30 years after the fact, thanks in part to Shane Robeling, former FBI agent and now Elysium's Chief of Police. But now Shane is not so sure of LeFren's innocence. When LeFren shows up in Elysium, Shane must guard LeFren from the townspeople he has sworn to protect.

When an old man covered in dirt walks into the country honky-tonk and says "the falling," right before dropping dead, Bill Travis has to penetrate the gathering dark cloak of secrecy surrounding his death. He has to get the truth before a team of nuclear regulators can rake the entire incident under the carpet.

When Death Row inmate Norman Howell drops a tidbit about how he and his father once helped the current Texas Governor get rid of competing Vietnamese fisherman with the use of high-powered explosives, Bill Travis has to decide whether to kick (and awaken) this particular sleeping dog, or whether to let it go. But then the Governor's men come calling for him, and all hell breaks loose.

Let’s Go! is Nonstop action and adventure with just the right amount of light fantasy-fiction. Skip begins searching for his mysterious runaway brother, who was last seen in Tahiti. The search for his brother explodes into a dangerous journey Skip never expected. He meets Kanek, a Tahitian orphan, and together they sail around the world searching for Skip’s brother. They’re surprised and shocked about the dark discoveries they make, but are compelled to keep on the hunt.

There are good reasons why compelling action stories are popular. They give us the catharsis of adrenaline-pumping risk and danger, the rush of edge-of-your seat suspense, and a welcome escape from the sameness of everyday life. These three stories provide all that and more-and even better, they're given to you in the wonderful format of screenplays. As you listen, you have the chance to be the director as well as the audience-and you'll appreciate the format, easy on the eyes compared to prose fiction.