Showing titles in Aesthetics

No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world.

A classic teenage fetish object, the American driver’s license has long symbolized freedom and mobility in a nation whose design assumes car travel and whose vastness rivals continents. It is youth’s pass to regulated vice—cigarettes, bars, tattoo parlors, casinos, strip joints, music venues, guns. In its more recent history, the license has become increasingly associated with freedom’s flipside: screening. The airport’s heightened security checkpoint. Controversial ID voting laws...

Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it’s also waste—or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse.

When is the “beautiful game” at its most beautiful? How does football function as a lens through which so many view their daily lives? What’s right in front of fans that they never see? Football celebrates and scrutinizes the world’s most popular sport—from top-tier professionals to children just learning the game. As an American who began playing football in the 1970s as it gained a foothold in the States, Mark Yakich reflects on his own experiences alongside the sport’s social and political implications, its narrative and documentary depictions, and its linguistic idiosyncrasies

Ballot examines the psychological, cultural, and political significance of voting in an increasingly anti-voting climate. Armed with her personal experiences as a poll worker, electoral organizer, and activist, Anjali Enjeti unspools a timely narrative about the precarious state of the ballot during one of the most tumultuous political eras in US history, and recounts the astonishing events leading up to the 2024 presidential election.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist has played a crucial role in the birth of language and appears in nearly every form of nonverbal communication. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our heart. Yet the fist is also a sign of someone on the edge. This book asks what happens when we lean over the edge of what a fist can do and symbolize.

Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world’s most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.

The Wager We Never Won is a meditation on the human obsession with control—our endless attempts to gamble with chaos, to negotiate with fate, to turn risk into meaning. Through lyrical prose and quiet revelation, the book traces the lineage of ambition from the explorers who defied the sea to the modern dreamers who believe progress will save them. It asks whether courage and arrogance have ever truly been different, and whether survival itself might be the most dangerous illusion of all.

Was geschieht, wenn wir Kant nicht mehr als marmornes Denkmal, sondern als lebendigen Menschen lesen? Diese Frage bildet den Kern dieses Buches. Immanuel Kants Philosophie war niemals dazu bestimmt, als unverrückbares Dogma verehrt zu werden. Sie war ein kritisches Projekt, ein Versuch, die Grenzen der Vernunft sichtbar zu machen und Werkzeuge für weiteres Denken zu schaffen.

A través de la contemplación silenciosa del mundo que lo rodea, Tanizaki desvela el misterio de la sombra, que no es otro que la esencia misma de la belleza, con un estilo sencillo y ameno pero asombrosamente equilibrado, sereno y sutil.

To avoid the hurt from life's failures, we allow in more pain by downsizing our dreams. You know that you can reach that mountain top, yet deny it out of conditioned fear. The only way up is to remove every single layer of faulty programming.

Il tema della bellezza viene qui affrontato da Umberto Galimberti, come nel suo stile, con un ritorno alle sorgenti della nostra cultura. Se quella ebraica era una cultura della parola, quella greca era invece una cultura della visione, dominata dal senso della finitudine e della misura. Così anche la bellezza per l'uomo greco antico è ciò che rispetta delle misure, e cioè ha proporzioni calcolabili. Il cristianesimo porterà poi sulla scena un Dio che si fa corpo visibile, dando in questo modo maggior spazio all'immagine e quindi all'arte figurativa.

La misteriosa natura del bello, a cui faceva riferimento Simone Weil, non è puramente estetica, cioè riconducibile a questioni di gusto. Essa è piuttosto ontologica ed etica, strettamente unita com'è al vero, al giusto e al bene. È questo il senso della bellezza che si ritrova nei testi classici della grecità, da Omero a Saffo ai tragici. Umberto Curi vi si sofferma ampiamente in questo suo saggio, che ha al centro l'analisi del rapporto tra bellezza e tempo.

Kant ataca por primera vez el problema estético, y aunque sus ideas fundamentales acerca del arte y la belleza se hallan sistemáticamente expuestas en su obra posterior, la Crítica del Juicio, tienen, sin embargo, las Observaciones sobre el sentimiento de lo bello y lo sublime cierto interés para el conocimiento de los orígenes de la estética kantiana. Pero sobre todo constituyen, una serie de delicadas ocurrencias, de certeras observaciones, de agudas críticas, sin el aparato solemne de la exposición didáctica.

Immanuel Kant, seiner Zeit voraus und besonders spannend im Kontext aktueller Geschlechter- und Rassismusdiskussionen zu lesen, positioniert sich in der Rolle des Beobachters und beschreibt seine Erfahrungen gegenüber dem Gefühl des Schönen und Erhabenen - in vier verschiedenen Kontexten.

Más que de estética, en el sentido estricto de la palabra, este tratado explora asuntos diversos como la moral, la psicología, la descripción de los caracteres individuales y nacionales. Temas que pueden ocurrirse alrededor del asunto principal. Es una obra sencilla, llena de ingenio y alegría. Kant, ataca por primera vez el problema estético, y aunque sus ideas fundamentales acerca del arte y la belleza se hallan sistemáticamente expuestas en su obra posterior, la "Crítica del Juicio", tienen aquí cierto interés para el conocimiento de los orígenes de la estética Kantiana.

Wer durch irgendetwas auf Hermann Broch stößt, hat es bald mit Kitsch zu tun. Oder umgekehrt: wer das Phänomen Kitsch auf den Begriff bringen will, kommt an ihm nicht vorbei. Broch sagt Wesentliches zum Thema. Und er ist nicht zimperlich dabei. Seine sehr anspruchsvolle Aufklärung ist fundamental und rigoros. Wer sich darauf einlässt, hat viel gewonnen.

"Ueber das Erhabene" wurde erstmals 1801 als Essay veröffentlicht und war Bestandteil des Bandes "Kleinere prosaische Schriften". Im Gegensatz zu Kant sind bei Schiller die Begriffe Schönheit und Erhabenes gleichwertig und bilden zusammen die Basis eines vollwertigen moralischen Menschen. Zur vollendeten Menschlichkeit gehört laut Schiller zudem die Kunst, die bei Kant ebenfalls autark auftritt.

Discover long term minimalist strategies that will get your home cleaned and organized in just seven days! Are you feeling stressed and overwhelmed with all the clutter in your life? Do you sometimes get the horrible impression that someday you will drown under all the unnecessary stuff piling in your life? Yet despite all your efforts the clutter always come back doesn't it. Well not anymore! With this guide you will finally have the secret weapon you need to live a life free of clutter!

Imagine having more time and energy to do what you love. Minimalism will help you reduce your stress levels, pointless distractions, and even improve your overall mental health, well-being, and happiness. Do you want to live a simpler way of life? Are you tired of all the clutter around you? Are you finally realizing that owning more stuff does not equate to happiness? With minimalism, the less you have, the better!