Showing results by publisher "Highbridge Audio" in United States

The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. 

Through the eighteenth and early nineteenth centuries, it was a fact universally acknowledged that any man in want of a great fortune ought to find himself a Caribbean heiress. Their assets, the product of the exploitation of enslaved African men, women, and children, enabled them to marry into the top tiers of the aristocracy and influence society and politics. They fell in love (not always with their husbands), eloped, divorced, squandered fortunes, commissioned art, threw parties, went mad and (in once case) faked a daughter's death.

Imagination: A Manifesto offers visionary examples and tactics to push beyond the constraints of what we think, and are told, is possible. This book is for anyone who is ready to take to heart Toni Morrison's instruction: "Dream a little before you think."

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

Almost 200,000 African Americans fought to save the Union, many believing that military service was the pathway to freedom. Yet their journeys for liberation continued. They marched across taxing terrain, performed backbreaking labor, and endured corporeal punishment. They agonized over families still enslaved and suffered virulent diseases. They fought on bravely, yet thousands ran. Chafing against restraints and violence, they briefly liberated themselves.

Gettysburg explains the battle's place in the Civil War, why two vast armies clashed there, and how, in the century and a half since, it has been re-imagined, re-created, and re-enacted. It is the story of a battle which no one planned but which became the bloodiest encounter of the war, and one with dramatically high stakes. The postwar romanticization of Gettysburg as the place of "might-have-beens" is based on a kernel of reality.

First published in 1969, Black Theology and Black Power is the first systematic presentation of black theology that also introduced the voice of a young theologian who would shake the foundations of American theology. Relating the militant struggle for liberation with the gospel message of salvation, James Cone laid the foundations for an interpretation of Christianity from the perspective of the oppressed that retains its urgency and challenge today.

Over a few weeks in 1741, 10 fires blazed across Manhattan. With each new fire, panicked whites saw more evidence of a slave uprising. Tried and convicted before the colony's Supreme Court, 13 black men were burned at the stake and 17 were hanged. Four whites, the alleged ringleaders of the plot, were also hanged, and seven more were pardoned on condition that they never set foot in New York again.

From the opening shots to General George Pickett's ill-fated charge, Bruce Catton tells the dramatic story of the battle that resulted in more than 51,000 Union and Confederate casualties and changed the course of the war.

In his reflections on God, Jesus, suffering, and liberation, James H. Cone relates the gospel message to the experience of the Black community. But a wider theme of the book is the role that social and historical context plays in framing the questions we address to God as well as the mode of the answers provided. 

In the early 1900s, many Americans actually believed we had discovered intelligent life on Mars, as bestselling science writer David Baron chronicles in The Martians, his truly bizarre tale of a nation swept up in Mars mania. At the center of Baron's historical drama is Percival Lowell, the Boston Brahmin and Harvard scion, who observed "canals" etched into the surface of Mars. Lowell devised a grand theory that the red planet was home to a utopian society that had built gargantuan ditches to funnel precious meltwater from the polar icecaps to desert farms and oasis cities.

In Fantasies of Nina Simone, Jordan Alexander Stein examines the space between our collective and individual fantasies about Simone the performer, civil rights activist, and icon, and her own fantasies about herself. Stein outlines how Simone gave voice to personal fantasies through releasing dozens of covers of her white male contemporaries.

For a Dollar and a Dream shows how, in an era of stagnant upward mobility, millions of Americans turned to the lottery as their only chance at achieving the American Dream. Gamblers were not the only ones who bet on betting. As voters revolted against higher taxes in the late twentieth century, states saw legalized gambling as a panacea, a way of generating revenue without cutting services or raising taxes. Alongside stories of winners and losers, Jonathan Cohen charts the untold history of the nation's lottery system, revealing how players and policymakers alike got hooked.

Linguists have been studying Black English as a speech variety for years, arguing to the public that it is different from Standard English, not a degradation of it. Yet false assumptions and controversies still swirl around what it means to speak and sound "Black." In his first book devoted solely to the form, structure, and development of Black English, John McWhorter clearly explains its fundamentals and rich history while carefully examining the cultural, educational, and political issues that have undermined recognition of this transformative, empowering dialect.

Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched.

Evil has a way of finding itself. How else could you explain the bond between Alvin and Judith Ann Neelley, who consecrated their marriage in blood? Before the killings started, they restricted themselves to simple mischief: prank calls, vandalism, firing guns at strangers' houses. Gradually their ambition grew, until one day at the Riverbend Mall in Rome, Georgia, they spotted Lisa Ann Millican.

Norman MacLean spent the last 14 years of his life determined to sift through grief and controversy in search of the truth behind the Mann Gulch tragedy, one of the worst disasters in the history of the Forest Service. Young Men and Fire is the culmination of his investigations. It is a story about honor, death, compassion, and the human spirit.

Native America presents an infinitely surprising and fascinating deep history of the continent's Indigenous peoples. Kenneth Feder, a leading expert on Native American history and archaeology, draws on archaeological, historical, and cultural evidence to tell the ongoing story, more than 20,000 years in the making, of an incredibly resilient and diverse mixture of peoples, revealing how they have ingeniously adapted to the many changing environments of the continent, from the Arctic to the desert Southwest. 

Post-traumatic stress disorder was recognized as a psychiatric disorder in the latter part of the 19th century. In PTSD, Allan V. Horwitz traces the fluctuations in definitions of and responses to traumatic psychic conditions. Arguing that PTSD, perhaps more than any other diagnostic category, is a lens for showing major historical changes in conceptions of mental illness, he surveys the conditions most likely to produce traumas, the results of those traumas, and how to evaluate the claims of trauma victims. 

You probably know Roxie and Velma, the good-time gals of the 1926 satirical play Chicago and its wildly successful musical and movie adaptations. You might not know that Roxie, Velma, and the rest of the colorful characters of the play were inspired by real prisoners held in "Murderess Row" in 1920s Chicago - or that the reporter who covered their trials for the Chicago Tribune went on to write the play Chicago. Now, more than 90 years later, the Chicago Tribune tells the story of the four women who inspired the timeless characters of Chicago.